Fans pick 100 books like The Escape Artist

In this remarkable combination of memoir and scholarly work, Philippe Sands, a British lawyer actively engaged in support of human rights, combines the story of his own Eastern European Jewish family with those of two jurists who forged the legal framework for the Nuremberg trials: Hersch Lauterpacht, who developed the concept of “crimes against humanity,” and Raphael Lemkin, who invented the term “genocide” to describe what was taking place. Both men and Sands’s maternal grandfather hailed from Lwów, part of southern Poland before the war, and now Lviv, in Ukraine. 

All had relatives murdered in the Holocaust. They were determined to prosecute those responsible and establish an international framework for the protection of human rights and played an important part in the trials at Nuremberg. 

This remarkable book shows how it is possible to encapsulate the history of the mass murder of the Jews in the former Soviet Union in a single object, in this case, a photograph that documents the horrific final moments in the life of a Jewish family, one of the nearly 1.5 million Jews shot by the Germans and their collaborators after the Nazi invasion of the Soviet Union.

Wendy Lower was able to locate the killing site and find the identities of the mother and her children and of the killers. I was deeply moved by the way it enables one to put a human face on the millions who were murdered in the Holocaust, and, in particular, the women and children who constituted an important part of the victims.

This book deals with a neglected aspect of Jewish resistance to the Nazis in occupied Eastern Europe. The young women whose activities it describes were determined to respond to the brutal murder of their families and the violent destruction of their communities which they had witnessed. Some of them were as young as 15, and they were active, above all, as couriers linking Jewish resistance groups in more than ninety different cities of Poland. They were also involved in armed actions, bombing German train lines and on one occasion blowing up a town's water supply.

What I found particularly moving is the way it describes in detail the actions of some of the women who engaged in these activities.

In 1940, the historian Emanuel Ringelblum established a clandestine organization in Nazi-occupied Warsaw to study and document all aspects of Jewish life in wartime Poland and to compile an archive that would preserve this history for posterity.

As the Final Solution unfolded, although decimated by murders and deportations, the group persevered in its work until the spring of 1943. Of its more than sixty members, only three survived. Ringelblum and his family and the family hiding them perished in March 1944, when their hiding place outside the ghetto was denounced by a neighbor.

Most of the archive was dug up after the war, and, in my view, it is one of the most important sources for the history of the Jews at this tragic time. 

What I appreciate about Hunter's novel is that it takes a new approach to the subject of the Holocaust. With the outbreak of WWII, the Kurcs, a Polish-Jewish family, find themselves driven into another diaspora, with their family members cast to the four corners of the globe. Hunter touches on the plight of Poland during the early years of the war when the country was torn asunder by Germany from the west and the Soviet Union from the east. The plot follows the various family members as they struggle to survive the Holocaust in Poland, in Stalin's Gulag, and as one member tries to flee to South America. A big, sprawling, family epic filled with tragedy and humanity, brutality and heroism.

To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.

As a nonfiction storyteller who often explores the Holocaust and as the director of the Holocaust, Genocide, and Human Rights Education Initiative at Penn State, I’m sometimes asked to recommend books about the Third Reich’s murder of 6 million Jews and millions of Romany, homosexuals, people with disabilities, and others. A New History is the tome I often suggest. In a deceivingly simple linear approach, Laurence Rees, who conducted 25 years of primary research to construct this historical account, methodically walks us through the Holocaust’s origins and unfolding, from Hitler’s novice-Nazi days to the Allies’ death-camp liberations. But Rees avoids neat narratives, peeling away complex layers of madness. For instance, he demonstrates that boiled-over antisemitism extended far beyond Germany’s borders in the 1930s and that the Final Solution to the Jewish Question was messier than we may imagine. Only a lucid voice like Rees’ can clue us into and… show more.

Zable writes of the haunted consciousness of post-conflict generations, in his case, the holocaust.

He argues that great stories must have both terror and beauty, or they merely add to the darkness. It is easy to see the terror, but what of the jewels? I grappled with this question too - how do we rightly remember victims of extreme violence? When I looked to Zable, I found a work imbued with poetry and lyricism.

Jewels and Ashes is a transcendent retracing of the terrain of his parents and grandparents.

This book is hard to read, but its rewards are great. 

I was literally shaking when reading it because it described my life as a child of survivors and victims of the Armenian genocide in a way that I had not experienced before, illuminating new aspects of the genocide story I have been excavating for most of my adult life.  

Focusing on mass murder, colonialism, South African Apartheid, and U.S. slavery and white supremacy, Schwab addresses the trauma of the generation experiencing these atrocities as well as the way it is passed through to their progeny. 

She also explores the damage done to the perpetrators of violence into her analysis, weaving her own experience as a German growing up in the wake of WW II and the holocaust and as a white person living in the U.S. Schwab also goes beyond exploring trauma to address the necessity of perpetrators’ taking… show more.

Gerda Weissmann was only age fifteen when the Germans invaded Poland in 1939. Born in Bielsko Poland to a middle-class Jewish family, the book follows her family’s loss and tragedy through the Holocaust. The author survived multiple concentration camps and a death march against impossible odds. Liberated on her twenty-first birthday, she weighed only sixty-eight pounds. This inspiring book includes moments of human decency and normalcy.

Of the six million Jews killed during the Holocaust, three million were from Poland. Klein captures the essence of what it meant to survive a genocide with only her life. Klein is a highly recognized voice for human rights and Holocaust remembrance, and the beneficiary of many awards and honorary degrees. Gerda Weissmann Klein is a name to be remembered.