Here are 86 books that Under Lock & Skeleton Key fans have personally recommended if you like
Under Lock & Skeleton Key.
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I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
Harriet Vane, a thinly disguised Sayers (who it seemed had fallen in love with her fictional detective, Lord Peter Wimsey), gets her own book where she goes back to Oxford to the women’s college she graduated from, to help uncover a mystery.
There is a delight in the fact that the female can be as deadly as the male, offering up a new sort of equality. This became a lovely television series starring Harriet Walter, but the book is rich and wonderful and sprinkled with untranslated Greek. You feel smarter, just holding it; it made me really wish I’d tried harder to qualify for a Rhodes scholarship back in the day.
The twelfth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by actress Dame Harriet Mary Walter, DBE - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
'D. L. Sayers is one of the best detective story writers' Daily Telegraph
Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back . . .
At first she thinks her worst fears have been fulfilled, as she encounters obscene graffiti, poison pen letters and a disgusting effigy when she arrives at sedate Shrewsbury…
I started reading mysteries as a way to avoid studying for final exams as an undergrad. Nemesis by Agatha Christie was my gateway mystery. That was fifty-plus years and many, many mysteries read ago. I managed an independent bookstore for several years and then worked in a public library for twenty more. I especially liked introducing readers to my favorite mysteries in the store and the library. Why mysteries in particular? Because they do something that doesn’t often happen in real life—they restore order. But the best mysteries, to my mind, are the ones that include humor. We need humor in our lives because it restores hope.
Now I’m torn. Agnes Sharp and her housemates are delightful, but a friend of mine tells me that I am Joyce in this book. This series is one of the best I’ve read in the past few years, and this book is one of the best ones in the series.
I’ll gladly join septuagenarians Elizabeth (could she have worked for Scotland Yard?), Ibrahim (a psychologist), Ron (a brawling socialist organizer), and Joyce (gentle and perhaps not as naïve as she seems) at their posh retirement village as they discuss unsolved crimes each Thursday. And I’m definitely there to solve the murder of that local developer. No way the villain will get away from this brilliant gang of sleuths.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
My favorite childhood summertime memory is being allowed to choose a stack of Agatha Christies to take with me to summer camp and on vacation. As I moved on to academia and the “serious” study of literature, I quickly discovered that mysteries are every bit as serious as James Joyce—and are a lot more fun to read. Now that I have turned to writing the stories myself, I enjoy diving into a world of afternoon tea, well-read detectives, and impeccably mixed cocktails, and I love to find readers who want to join me there.
The Three Coffinsis legendary among traditional mystery fans for its “locked room” lecture in Chapter Seventeen, in which the detective, Dr. Gideon Fell announces, “We're in a detective story, and we don't fool the reader by pretending we're not. Let's not invent elaborate excuses to drag in a discussion of detective stories. Let's candidly glory in the noblest pursuits possible to characters in a book." He then goes on to enumerate and classify the possible solutions to an impossible crime. What I love about this chapter is that Carr unapologetically defends escapist stories that depend upon style, wit, and an intelligent puzzle, rather than grimly realistic depictions of everyday life.
Professor Charles Grimaud was explaining to some friends the natural causes behind an ancient superstition about men leaving their coffins when a stranger entered and challenged Grimaud's skepticism. The stranger asserted that he had risen from his own coffin and that four walls meant nothing to him. He added, 'My brother can do more... he wants your life and will call on you!' The brother came during a snowstorm, walked through the locked front door, shot Grimaud and vanished. The tragedy brought Dr Gideon Fell into the bizarre mystery of a killer who left no footprints.
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
While an adjunct professor at a local Midwestern college, I taught a night course in gothic literature. It was winter and my drive was over an hour to the satellite location. The wintry journey seemed apropos of the gothic’s dark themes, eerie atmosphere, and supernatural world. Though I’d enjoyed gothic novels in the past, this course cemented my love of all things gothic. By teaching the course, I enhanced my understanding of gothic fiction through such stories as, The Yellow Wallpaper by Charlotte Perkins Gilman, The Turn of the Screw by Henry James, and Where are you going, where have you been by Joyce Carol Oates.
What I admire about this gothic mystery is how it alternates between three narrators—a high school English teacher, her teenage daughter, and a detective—without losing tension and suspense.
The plot is beautifully interwoven. The English teacher, who’s writing a biography of an author of gothic tales, learns that her best friend is murdered, and that a line from the gothic writer’s story is found near the murder victim. Her diary becomes an outlet for her fears and suspicions, until someone writes in it.
THE TIMES CRIME BOOK OF THE YEAR. THE RICHARD & JUDY BOOK CLUB PICK.
'Utterly bewitching ... a pitch-perfect modern Gothic' AJ FINN, author of THE WOMAN IN THE WINDOW
A dark story has been brought to terrifying life. Can the ending be rewritten in time?
This is what the police know: English teacher Clare Cassidy's friend Ella has just been murdered. Clare and Ella had recently fallen out. Found beside the body was a line from The Stranger, a story by the Gothic writer Clare teaches, and the murder scene is identical to one of the deaths in the…
I’m an author of over seventy romance books and have been a romance reader all my life. I think the first book I wrote (at the age of eight) featured a kiss. Yes, I was precocious, but in my defense, I was spying on my much older sister and her boyfriend at the time. Reading and writing romance is my passion, and I love spending my days creating independent, intelligent, and feisty heroines and hot, smart, modern men. I’m lucky enough to spend my days doing what I love. I hope you love the books on my list, and that they bring you as much pleasure (and an escape from reality) as they did me.
This is a seriously funny book full of great dialogue. It’s also a great premise…the hero who makes a bet with his friend to sleep with said friend’s very cranky ex-girlfriend.
Min has just been recently dumped by a man she didn’t love, but she’s not in the mood to deal with any man’s ****. Cal is stupidly handsome, successful, and charming, but he needs to be brought down a peg or ten. This is opposites attract romance with lots of heart!
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
I fell in love with Kate Shugak as soon as I met her on the page.
Kate's an Aleutian private investigator who lives with Mutt, her half-wolf, half-husky, on a 160-acreage homestead in Alaska. Do you know why Kate carries a scar from ear to ear? Do you know why Kate and Mutt's nearest other neighbors are a grizzly bear and a moose, and why they like it that way?
If so, you probably know how everyone turns to Kate for justice and that this very first book won an Edgar Award. Maybe you, like me, have read all 26 books in this series. High five.
Kate Shugak returns to her roots in the far Alaskan north, after leaving the Anchorage D.A.'s office. Her deductive powers are definitely needed when a ranger disappears. Looking for clues among the Aleutian pipeliners, she begins to realize the fine line between lies and loyalties--between justice served and cold murder.
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
What if you wanted to practice law in India in 1922?
Women weren't allowed in court, but Perveen Mistry becomes a solicitor instead, working behind the scenes on wills and estate files. Perveen's gender becomes an asset when she can speak to women in purdah, a practice where women seclude themselves from men in some Muslim or Hindu communities.
I liked the first book, The Widows of Malabar Hill, but truly enjoyed The Satapur Moonstone, where Perveen heads out to the Sahyadri mountains to help a royal family after the maharaja has died and the crown prince is too young to rule.
In addition to the mystery, and learning about the history of India, I could hear the buzz of mosquitoes, the tree frogs peeping, and the hooting of owls, as well as imagine the tigers and leopards in the jungle.
'Vivid and clever...love her to bits.' Kerry Greenwood, bestselling author of the Miss Phryne Fisher series
The delightfully clever Perveen Mistry, Bombay's first female lawyer, returns in an adventure of treacherous intrigues and suspicious deaths.
India, 1922: It is rainy season in the lush, remote Sahyadri Mountains southeast of Bombay, where the kingdom of Satapur is tucked away. A curse has fallen upon Satapur's royal family, whose maharaja and his teenage son are both dead. The kingdom is now ruled by an agent of the British Raj on behalf of Satapur's two maharanis, the dowager queen and the maharaja's widow.…
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
Everything about this book steals my heart, from Chloe's tenderness with horses to the Diné (Navajo) children who don't have enough books at their school.
But let me back up and tell you that Chloe is pregnant with Hank's child. She shouldn't be riding horses at all, but the call is too strong. Hank's a good guy who can't find professor work in Arizona, ends up teaching the Diné children, and finds he loves them more than working at a university.
It should be a happy ending between Hank and Chloe and the upcoming baby, except the horse belongs to an artist named Junior Whitebear, who returns to town and forms an instant, overpowering connection with Chloe. Mapson writes so well that she makes me ache.
When 34-year-old Chloe Morgan appears on Hank Oliver's doorstep in Cameron, Arizona, she arrives with more than her old white German shepherd, Hannah, and a rambunctious horse in tow. Chloe is pregnant with Hank's child, and she's as tough-talking and vulnerable, skittish and tender as when last we saw her, in Jo-Ann Mapson's acclaimed first novel Hank & Chloe.
Loving Chloe takes up where the earlier novel leaves off. As Chloe and Hank settle somewhat uneasily into domesticity in his grandmother's cabin, a local Navajo legend named Junior Whitebear, an artist whose work has been praised by the eastern commercial…
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
This book captures just about everything I love about the mystery genre.
It’s a locked-room mystery set in a snowbound cabin, where a group of city slickers find themselves confronted with a seemingly supernatural entity: the Wendigo. Rim of the Pit has a tangible sense of dread, which is something you don’t often find in Golden Age mysteries, but at the same time it’s a masterclass in logic and misdirection.
It certainly taught me a lot about creating suspense but also about planting clues – lessons I’ve put to use in my own books.
The cult classic mystery that John Dickson Carr hailed as “a marvel of ingenuity.”
“I came here to make a dead man change his mind.”
So begins a creepy and unusual mystery celebrated to this day as one of the greatest “impossible crime” novels of all time. When a family’s promise to protect the beloved pine grove of their dead father creates a financial strain, a seance is suggested to summon the ghost of the late logger and ask its permission. A mixed group of skeptics and believers convene at a snow-bound lodge to call the spirit with a group…
Cleo Cooper, a cross-cultural psychology professor, is living the dream on the Big Island of Hawaii. With ocean-dipping weekends, she enjoys her dog, her job, and her boyfriend Ben - until the day she’s on a research vessel and a dead body is caught in the dragline.
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!
The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.
But most important of all, this book offers an irresistible mystery that certainly kept me guessing!
A detective steeped in the art of magic solves the mystifying murder of two occultists.
Now retired from the tour circuit on which he made his name, master magician The Great Merlini spends his days running a magic shop in New York’s Times Square and his nights moonlighting as a consultant for the NYPD. The cops call him when faced with crimes so impossible that they can only be comprehended by a magician’s mind. In the most recent case, two occultists are discovered dead in locked rooms, one spread out on a pentagram, both appearing to have been murdered under…
