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I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.
While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful, the gilded cage of a mansion ruled over by a domineering housekeeper, the unforgettable Mrs. Danvers.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
I’ve always loved a good Gothic novel, but Moreno-Garcia raised the bar with this book.
Part mystery, part romance, part haunted house story—this novel runs the gamut from eerie to enchanting. The menacing secrets of High Place, set against the backdrop of glamorous 1950s Mexico, drew me into an intriguing plot that was as captivating as it was frightening.
The award-winning author of Gods of Jade and Shadow (one of the 100 best fantasy novels of all time, TIME magazine) returns with a mesmerising feminist Gothic fantasy, in which a glamorous young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico.
He is trying to poison me. You must come for me, Noemi. You have to save me.
When glamorous socialite Noemi Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but…
Cleo Cooper, a cross-cultural psychology professor, is living the dream on the Big Island of Hawaii. With ocean-dipping weekends, she enjoys her dog, her job, and her boyfriend Ben - until the day she’s on a research vessel and a dead body is caught in the dragline.
The police determine it is murder and set their sights on a gentle former student, Kai. It doesn’t take much urging from Kai’s auntie for Cleo to investigate. But Ben grows distant, and Cleo’s dog grows ill. A couple of accidental deaths later, and someone makes an attempt on her life.
What happened to Cleo’s life in paradise? Can she discover the true killer? Can she stop the killer before the killer stops her?
Paradise is shaken when the body of a young woman is dragged onto a university research vessel during a class outing in Hilo Bay. Cleo Cooper is shaken when she finds her favorite student is on the hook for the murder. Danger lurks on land and sea as Cleo and her friends are enticed to search for the true killer. In between paddling, swimming, and arguing with her boyfriend, Cleo discovers all is not what it seems on the Big Island of Hawaii. But will she figure out the truth before she becomes the next victim?
The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.
This book explores a parallel world, a familiar world like the protagonist’s but a mixture of a better and worse one, what could keep her there, and wanting to get out.
I watched the adapted film first then read the book, in a way, seeing them both is like looking at two different universes like I’ve been looking at the Other Coraline book. I recommend reading the book if you have seen the film, to spot differences but still enjoy a journey.
And it is a great journey even if the book is your first exploration in the story.
"Sometimes funny, always creepy, genuinely moving, this marvellous spine-chiller will appeal to readers from nine to ninety." - "Books for Keeps". "I was looking forward to "Coraline", and I wasn't disappointed. In fact, I was enthralled. This is a marvellously strange and scary book." - Philip Pullman, "Guardian". "If any writer can get the guys to read about the girls, it should be Neil Gaiman. His new novel "Coraline" is a dreamlike adventure. For all its gripping nightmare imagery, this is actually a conventional fairy story with a moral." - "Daily Telegraph". Stephen King once called Neil Gaiman 'a treasure-house…
I am the author of the Sherlockiana duology My Dear Watson and Mrs. Watson: Untold Stories. I chose these books because they all have British women at the helm, involve detectives and/or investigative processes, and contain close-to-home scandals and intrigue. In that sense, these are “domestic” mysteries—books that contain puzzles related to everyday household drama. Miss Marple, Harriet Vane, and the women of Baker Street solve literal detective cases. The secret writings of Anne Lister and Constance Wilde show how they decoded the homosexual element in their lives, and used their writing to maintain a sense of self in oppressive societies. Each of them are women after my own heart.
Gaudy Night is one of several books featuring Harriet Vane, a mystery writer who first meets detective Lord Peter Wimsey while on trial for allegedly poisoning her lover. Set in a fictional Oxford women’s college, the story involves threatening letters, escalating vandalism, and violence.
Harriet is an educated professional. She is notorious due to scandal. She is trying to balance her independence in the 1930s and her romance with Peter. She is conflicted about whether her future should involve marriage and children.
This book is both a detective story, and a novel about the work-life balance struggles faced by women. Can Harriet “have it all” on her own terms? With the respect of the right partner, and a knowledge of her own mind, needs, and desires, it’s definitely worth trying.
The twelfth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by actress Dame Harriet Mary Walter, DBE - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
'D. L. Sayers is one of the best detective story writers' Daily Telegraph
Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back . . .
At first she thinks her worst fears have been fulfilled, as she encounters obscene graffiti, poison pen letters and a disgusting effigy when she arrives at sedate Shrewsbury…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
Of the many ghost stories in my collection, this must be my favorite and the one I recommend most to both newcomers and veterans of Gothic literature. (With nary a ghost in sight!) Once again, none of the adaptations can fully capture the dark magic at the novel’s heart.
Building on the emotional and psychological elements first touched on in Henry James’s, The Turn of the Screw, Jackson reinvented the haunted house genre and gave us an instant classic to which all other such tales must inevitably be compared. Cherished by horror writers and readers everywhere, this book captivates from its celebrated first paragraph to its very last line. Hill House, not sane, is waiting for you.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I love mysteries, but I find that after a while, a lot of them tend to run together in my head. So I just love it when I find a book with a setting so unique that it sticks in my mind forever. And it’s even better when the author uses that setting to show me something new about human nature, history, or society while still delivering me a plot that keeps me turning pages.
This was a book that I picked up because my Mom recommended it. And she struck gold with this one. The book is set in a British retirement community, where a group of old-timers spend their time trying to solve cold cases. But over the course of the book, they get themselves caught up in one very hot case.
The POV shifts between different characters, who all have interesting voices and skill sets.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
While an adjunct professor at a local Midwestern college, I taught a night course in gothic literature. It was winter and my drive was over an hour to the satellite location. The wintry journey seemed apropos of the gothic’s dark themes, eerie atmosphere, and supernatural world. Though I’d enjoyed gothic novels in the past, this course cemented my love of all things gothic. By teaching the course, I enhanced my understanding of gothic fiction through such stories as, The Yellow Wallpaper by Charlotte Perkins Gilman, The Turn of the Screw by Henry James, and Where are you going, where have you been by Joyce Carol Oates.
I’m always intrigued by books that re-envision a classic novel or play.
This updated version of Henry James’s The Turn of the Screw is cleverly told in first person by a nanny who relates the story of a child who died under her care. A smart house stands in for the creepy gothic mansion. Its surveillance system creates a feeling of paranoia and fear. The twist at the end is worthy of James.
My favorite childhood summertime memory is being allowed to choose a stack of Agatha Christies to take with me to summer camp and on vacation. As I moved on to academia and the “serious” study of literature, I quickly discovered that mysteries are every bit as serious as James Joyce—and are a lot more fun to read. Now that I have turned to writing the stories myself, I enjoy diving into a world of afternoon tea, well-read detectives, and impeccably mixed cocktails, and I love to find readers who want to join me there.
The Three Coffinsis legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.
Professor Charles Grimaud was explaining to some friends the natural causes behind an ancient superstition about men leaving their coffins when a stranger entered and challenged Grimaud's skepticism. The stranger asserted that he had risen from his own coffin and that four walls meant nothing to him. He added, 'My brother can do more... he wants your life and will call on you!' The brother came during a snowstorm, walked through the locked front door, shot Grimaud and vanished. The tragedy brought Dr Gideon Fell into the bizarre mystery of a killer who left no footprints.
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
If you’re interested in locked-room mysteries, cozy crime, or magic, then you need to read this book.
Gigi Pandian is one of the best in the business, and with Under Lock & Skeleton Key she launches a brand new and exciting series. Gigi is excellent at creating charming characters that the reader cannot help but care about – this makes the mysteries themselves all the more compelling – and this book captures everything that’s great about her writing.
"Wildly entertaining." —The New York Times Book Review
Known for her wonderfully addictive characters, multiple award-winning author Gigi Pandian introduces her newest heroine in this heartfelt series debut. Under Lock & Skeleton Key layers stunning architecture with mouthwatering food in an ode to classic locked-room mysteries that will leave readers enchanted.
An impossible crime. A family legacy. The intrigue of hidden rooms and secret staircases.
After a disastrous accident derails Tempest Raj’s career, and life, she heads back to her childhood home in California to comfort herself with her grandfather’s Indian home-cooked meals. Though she resists, every day brings her…
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