Here are 65 books that Rosewater fans have personally recommended if you like
Rosewater.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I think this novel did more to open white minds to the needless social harm of racism than any other book. It’s almost unparalleled success in reaching American readers of all ages, in my view, places it at or very near the top of the list of great American fiction.
Though not Harper Lee’s intent, her literary and commercial blockbuster remains an enduring tutorial for writers like me: writers preoccupied with storytelling and the voices telling it. Sometimes, after a long writing session, I read a random chapter of Mockingbird to relax and to keep myself modest.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This is the first book in the Southern Reach Trilogy, but it also stands alone as a mysterious and haunting exploration of the way we attempt to navigate a world that is both familiar and alien at the same time.
Mysteries abound, and answers are elusive, but you can revisit Area X again and again and feel like answers lie just beyond the reach of your fingertips.
THE FIRST VOLUME OF THE EXTRAORDINARY SOUTHERN REACH TRILOGY - NOW A MAJOR MOTION PICTURE WRITTEN AND DIRECTED BY ALEX GARLAND (EX MACHINA) AND STARRING NATALIE PORTMAN AND OSCAR ISAAC
For thirty years, Area X has remained mysterious and remote behind its intangible border - an environmental disaster zone, though to all appearances an abundant wilderness.
The Southern Reach, a secretive government agency, has sent eleven expeditions to investigate Area X. One has ended in mass suicide, another in a hail of gunfire, the eleventh in a fatal cancer epidemic.
I’ve loved reading alternative visions of Britain since I read a Strontium Dog saga in ‘2000AD’ as a boy. What was science fiction then has become closer to reality now. The idea of one event, such as a meteor shower in Triffids or a virus in ‘Grass,’ causing havoc worldwide is gripping. I prefer the British stories because they are closer to home. Many of these were written close to the Second World War, and their authors describe deprivation in unflinching detail. Recent political events have turned my mind to how human actions can cause dystopian futures, as in Orwell’s 1984.
Like H.G. Wells, Wyndham is excellent at depicting normal people who are dealing with an unusual event in normal locations. This creates a level of reality that makes the circumstances more horrific. I could imagine myself in those places, with those people.
The Triffids have never translated well to the screen because the plants look awkward. This isn’t the case in the book. This is my favorite of all the Wyndham books because of their journeys and their descriptions of the landscape around them.
When Bill Masen wakes up in his hospital bed, he has reason to be grateful for the bandages that covered his eyes the night before. For he finds a population rendered blind and helpless by the spectacular meteor shower that filled the night sky, the evening before. But his relief is short-lived as he realises that a newly-blinded population is now at the mercy of the Triffids.
Once, the Triffids were farmed for their oil, their uncanny ability to move and their carnivorous habits well controlled by their human keepers. But now, with humans so vulnerable, they are a potent…
I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.
Fireborne is the first book of a YA crossover fantasy series called The Aurelian Cycle trilogy.
The primary narrators – dragon riders Annie and Lee – are best friends born on opposite sides of a class uprising and civil war that ripped their lives apart. Annie and Lee’s world is complicated. There are no easy choices or untarnished heroes – including Annie and Lee.
By telling this story through two very different points of view, Munda forces us to draw our own conclusions about right and wrong. She doesn’t make it easy. I can’t promise you won’t throw the book across the room in outrage at least once, but you will chase after it and keep reading until the (not that bitter, I promise) end.
"Fireborne is everything I want in fantasy." -Rachel Hartman, New York Times bestselling author of Seraphina
Game of Thrones meets Red Rising in a debut young adult fantasy that's full of rivalry, romance . . . and dragons.
Annie and Lee were just children when a brutal revolution changed their world, giving everyone-even the lowborn-a chance to test into the governing class of dragonriders.
Now they are both rising stars in the new regime, despite backgrounds that couldn't be more different. Annie's lowborn family was executed by dragonfire, while Lee's aristocratic family was murdered by revolutionaries. Growing up in the…
I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.
Illuminae is the first book in a YA science fiction series called the Illuminae Files Trilogy.
The story is told through intersecting first-person narratives constructed from journals, letters, texts, reports, and pictures. You want to absorb all that “found footage” goodness on paper. Trust.
There’s almost no exposition in Illuminae, especially in the first few chapters. That’s the beauty of these books – the narration is so visceral and urgent that you get invested in the story long before you really understand what’s happening. Putting the pieces of the world-building together is an addictive mystery in and of itself.
I don’t recommend cracking open this book the night before anything requiring a good night’s rest and lots of focus – your mind will be in 2575 until well after you’ve finished the last page.
'Never have I read a book so wholly unique and utterly captivating.' Marie Lu
'It certainly filled the Battlestar Galactica-shaped hole in my heart.' Victoria Aveyard
The internationally bestselling first book in a high-octane trilogy
Kady thought breaking up with Ezra was the worst thing she'd ever been through. That was before her planet was invaded. Now, with enemy fire raining down on them, Kady and Ezra are forced to fight their way onto one of the evacuating craft, with an enemy warship in hot pursuit.
But the warship could be the least of their problems. A deadly plague has…
Aliens have fascinated me since childhood. The idea of living on an alien planet with different biology, social structures, and ways of thinking has to be the ultimate act of imagination. Authors use aliens to highlight and interrogate aspects of humanity or to explore different ways of living, and the best alien novels invite me to inhabit the skin of an alien and open my mind to new thoughts and perspectives. As a science fiction writer, these stories inspire me to be more creative in my own flights of imagination. Here are five of the best alien science fiction novels to help you share my journey into the truly alien.
If it’s hard to make readers side with spiders, what about plants?
The planet on which an unlucky group of humans are stranded in Semiosis is indeed home to sentient plants that see humans as just another resource. But this isn’t some Day of The Triffids monster tale. The plants can’t move anything like humans can, which, in the hands of a lesser author, might make for quite a static, boring story.
Burke demonstrates her boundless imagination by taking the reader into the "mind" of the plant, seeing the world, its threats, and resources in a completely different and plant-like way and bringing a sense of urgency as the survival of plant and humans alike become bound together.
It’s a fascinating read, and the follow-up, Interference, is just as good.
Colonists from Earth wanted the perfect home, but they'll have to survive on the one they found. They don't realize another life form watches...and waits.
Plants in science fiction really grew on me while I was finishing my doctorate in literature from the University of Iowa. Stumbling on fin de siècle stories about monstrous plants, I fell down the rabbit hole and was hooked; however, I started truly digging into speculative vegetation after moving to the verdant island of Kyushu, Japan to teach literature at a small liberal arts college. Soon, I was speaking and publishing widely on topics ranging from vegetal time and arboreal horror to plant-centric communication – all of which gravitate around the idea of turning the leaves of our world to try to see things in a different way.
This is a great gateway collection. In fact, this was one of the first anthologies of plant-related speculative stories that I read after falling in love with science-fictional plants. I jumped at it when I saw that it includes authors such as H. G. Wells and Algernon Blackwood and am glad I did. I have written about a number of the stories I met in this collection. Awesome extra: there are two other volumes in this series.
Flora Curiosa compiles classic botanical (and mycological) short stories from science fiction and fantasy. Stories include Rappaccini's Daughter (Hawthorne), The American's Tale (Doyle), The Man-Eating Tree (Robinson), The Balloon Tree (Mitchell), The Flowering of the Strange Orchid (H. G. Wells), The Treasure in the Forest (H. G. Wells), The Purple Pileus (H. G. Wells), The Purple Terror (White), A Vine on a House (Bierce), Professor Jonkin's Cannibal Plant (Garis), The Willows (Blackwood), The Voice in the Night (Hodgson), The Orchid Horror (Blunt), The Man Whom the Trees Loved (Blackwood), The Pavilion (Nesbit), The Sumach (Daubeny), and The Green Death (McNeile).
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
I love, love, love this book, for so many reasons. My top two are: 1) It sits squarely in that odd ‘fantasy in a technological world’ niche (Imagine 1984’s world filled with fairies!) 2) It has an odd, dark humour feel to a book that I like (think Gaiman or Pratchett) And oh! The characters? Funny, clever, nuanced. Bum that was three wasn’t it? I’ll come in again.
"What would happen if Terry Pratchett, Neil Gaiman, Emma Newman and K.E. Mills (in her Accidental Sorcerer mode) got together and had a fairy tale themed writathon? This, my friend, is probably what would happen."
Bea is a lowly cabbage fairy, but she dreams of being an official fairy godmother. Of course, no one thinks a cabbage fairy could run a story, least of all the other fairy godmothers. Until, one day, someone offers Bea a chance to prove herself. One heroine, one week, one marriage at the end of it. Easy, right?
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
This book is so squarely in my wheelhouse, it could have been written for me. It’s a world-jumping, rip-roaring adventure that is literally breathtaking in its scope and its tempo. The protagonists have a real feel to them (very human failings) but it never feels forced, you’re just scooped up and flown along at a breakneck pace. The action scenes are heart-stopping (Kristine used to be a stunt woman!) but that’s never at the expense of the characters. Stunning, action-packed, sci-fi book.
An ambitious explorer. A rebellious captain. Together, they’ll change the course of history…
Seg Eraranat is desperate to prove his worth. The cultural theorist’s interdimensional expedition to restore his dying world could be just the chance he's looking for. While the rest of his group scours the beaten path, Seg sneaks off to explore the alien terrain. But the path to the biggest payload in history could be more treacherous than he ever thought possible…
Ama Kalder faces an impossible choice: hand over her beloved boat to her cruel overlords or betray her people. When a mysterious foreigner offers a…
I’ve always read Sci-Fi and Fantasy. It’s my comfort place and haven’t we all needed that in the roaring '20s? It took a long while to clock that the books that stuck with me longest were all in that odd space where fantasy and sci-fi collide, (like Helliconia or Fire Upon the Deep or Dune) When I started writing, the ideas just poured out of me but after I realised I’d written a book like those I loved to read.
This book is straight-up Fantasy, so it’s notable in my list because I read so little trad fantasy these days. But don’t be fooled, this book is not what you expect. Every trope of fantasy gets turned on its head, kicked over, rearranged, and then the characters just straight up do something other than what you expected. There are no hunky but boring heroes. There are no damsels in distress. Even the Gods in this world are… well that would be spoilers. Super well told gripping fantasy trilogy that you won’t regret picking up. Except you won’t be able to put it down.
Ancient Relics. Vengeful Gods. Shipwrecks. Strange Creatures. Secret Libraries and Kingdoms At Odds.
Sheltered and groomed for a future as a noble’s wife, Princess Eya envies the limitless opportunities men have—until they leave to defend their country and never return.
This damsel won’t sit around waiting for a knight in shining armor. Instead, she rescues herself by sailing away from the only life she’s ever known. When her escape plan shipwrecks on enemy shores, she must hide her identity and temper her impulses. This proves difficult as she discovers new powers she cannot control and winds up hopping from one…
