Here are 100 books that The Magic Mountain fans have personally recommended if you like
The Magic Mountain.
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I am a University Distinguished Professor at Mays Business School, Texas A&M University, and a senior fellow at the Institute for Healthcare Improvement. I have devoted my career to studying service quality and ways to improve it, first in the commercial sector and, since 2001, in healthcare. I started my healthcare journey studying at the Mayo Clinic, and I have since done in-residence research at other health systems, most recently, Henry Ford Health in Detroit. My work includes research on improving the patient and family experience in cancer care. Kindness and dignity are vitally important in healthcare – and too often missing. I am on a personal mission to enhance healing in all its forms.
I loved this book because it builds from the sadness of a life taken far too young to the beauty of deep reflections on the meaning of life, love, and loss. Paul Kalanithi was a brilliant neurosurgeon just completing his years of training when he was diagnosed with Stage IV lung cancer.
Kalanithi, a new father, wrote much of this book while he was dying. As a writer myself, this book caused me to wonder if I could be so open about my reality, in a book or any other form, while dying. I do not know the answer, but I treasure the experience of having read a book that raised such a powerful stirring in myself. Like the other books I recommend, Kalanithi’s memoir is a gift from the book Gods.
'Rattling. Heartbreaking. Beautiful.' Atul Gawande, bestselling author of Being Mortal
What makes life worth living in the face of death?
At the age of thirty-six, on the verge of completing a decade's training as a neurosurgeon, Paul Kalanithi was diagnosed with inoperable lung cancer. One day he was a doctor treating the dying, the next he was a patient struggling to live.
When Breath Becomes Air chronicles Kalanithi's transformation from a medical student asking what makes a virtuous and meaningful life into a neurosurgeon working in the core of human identity - the brain - and…
From my first exposure to Elisabeth Elliot’s writing when I was a teenager, I was intrigued by her story: a missionary few had ever heard of who became an author with several books published by a Big Five publishing company. Over the years I both wrestled with and was encouraged by her work. I’ve now spent more than a decade conducting original research on Elliot’s life. I believe learning more about her and the influences that shaped her enriches our understanding of our past and, thus, of our present and offers us important tools for approaching the future.
Leo Tolstoy’s follow-up project to the massive War and Peace explores the meaning of human existence and the interplay of socio-political events and individual free will through the medium of infatuation, marriage, and love.
It’s also a real page-turner. When she finished it, Elisabeth Elliot called it the greatest book she had ever read, writing that Anna Karenina’s character had held a mirror up to her soul and showed her what her own heart was capable of.
In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.
In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization,…
When I first wrote The Sea Elephants, my protagonist (Shagun) and I were both asexual. My writing professor read the novel and said it’s dying to be a gay love story. Eventually, when I came out and rewrote the book from my newfound identity of queerness, I searched for queer stories that, like mine, were set outside the US or had non-American leads. And I realized that this is a significant gap that needs to be bridged. I felt a tremendous sense of solidarity with the books I did find. They made me feel less alone. Later, as an assistant professor of English, I’ve taught all of these books.
There are very few books that capture the particular suffering of loving someone and not being loved back.
Greenwell’s powerful debut novel is one of them. Set in the capital city of Bulgaria, the novel begins with an encounter that the narrator, an American teacher working abroad, has with Mitko, a sex worker. It is written in prose whose beauty, beat by beat, is as achingly beautiful as the unrequited love the narrator has for Mitko. This is one to savor slowly.
My copy is heavily underlined. Garth, a trained opera singer, reads like a dream. Accompany your reading with his readings from the work (they’re on YouTube).
Startlingly erotic and immensely powerful, Garth Greenwell's What Belongs to You tells an unforgettable story about the ways our pasts and cultures, our scars and shames can shape who we are and determine how we love.
Winner of the Debut of the Year Award at the British Book Awards. Shortlisted for the James Tait Black Prize.
'A searching and compassionate meditation on the slipperiness of desire . . . as beautiful and vivid as poetry' - Hanya Yanagihara, author of A Little Life
On an unseasonably warm autumn day, an American teacher enters a public bathroom beneath Sofia's National Palace…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
I am a journalist and a novelist. I was both Forbes Magazine’s longest serving foreign correspondent – having served 18 years in London as their European Bureau Chief – and wrote the feel-good international best-seller The Hundred-Foot Journey, a novel that Steven Spielberg and Oprah Winfrey made into a much-loved 2014 film starring Helen Mirren. These twin careers have shaped my approach to writing in that I believe a good micro-story (fiction) should also make astute macro points (journalism). So, the journeys my characters undertake in my novels are also trying to address points about the world or life or humanity at large.
The Nobel-prize winning laureate has written many more famous books dealing with the human condition, most notably The Remains of the Day and Never Let me Go, but this is, to my mind, his best rumination on humanity's familiar ache. Ishiguro's The Remains of the Day is a flawless book and similarly themed, but there is something about the post-war regrets, delusions, and self-justifications of the aging Japanese artist Masuji Ono that just slay me and make me want to weep. Ishiguro is of course the king of unreliable narrators, so I don't want to give away the big reveal here, but how denial of the truth and self-delusion can misdirect us in life, is at the core of this masterful insight into the human condition.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
SHORTLISTED FOR THE BOOKER PRIZE WINNER OF THE WHITBREAD (NOW COSTA) BOOK OF THE YEAR
1948: Japan is rebuilding her cities after the calamity of World War II, her people putting defeat behind them and looking to the future. The celebrated painter Masuji Ono fills his days attending to his garden, his two grown daughters and his grandson, and his evenings drinking with old associates in quiet lantern-lit bars. His should be a tranquil retirement. But as his memories continually return to the past - to a life and…
I have been a biographer going on five decades now -- from William Carlos Williams to Man Ray to Thomas Edison to Henry Ford to Martha Graham. I am above all else a student of the human condition as well as a devotee of narrative at its most burnished - the kind of narrative that imposes its voice upon me at the end of a long day of quotidian interaction when all I want to do is get into bed and “pick up where I left off”. Biography is, indeed, storytelling - but it is restrained, or perhaps I should say tamed, by factual fidelity, a point of pride with me as a conscientious practitioner of the craft.
A powerful parent dies and each of his adult children reacts in startling and unexpected ways -- and his grieving widow in the most surprising way of all. This is an “everything” book. It took over my life. It overwhelmed my brain and mind. The utterly believable characters so generously intermingled and interwoven, familial and dynamic in their pushing and pulling, loving and hating - ignited by a precipitating event so abrupt yet simple, with consequences that spin out of control. Reading this tale, you feel as if you are drowning in a fever dream - Joyce Carol Oates once again as she has since Them (1969), offering innumerable reasons for wonderment.
The bonds of family are tested in the wake of a profound tragedy, providing a look at the darker side of our society by one of our most enduringly popular and important writers
Night Sleep Death The Stars is a gripping examination of contemporary America through the prism of a family tragedy: when a powerful parent dies, each of his adult children reacts in startling and unexpected ways, and his grieving widow in the most surprising way of all.
Stark and penetrating, Joyce Carol Oates's latest novel is a vivid exploration of race, psychological trauma, class warfare, grief, and eventual…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
Denis Johnson’s big, National Book Award-winning novel revolves around the Vietnam War itself, with a big cast of characters and many narrative threads.
I really loved following all the threads and seeing the intricate web they formed. The picture it paints of America is still relevant today. It’s an exciting book, and though it requires quite a lot from a reader, it ends up being hugely satisfying.
`Once upon a time there was a war, and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me.'
This is the story of Skip Sands, a CIA spy engaged in psychological operations against the Viet Cong, and the disasters that befall him. It is also the story of two brothers heading towards self-destruction, and a story…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.
Rediscover one of the twentieth century's greatest romances in Lawrence Durrell's seductive tale of four tangled lovers in wartime Egypt that is 'stunning' (Andre Aciman) and 'wonderful' (Elif Shafak)
'A masterpiece.' Guardian
'A formidable, glittering achievement.' TLS
'One of the great works of English fiction.' Times
'Dazzlingly exuberant ... Superb.' Observer
'Brave and brazen ... Lush and grandiose.' Independent
'Legendary ... Casts a spell ... Reader, watch out!' Guardian
'Lushly beautiful ... One of the most important works of our time.' NYTBR
Alexandria, Egypt. Trams, palm trees and watermelon stalls lie honey-bathed in sunlight; in darkened bedrooms, sweaty lovers unfurl.…
There’s nothing like personal experience. You have to read the literature, it’s true. That’s how we’ve all met here at Shepherd. But you have to roll up your sleeves and get down to visiting, too, if you want to write about travel. I first approached the Arctic in 1991 and I return above sixty degrees north every year, although I must confess to a secret advantage; I married a Finn. We spend summers at a little cabin north of Helsinki. I know the region personally, I keep coming back, and I invite you, whenever you can, to come up and join us!
Iceland is one of the first off-the-beaten-track places I visited as an aspiring young travel writer and I arrived with the onset of the first Gulf War - the one against Saddam Hussein.
I visited with three other people. We immediately met a man in Reykjavik who introduced us to his diplomat friend, and before it was all said and done we spent most of that trip with the Icelander and the Frenchman in front of a much more rudimentary CNN, watching the war.
While I’ve been back to Iceland a number of times since, that first trip, the instant friendships, and the very odd experience of watching war in the desert from up at the Arctic Circle, sealed the deal for me about visiting the far north, and indirectly led to my own later book.
Halldor Laxness is the greatest of Icelandic authors and Independent People is very nearly…
I am an independent scholar who read Mortal Lessons, Richard Selzer’s book of essays about our common human condition - mortality. I began writing the biography of this Yale surgeon who influenced the literature-and-medicine movement, ushering in patient-centered care. I read everything by and about him, gaining a background in the medical humanities. In the middle of this project, I was asked to write Bioethics and Medical Issues in Literature. The first edition came out in 2005; subsequently I updated and published a second paperback edition in 2013, accessible by the general public and used as a complete curriculum. Clearly, reading literature helps us explore what makes us human.
Dr. Verghese, an African-born Indian internal medicine doctor, is famous for The Covenant of Water, selected by Oprah’s Book Club, but I am pulled back to his harrowing second book, The Tennis Partner. I enjoyed his gripping patient case histories while practicing in a Texas border town, but his focus is on his tennis games with his intern, David Smith, a former Australian tennis pro.
With each spirited rally, Verghese rebounds from life in the hospital and marital fatigue. While there is little talk of his unraveling marriage, I am intrigued by how their friendship deepens when they confide intimate details of their respective romances. I see Verghese’s strength of character as he moves on with his life, but things end badly for Smith, an alcohol and cocaine addict.
In January 1994, Abraham Verghese, an indian doctor in a Texan teaching hospital, was called to the morgue to identify the body of his close friend, student and tennis partner David Smith. David had killed himself because he could not deal with his addiction to intravenously injected cocaine. This book is Verghese's tribute to his dead friend; it is also an attempt to understand and explain drug addiction. Being both doctor and friend, Verghese offers us a unique insight into addiction, describing with clinical detachment the horrific physical symptoms of abuse, revealing how the stress of the medical profession leads…
