96 books like The Dragon Warrior

Another middle grade fantasy, Eva Evergreen: Semi-Magical Witch, follows a young girl trying to prove herself even with a lack of magical ability.

Though away from her parents, Eva’s not alone. Her trusty companion throughout her journey to help the residents of Auteri and earn her title never leaves her side. And, what’s more, is her animal companion is one I hadn’t seen before reading this book—it's a flamefox.

The flamefox, better known as Ember, loves food but loves her person, Eva, more—something that will resonate with people who love pets (and people who just love, well, love)!  

The Keeper of Night’s protagonist Ren Scarborough is the epitome of a character trapped between two worlds. Half-British Reaper, half-Japanese Shinigami, Ren starts off the book living in London but never quite feels like she belongs there. When she travels to Japan for the first time, she finds out that Japan isn’t quite as she expected it and ends up getting tangled in the affairs of Yomi, the Japanese underworld. Although a bit on the darker side, this is a fantastic book for anyone interested in Japanese mythology, anyone who likes their fantasy a little on the dark side, and anyone who’s felt the frustration of never quite fitting in anywhere. 

Kiki manages her anxiety by drawing stories featuring her family ancestors, but when her sketchbook becomes a doorway into the world of Indian mythology, she’s dropped into a fight between a Hindu Goddess and a Demon King trying to escape into the real world. 

I love stories featuring kids who doubt themselves, but who learn they are strong and capable. Any kid struggling with anxiety will surely see themselves in Kiki. The adventure is fantastic, Mandanna’s writing is lovely, and Kiki and her friends are all easy to care about. Whether readers are new to Indian mythology, or they’ve already burned through the Aru Shah and Kiranmala stories—this is an exciting and expansive tale promising much more to come.

Everything about this book feels exquisite for me, from the rich worldbuilding, the slow burn romance, to the intricate magic system.

I rooted for the main characters from the beginning–a village girl in possession of forbidden magic, trying to protect her grandmother, and an exiled prince looking for vengeance. They start off as reluctant allies, but as they go through hardship and danger together, their relationship develops into something beautiful and meaningful.

I love how the story focuses on their personal growth, dealing with their past and coming to terms with what the future may hold for them.

Maddy (a biracial black Asian teen) suffers from a rare illness that has made her allergic to literally everything! A modern-day “bubble girl,” the illness has kept her confined in her house for 15 years, her only company being her mom and her nurse. But when hot new neighbour Olly moves in across the street everything changes. Maddy falls in love and vows to leave the house and sneak away with Olly…cue the huge plot twist! No spoilers from me, but you will want to race to the end. Oh, and beware of the movie version, classic example of “the book was better.”

This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.

Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.

Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then… show more.

This is the most beautiful, poetic book packed with exquisite descriptions of the English countryside as we meet the seemingly perfect country family of mother and homemaker, Tess; her gardener husband, Richard; and the very non-identical twins, Sonny and Max.

Because Tess is a Londoner of Jamaican heritage–a pregnant bride that Richard brought back to his West Country family home after their student love affair–Sonny is dark and curly-haired like his mother while Max could ‘pass’ because he looks so much like his father.

This was an uncomfortable read for me–the micro-aggressions and casual racism of rural life stirred up unhappy memories–but it is also a hopeful story about what really counts and those times when actions speak louder than words.

Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.

His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.

This exquisite memoir contains a chilling account of Tretheway’s mother’s murder at the hands of Tretheway’s abusive stepfather. Delving into the past, she unearths her mother’s history and recaptures the days leading up to her death, even providing police reports of the conversations prior to the murder. And while her mother’s poor choices had a tragic ripple effect on Tretheway’s life, as I fully understand from my own mother-daughter experiences, her compassion never wavers and the result is an illuminating work of art and an example of the heart’s resilience. 

Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.