100 books like Once We Were Home

I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.

I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.

I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.

I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.

I’m the author of seven published novels and a recently retired English professor. I was the founder and director of the Fairfield University MFA program. My latest novel is called Lebensborn and is set in Germany near the end of World War II. The novel concerns a little-known project hatched by Heinrich Himmler called Lebensborn (“the fount of life”). Concerned about Germany’s falling birth rate, Himmler began the program in 1935 hoping to encourage unwed mothers not to have abortions but to give birth to their babies at Nazi-run homes and then to give their babies up for adoption to “pure Aryan” officers. Lebensborn follows the story of Renate Dressler, a young German girl who falls in love with an SS officer. 

I came to England on a Rhodes Scholarship from South Africa in 1961 and have been a Professor at the London School of Economics and Brandeis University. I am the Chief Historian of the Global Educational Outreach Project at the POLIN Museum of the History of Polish Jews in Warsaw. My interests are the politics of Eastern Europe, the history of the Jews, and the conflict in the Middle East. I have witnessed the transition from communist rule to democracy in Poland and the end of apartheid in South Africa. There are growing threats to democracy and political pluralism, and I very much hope that these can be successfully resisted. 

My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen. 

I’d like to say I have no expertise in this topic. And yet…don’t we all?  We’ve all lived through it. I was born in 1937—in Honolulu, the daughter of a US Army officer. WW II was a pervasive part of my childhood, as my father spent time in the Pacific and then after the war ended, we lived in Occupied Japan for some years.  But war had always been a part of my family’s history, as is true for so many people. My great grandfather left a written account of his capture and imprisonment during the Civil War.  And much more recently, my own son, an Air Force pilot, died in the cockpit of a F-15.  Ironically, he had married a German wife, and he is buried in her village cemetery near her grandfather, who served on the Russian front years earlier.  His child, my granddaughter, puts flowers on both of those graves. All of these pieces of my own history combine, I think, to create this passion I have for the telling and retelling of stories that can make us more aware of the futility of war.

I started conducting primary research about the Holocaust in the 1990s, when I spent a week interviewing my grandfather, a Holocaust survivor and a pious Hasid, about his life. Fascinated with the survival of his faith, I applied for and received a grant from the Religion News Service to explore spiritual aspects of the Holocaust. I also sought to answer my saba’s question: How did Israelis end up fighting their 1948 War of Independence with Nazi weapons such as the Mauser he had received? I answered it in the 2015 PBS documentary I directed and produced, A Wing and a Prayer, and the 2020 nonfiction book I wrote, Saving Israel.

I've always been a natural storyteller, and as an only child of Ukrainian immigrants, I carry all the stories with me. I realized as an adult that if I didn't write them down, they would dissipate and vanish. So, I wanted to write stories not only for myself, but in order to connect to others and inspire them to learn about their own family stories. We're all connected on this planet like a giant village, and I've always loved talking to people and learning about who they are. The core of my work centers around humans and loss and hope, and seeing how each of those things are affected by the environment around them.