100 books like Struck

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

After Ember loses her grandmother, she finds herself retreating from the Real World and going into the woods. They’re no ordinary woods though. They’re a portal to another world. One where Ember isn’t lonely. The only catch? She can never return to her real life. This book I felt had a lot of good metaphors for depression and grief mixed with the fantasy elements to give it both a powerful message and an entertaining feeling.

Jude Duarte, a human girl living in Faerie, is a cold-hearted ball of ambitious rage. Never have I rooted for a character so much.

Although picking fights with the clever and cruel Fair Folk is not pragmatic – on the surface – when the choice is between waiting for a random death on a bully’s whim or fighting back with every weapon at her disposal, Jude will always fight. I may have cheered out loud when she stabbed an enemy who broke into her bedroom and then stuffed his body under her bed until she could bury him. She does what she has to do to survive–and, in the end, to make Faerie a (slightly) better place.

Holly Black’s writing is so poetic, so smart, so sharp, like a honed fairy blade. She is a master.

In Grey, Gabrian doesn’t believe in magic. She’s a psychologist, and proud to be one. She bases her life on logic, but when things start to happen that she can’t explain, she finds herself in a whirlwind of magic. The way that Gabrian slowly comes to the truth is probably my favorite part of this book. As a Borrower, she’s considered not just a magical being, but a dangerous one. At first, she doesn’t handle this well and takes on the role of an anti-hero, nearly villain which was an interesting way to not only build Gabrian’s character but to introduce the truth of the magical world as well.

My appreciation for this book snuck up on me. I thoroughly enjoyed the first third or so, in which we are introduced to Fetter–destined to assassinate his godlike father–and are introduced to the fascinating city in which the story is set. But I wasn’t as enthralled with what I took, at the time, for a bit of a meandering middle section. However, the utterly creative and mind-twisting final fifth of the book won me back over.

With time, I’ve come to appreciate the subtle thematic and character work in those middle chapters. Of all the books on this list, this one pushes the boundaries of fantasy the most, both in worldbuilding and characterization, but it’s a masterclass in both, and I hope it has a massive impact on the genre going forward.

Part queer love story, part sci-fi mystery, wholly delightful; this is my comfort read when the world begins to look too bleak and hopeless. This is another story with beautiful worldbuilding, and fascinating details, but the real beauty of it is the characters—complex, flawed, hurting, but loving each other through it.

The story is gentle, with enough intrigue to hold your interest but never mile-a-minute action, and one of the sweetest love-stories I’ve ever read, but the book never veers into the saccharine—as much as it is a love story, it’s also a story about the messiness of being human—impulsive, thoughtless sometimes, hurting and hurt, but trying ultimately to do the right thing, no matter the cost. 

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.

I love that the dedication is to the A to Z Challenge bloggers of 2014. (I was one of them!) Here's a well-written and comprehensive reference guide. There's a strong author voice and a great amount of information. It covers the importance of including diverse characters. I recommend The A-Zs of Worldbuilding: Building a Fictional World From Scratch to writers building a fictional world, and to writers using an unfamiliar setting. A necessary reference tool for authors.

For my bookworm girlies who long for a historical adventure. This was one of the first historical fantasy/romance books I ever read and I loved it. I remember really loving the main character because not only was she bookish and unintentionally funny, she was smart, awkward, and relatable. The story gives the reader a chance to dive into a culture you may not be completely familiar with and that accounts for half the intrigue right there! I love the lore, the supernatural elements, the history, the action. It’s a story that ticks all the boxes for fun reads and I’d encourage anyone who enjoys those things to give it a shot.  

I read this before I read the preceding trilogy: Phèdre’s Trilogy, and was well drawn in without the background knowledge that may have come from reading the two series in order. I later did read Phèdre’s Trilogy and enjoyed it, but it was Imriel’s Trilogy that really captured me. I love that while most Fantasy series will focus on aggressive politics and war, these series are more about the arts and diplomacy and humans being very human in all their facets. Imriel was a captivating character who I was eager to follow along with as I discovered the world he lived in.