Fans pick 91 books like The Stranger Diaries

This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.

The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.

This is a Gothic suspense classic, but the suspense is gradual in the most delicious way. The book begins with a 1930s meet-cute in which a young paid companion to a rich and unpleasant woman meets a wealthy, unhappy widower at a resort. The young woman befriends the man while her employer is bedridden with a cold, and the two share some funny and touching moments.

The Gothic part comes when he unexpectedly proposes marriage, and they return to his gargantuan family estate, Manderley, which was formerly run by his late wife, Rebecca. Now, the spookiness permeates the story, from the shadowy corners of the mansion to the constant watchfulness of the very creepy housekeeper, Mrs. Danvers. Rebecca has been in print for almost a hundred years, and that alone is evidence of its awesomeness.

In this modern feminist era, Maxim DeWinter might seem horribly patriarchal, but it’s utterly believable… show more.

I adore reading atmospheric adventures of mystery, supernatural, and ghostly powers; this book has these values in abundance. Noemi’s alluring character is smart, savvy, and admirably vulnerable. Loved her. At High House in the Mexican countryside, Noemi discovers ghostly entities repeatedly forming blisters across the walls. How mysterious and threatening; I was fascinated.

The best part of the novel for me was the emotional intelligence of the characters because their behavior is both suspiciously rational and heart-stopping clever. Gripping as all heck. This family was obsessed with a relentless desire to rule and control their destiny at all costs via Otherworld powers. Absolutely compelling. I was breathless along with Noemi at every step as she was drawn into the dangers and treacherous family secrets that threatened to kill her.

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

Harriet Vane, a thinly disguised Sayers (who it seemed had fallen in love with her fictional detective, Lord Peter Wimsey), gets her own book where she goes back to Oxford to the women’s college she graduated from, to help uncover a mystery.

There is a delight in the fact that the female can be as deadly as the male, offering up a new sort of equality. This became a lovely television series starring Harriet Walter, but the book is rich and wonderful and sprinkled with untranslated Greek. You feel smarter, just holding it; it made me really wish I’d tried harder to qualify for a Rhodes scholarship back in the day.

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

Now I’m torn. Agnes Sharp and her housemates are delightful, but a friend of mine tells me that I am Joyce in this book. This series is one of the best I’ve read in the past few years, and this book is one of the best ones in the series.

I’ll gladly join septuagenarians Elizabeth (could she have worked for Scotland Yard?), Ibrahim (a psychologist), Ron (a brawling socialist organizer), and Joyce (gentle and perhaps not as naïve as she seems) at their posh retirement village as they discuss unsolved crimes each Thursday. And I’m definitely there to solve the murder of that local developer. No way the villain will get away from this brilliant gang of sleuths. 

Skip this one if masterful suspense and paranoia aren’t your thing. In this book, a woman is facing life in prison, and the story is told through letters she writes to a lawyer, pleading with him to help her with her defense.

Ware sucks you in with writing that feels effortless, then she ratchets up the tension, again and again, until you can’t stand it, and then just when you think you’re going to get some relief, it gets turned up to eleven. 

The Three Coffins is legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.

If you’re interested in locked-room mysteries, cozy crime, or magic, then you need to read this book.

Gigi Pandian is one of the best in the business, and with Under Lock & Skeleton Key she launches a brand new and exciting series. Gigi is excellent at creating charming characters that the reader cannot help but care about – this makes the mysteries themselves all the more compelling – and this book captures everything that’s great about her writing.