100 books like The Complete Short Stories of Ernest Hemingway

Singlehandedly one of the greatest fictional books about war, Tim finds clever ways of imbuing readers with captivating characters.

Each short story gives insight into a war still misunderstood to this day.

As a veteran, I identify with the curious war stories and the unique character attributes displayed throughout them.

While cynical and the fictitious content questioned, The Things They Carried carries the weight of war and its lasting effects. 

What can one say about this classic? It is the quintessential story of old Dublin.

Published in 1914, the collection of fifteen short stories takes the reader on a journey through middle-class Ireland, touching on Irish nationalism and country pride, but also on the forces that were slowing changing Ireland at the time. The stories move chronologically from boyhood to manhood and culminate with what some critics say is the finest short story ever written, “The Dead.”

This story, like many others in Dubliners is both a meditation on everyday urban life and a study of human relationships, including how we live with our memories, our heritage, and how we find ways to manifest our personal emotions.

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

Nine Stories, along with Franny and Zooey provides a wonderful glimpse into the lives of several members, mostly siblings, of the Glass Family. It is the first collection of short stories I ever read (I was in high school) and I devoured it in one weekend. I remember being so impressed with how each story had its own distinct emotion and personality. It wholly inspired me and was a great influence on my current novel. It taught me something that my favorite TV shows like The Brady Bunch and The Cosby Show couldn’t—that no family is absolutely perfect. That often times there is a simmering tension beneath the skin of every family and that tension can lead to profound sadness and sometimes tragedy.   

I love stories that are many things at the same time. They can open a person up to a wider perspective, a greater awareness; that’s the kind of story I love to write. Kafka’s stories can be considered as absurd allegory, as surreal evocations of mystery and magic, as psychological study, as satire, as dark comedy… as all of these and more at once. Many of Kafka’s stories were considered by the author to be unfinished but to me they seem complete. Kafka famously tried to ‘finish’ all of his stories once and for all by instructing his friend to destroy them after his death. Thankfully, he was prevented from adding that final full stop.

Chekhov is a master storyteller who conveys important insights into human nature with remarkable parsimony. Chekhov also provides contemporary readers with a certain detachment as he wrote in the nineteenth century and in Russia. Ancient Greek playwrights understood that distant settings provided analytical clarity to contemporary problems and also made people understand their universal nature. Chekhov also serves these aims.

Mansfield is another pioneering, modernist writer, whose psychologically driven characters have sudden epiphanies. Insights of this kind are extremely difficult to make credible in stories yet she invariably succeeds. Understanding how she pulls this off enriched my understanding of how plots work and how personalities are depicted. I might also add that I am married to a New Zealand and some time in that country, so nice to have a local, so to speak, author.

Orwell captures the dilemma of empire so well that every time I read it, my nerves get raw. It’s a trap. Everyone is dehumanized, the oppressors and the oppressed. The sneering townspeople, the trips on the football pitch, the clear-sighted way the crowd intuits the relationship between themselves and the young policeman all ring true. The villagers can control him because they understand the expectations he has as an official of the crown. They use his strength against him to get what they want. He doesn’t want to kill the elephant, but it’s expected of him, so he gruesomely shoots into the elephant's mouth till, like the British empire, it finally dies. The villagers pillage the carcass for meat. For Orwell, empire itself is brutal suicide. 

My favorite of Hemingway’s books, this great anti-war novel about a passionate love affair between a young, wounded soldier and the beautiful nurse who cares for him, never loses its power for me despite repeated readings.

I admire not only the book’s lyrical writing, exquisite observations and heartbreaking story, but also how the horror of what men are experiencing on the battlefield is mirrored in the tragedy of Catherine’s death in childbirth.

Some books, like Alistair Horne’s The Price of Glory: Verdun 1916, have stood the test of time. The same is true of this work, first published in 1965. Caporetto (Karfreit to the Germans) was an epic mountain struggle, brutal and deadly. It was fought in October and November 1917 in the 2,000-meter-high Julian Alps. Snow, sleet, rain, fog, and poisonous gas dominated the battlefield. Otto von Below’s German Fourteenth Army, using new innovative infiltration tactics, surprised Luigi Capello’s Italian Second Army. By the end of October, the Italians had been driven south to the Piave River. Only the hasty dispatch of five British and six French divisions helped stabilize the front. Rome’s postwar investigation of the disaster revealed that there had been 43,000 casualties, 265,000 to 275,000 prisoners of war taken and 3,000 artillery pieces lost. Most shockingly, roughly 350,000 deserters and civilian stragglers clogged the roads. The adversary… show more.