95 books like The Gift

I love this book for a number of reasons, perhaps chiefly because it’s so hard to pin down. What is it? Part memoir, part biography, part meditation on grief, part instructional guide to falconry.

Helen Macdonald interweaves her own story of dealing with her father’s death with a historical account of the tortured life of T. H. White (known best as the author of The Once and Future King). In juxtaposing these stories across time and space, we are able to see the blurred lines between bereavement, madness, and social isolation. I will hold forever in my mind Macdonald’s description of looking into her hawk’s eye and seeing nothing familiar, an alien consciousness—it helped to remind me that for all the complexity and diversity of the human species, our perspective is only one among the countless others with which we cohabitate on this planet.

It is rare to find a book by a therapist that is written so viscerally and openly about their own personal experience. In writing about the sudden and unexpected death of her husband, Bill, Sasha has her professional and personal hat on.

I could almost feel her grief coming in waves through the pages, but rather than that being depressing, the therapist in her writes with wise observations on what is happening, what she is going through, and what helped at any given time; and just as importantly, what didn’t.

I have recommended this book to so many people going through grief and also to those who support them. It is a must-read! 

I love books that see ways to bridge domains of experience and understanding normally kept apart, and this book does that brilliantly. I was so touched by the author’s personal story of grief and its relationship to her experience of art in the rural community in which she was raised.

But I also learned immensely about how this talented neuropsychologist channeled that experience into studies that helped me understand the neurological components of grief, including how to diminish their amplitude through thoughtful practice.

For me, it provided a new conceptual framework for “learning to die,” a new sense of the ancient maxim of philosophy. 

This book gave me courage when I was at a low ebb. 

Clover bravely describes the ferocity of her longing and grief over her mother following an accident. Her mother is alive but is not the person she knew and loved, more a toddler in an adult body. Clover takes flight as a teenager, and in her mission to understand her own shock and turmoil, she is drawn into challenging and sometimes dangerous situations with people, which she handles with fortitude.

I was left feeling that in the face of adversity, if we are brave and walk towards our grief, we can handle it eventually, bringing it forward into a new landscape (in Clover’s case, adulthood) and learning from it every step of the way. 

This memoir is a gripping narrative of Eva's survival as a gifted dancer and gymnast in pre-war Hungary, the Nazi concentration camps, and her long journey toward wholeness after immigrating to the United States. 

She details the mental and interpersonal ravages of complex trauma poignantly describes her struggle to gain mental wellness in a world that contains suffering.

She is one of the world's experts on healing from trauma and it shows in her riveting descriptions of how she and her patients learned to bear the pain of great suffering while reclaiming the beauty of compassion, forgiveness, and loving relationships.

This is an excellent book that speaks to those who have inherited trauma from their ancestors. While Baack uses ample research and narratives about the victims of the Holocaust, the book is relevant for other descendants of long or short-lasting, acknowledged or non-acknowledged traumas, including: victims of genocides, ethnic cleansings, refugee camp residents, racism, wars, and other forms of victimization or natural disasters - and - their witnesses. Based on interviews with many descendants of trauma, the author focuses on giving the ‘inheritors’ a platform to describe, not only, their parents’ histories, but mostly their own. The book is instructional, as she also includes questions for individual or group reflection. The author’s emphasis on the non-pathological perspective is both productive and a relief, including chapters on resilience, post-traumatic grown, epigenetics, and more.

I am passionate about the book because I am a child of Holocaust survivors. Over many years, I… show more.

This book inspired by true stories of children misplaced and stolen during World War II.

This is a deeply affecting and powerful novel on the intertwined stories of four displaced children after the war ended, who have to question their true identities.

There is great tenderness in the writing of Jennifer Rosner, where a child wonders if bats have upside-down dreams and a young woman discovers the emotional depth of photography.

"There is a moment, liquid time, just before photograph's image appears on the developing paper, when Ana conjures the faces of her parents. Their actual features have blurred in her memory but she fills in with her imagination."

Questioning memory and the present is powerful to me and others who left home.

What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.

All of the Singer Brothers are excellent tales of village life and struggles. Isaac Bashevis Singer could spin a yarn with no seams showing, drawing readers in to personal and social straits. Scum, Meshugah, Shosha, and the rest capture the strife and insanity of the times. Isaac Singer often called his brother I.J. a better writer. Better shmetter; I.J. wrote beautiful tales of folksy subjects, easing as well to the verge. The Brothers Carnovsky will linger for years.

Set at the end of WWII, when the UN authorized the founding of the State of Israel, I thoroughly enjoyed the merging of historical facts with fictional characters to depict the birth of a nation from the Jewish point of view.

I loved the diverse characters, including an American gentile female nurse and teenage Jewish children orphaned during the war as they settled in a hostile land.

It was eye-opening to see what it means to be constantly under attack, on the one hand, fighting militants physically and, on the other hand, fighting various countries politically in order to be acknowledged worldwide.

I also love that the author gives me an authentic look at the behind-the-scenes decision-making by British officials during this chaotic time.