Fans pick 100 books like The Seducer

This chart-topping writing duo can do no wrong in my eyes. Their Innkeeper Chronicles series ranks amongst my all-time favorites, but when it comes to fierce female protagonists, their Kate Daniels series truly takes the cake.

I find Kate fascinating. She has a complex backstory (no spoilers here!), and she is a masterful fighter, excelling in both physical combat and magical prowess. She consistently stands up for others, often putting herself in peril to protect those around her. 

I love how her wit and humor shine through, striking the perfect balance between light and shade. 

I will always remember the way she greeted a particular deadly lion shifter with a cheeky “Here, kitty, kitty, kitty.” For me, Kate Daniels embodies everything a fierce female protagonist should be.

I loved this book because the story and characters in it were so fascinating, and I learned a lot about the history of the time and how ordinary people lived. Although the book is a hefty tome, I really didn’t want it to end. I couldn’t put it down and read the whole book in a couple of days. I was so delighted when Ken Follett wrote a sequel.

I loved how Follett weaved the stories of ordinary people around what was happening with the kings and queens of the day. I also loved how he created strong female characters in an era where you would not expect to find such characters. Pillars of the Earth inspired me to write historical fiction and lit a passion for history within me.

The Far Pavilions is one of the most beautiful, culturally aware, historically accurate, and vivid books I’ve ever read, and I re-read it every few years.

I’ve loaned this book and not gotten it back so many times that I’m sure it’s still in print because of the number of copies I’ve had to buy to replace it. Based on the history of British direct rule in India, it tells the story of a young British boy raised as Indian by the nanny who saves his life during the Sepoy uprisings.

He struggles with having a foot in two worlds and not really belonging to either, and the author does a fantastic job of illustrating this. India truly comes alive.

This book scared the bejeebers out of me when I was just a teen. (Not fair, Steve.) I think it’s a highly underrated King novel, if possible, maybe because the various movie versions flopped. Sure, it’s a horror novel, but I was stricken by the story’s messages about dealing with grief due to the death of a loved one. And it also had the age-old message that we all need to remember: if it seems too good to be true, it absolutely is.

I loved the New England vernacular and characters. I also enjoyed how something as simple as a cat’s death can lead to something infinitely worse. I found it an emotional, tense, and spooky supernatural ride.

This story was interesting in the way that the author had two main characters who were twins with widely different roles. With one taking the role of the chosen one and the other being in a place to save her, this was an intense rollercoaster ride from beginning to end. Not to mention the worldbuilding, traveling through lightning, was a very unique idea that amped up the suspense. 

I love everything this author does because his world-building is simple but perfect. The post-apocalyptic world-building in this story involves not only a description of mass desolation but also how that desolation has changed humanity. Of course, people are going to be affected by their environment – especially under post-apocalyptic circumstances – and too often I feel like characters in post-apocalyptic fiction are just the same as people today. 

Zombie worlds all have the same familiar feel, but I really liked the idea of how “tribes” of survivors had formed in cities and how these people had reverted to more primitive ways – if the world hadn’t functioned in decades, yeah, teens wouldn’t know about electricity. The world-building in this book covers everything from setting to characters to a strange new social structure that was really intriguing.

Cyteen won a Hugo Award in 1989 and pushed the envelope on both world building and character development. For me though, it was the author’s exploration of what it means to be human that made this book one of my all-time favourites. 

In Cyteen, there are born humans and made people. Some of the made people are clones of a particularly powerful individual, but most are created to perform a function. These lower-ranked people are taught everything they need to know by ‘tape’, while they sleep. 

The book asks some deep philosophical questions about what makes a person human, and whether any of us have the right to create ‘sub-humans’ for our own benefit. These are powerful questions that still beg for answers.

Alan Campbell set the mixed steampunk science-fantasy genre for me, with his high fantasy worlds where machines and magic go hand in hand, to prison cities surrounded by poisonous waters that can turn you into permanent sea-dwellers, and telepathic abilities worth killing for.

This is a world where a trip to the beach might kill you if the telepaths don’t find you first.   

I read this before I read the preceding trilogy: Phèdre’s Trilogy, and was well drawn in without the background knowledge that may have come from reading the two series in order. I later did read Phèdre’s Trilogy and enjoyed it, but it was Imriel’s Trilogy that really captured me. I love that while most Fantasy series will focus on aggressive politics and war, these series are more about the arts and diplomacy and humans being very human in all their facets. Imriel was a captivating character who I was eager to follow along with as I discovered the world he lived in.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth.