Fans pick 100 books like Struck

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

After Ember loses her grandmother, she finds herself retreating from the Real World and going into the woods. They’re no ordinary woods though. They’re a portal to another world. One where Ember isn’t lonely. The only catch? She can never return to her real life. This book I felt had a lot of good metaphors for depression and grief mixed with the fantasy elements to give it both a powerful message and an entertaining feeling.

This book is still one of the best enemies-to-lovers books I've read. Cardan may not be a literal monster, but he has a monstrous soul. I don’t usually like books where the male love interest is an a-hole, but I love when we get to see behind Cardan’s cruel exterior to the vulnerability and suffering beneath. And when Jude ties him to a chair? *Chef’s kiss.

I found the whole series to be brilliant and well worth a read. I loved the beautiful imagery the author creates.

In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

Madeline Hunter is the pseudonym of an art historian who teaches at the university level, and that expert knowledge translates well in her books.

The little bits and pieces of art detail she adds to her story worlds really bring them to life. There’s also an element of mystery that deepens the plot. The Seducer is the first book in The Seducer series, and while it’s not the first of her books that I’ve read, the story of Diane Albret and Daniel St. John is the one that made me a fan.

The heroine is a recent boarding school graduate, and the hero is her far more experienced guardian. In the modern-day world, this premise is all kinds of creepy. The power dynamics between this couple were so far off, I wasn’t sure how Hunter could make this a romance.

But based on the historical details built into the world,… show more.

For my bookworm girlies who long for a historical adventure. This was one of the first historical fantasy/romance books I ever read and I loved it. I remember really loving the main character because not only was she bookish and unintentionally funny, she was smart, awkward, and relatable. The story gives the reader a chance to dive into a culture you may not be completely familiar with and that accounts for half the intrigue right there! I love the lore, the supernatural elements, the history, the action. It’s a story that ticks all the boxes for fun reads and I’d encourage anyone who enjoys those things to give it a shot.  

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

My appreciation for this book snuck up on me. I thoroughly enjoyed the first third or so, in which we are introduced to Fetter–destined to assassinate his godlike father–and are introduced to the fascinating city in which the story is set. But I wasn’t as enthralled with what I took, at the time, for a bit of a meandering middle section. However, the utterly creative and mind-twisting final fifth of the book won me back over.

With time, I’ve come to appreciate the subtle thematic and character work in those middle chapters. Of all the books on this list, this one pushes the boundaries of fantasy the most, both in worldbuilding and characterization, but it’s a masterclass in both, and I hope it has a massive impact on the genre going forward.