Here are 57 books that If On A Winter's Night A Traveler fans have personally recommended if you like
If On A Winter's Night A Traveler.
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I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I consider myself a very spiritual person and I believe that it is a person’s responsibility to question what it means to be spiritual in order to better understand one’s own faith.
As I am, Philip K. Dick was obviously obsessed with wanting spiritual answers. Valis is very entertaining, but it also made me question all that I believe in a way that expanded and made my spirituality stronger.
It began with a blinding light, a divine revelation from a mysterious intelligence that called itself VALIS (Vast Active Living Intelligence System). And with that, the fabric of reality was torn apart and laid bare so that anything seemed possible, but nothing seemed quite right.
It was madness, pure and simple. But what if it were true?
I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
I’m passionate about this because I write romantasy too, and so do many other wonderful authors. Sarah J. Maas is a legend in the Romantasy genre, and she’s prolific, so there’s a lot to read with her various series. But, if you’ve finished with her books and are looking for more, there are plenty of authors out there doing amazing, spine-tingling, dare I say loin-tingling work, and we should celebrate them. Besides, no matter how prolific Ms. Maas is, readers will always finish books faster than even she can write them.
What? You didn’t know there was a book? There is! Now, the movie is, in my humble opinion, the most perfect movie ever made, but the book came first.
I read the book ages ago and fell in love with it. More in-depth than the movie and a little different in places, it is worth the read, and if you want to follow up with a small, equally as fun read, try The Silent Gondoliers, also by Goldman.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
I found out about this book when a friend urged me not to buy this book because it messed her up. Needless to say, I bought and read it right away, and even though it took me a long time with frequent pauses to get through this behemoth of a book, I understand why my friend said what she said.
Even beyond the striking visuals and the slowly escalating typographic madness (just google it and you’ll know what I mean) a feeling of dread suffuses this novel that stayed with me long after I put it down.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love the experimental and absurd sensibility of this novel. In an age known for its groundbreaking fiction, this work stands out for its playfulness and complexity. Like Swift, Sterne was a clergyman of the Church of England, and I love how intelligent and sophisticated he is about dirty jokes and silly scenarios.
I also appreciate Sterne’s commitment to pushing the envelope: Sterne inserts all sorts of oddities, from marble pages to graphical representations of the book’s winding narrative. The book obsesses over the minutiae and small details of everyday life even as it considers weighty issues and tragic events.
Predicting both Freud and postmodernism, I love how this work feels both ultra-modern and very much of its time.
Endlessly digressive, boundlessly imaginative and unmatched in its absurd and timeless wit, Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is edited with an introduction by Melvin New and Joan New, and includes a critical essay by Christopher Ricks in Penguin Classics.
Laurence Sterne's great masterpiece of bawdy humour and rich satire defies any attempt to categorize it, with a rich metafictional narrative that might classify it as the first 'postmodern' novel. Part novel, part digression, its gloriously disordered narrative interweaves the birth and life of the unfortunate 'hero' Tristram Shandy, the eccentric philosophy of his father Walter,…
There's no particular reason why I'm the right person to talk about intrusive narrators. I studied math, not literature, in school, though variables can be as tricky as any imaginary character. As an unpopular child, I read a developmentally unhealthy number of books, but tragic backstories are a dime a dozen. I pepper my life with ironic asides to the Reader, but anyone with a devoted Reader (better yet, a dozen of them) can do that. To be honest, you'd probably have come up with a better list than I did. You should give it a shot.
When I first read this series as a child, I was surprised and delighted to find the pseudo-author Lemony Snicket breaking the fourth wall to comment on the pathos of the action, the meaning of obscure words, and the telling of stories.
Behind a veil of whimsy, Lemony gave my child-self a dark metaphor I didn't (yet) realize I needed and a new literary language. I wouldn't be the person I am without him.
Lemony Snicket's The Bad Beginning is the first book in the globally bestselling series A Series of Unfortunate Events. This exclusive gold foiled 20th anniversary hardback gift edition commemorates the miserable fact that every child in the world has wanted this brilliantly funny book for twenty years.
Perfect for fans of Roald Dahl and Mr Gum, young readers of 9 to 11 will adore the mischievously dark humour. Lemony Snicket's 'A Series of Unfortunate Events' has been made into a blockbuster Hollywood film starring Jim Carrey and is also a hit Netflix TV series. Now with new anniversary blurb by…
A thing I love about detective stories is that, from the moment they were probably invented by Edgar Allen Poe in 1841, authors have been playing with the form. Poe’s The Murders in the Rue Morgue begins with a display of Dupin’s ratiocinative powers, and detective stories do often involve a protagonist reasoning through clues and red herrings on the way toward the resolution of a central mystery. But the kinds of “clues” we use to make sense of (or make peace with) the world are varied, and the mysteries that obsess us are vast—as illustrated over and over again in this mutable genre.
In this genre-bending novel, Ricky Rice is working as a janitor in an upstate New York bus station when he’s sent a ticket to Burlington, Vermont, with a note that reminds him of a promise he made years ago—a promise no one else could know about because he made it only to himself. There are a variety of crimes in the book, as well as several mysteries that unfold—not the least Ricky’s quest to understand the organization where he finds himself working.
As he does, he must sift through his past, including the narratives he’s grown up with and that he has used to understand and survive his world. I won’t tell you what the big machine is or how it works, but I loved this book and Ricky and the world he’s trying to (re)make.
Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God.
Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine…
My life is, in many ways, centered around bookstores. It all began at Three Lives & Co., a magical indie in the West Village of Manhattan. My girlfriend, now wife, worked there as a bookseller, and it was through her experience (and me hanging around the shop) that I developed an appreciation for how vital and wondrous bookstores can be. I was so enamored that I spent years researching the history of bookstores, visiting as many bookstores as I could, and talking to as many booksellers as possible. The result is my book.
I love this book because it captures the magic of bookstores. Told through a series of letters, the book made me want to hop on a plane (and time machine) and travel to what seems to be one of the most charming bookstores, full of charming booksellers. It’s the people, after all, that make a great bookstore great.
"Those who have read The Guernsey Literary and Potato Peel Pie Society, a novel comprised of only letters between the characters, will see how much that best-seller owes 84, Charing Cross Road." -- Medium.com
A heartwarming love story about people who love books for readers who love books
This funny, poignant, classic love story unfolds through a series of letters between Helene Hanff, a freelance writer living in New York City, and a used-book dealer in London at 84, Charing Cross Road. Through the years, though never meeting and separated both geographically and culturally, they share a charming, sentimental friendship…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
The Waves is a beautifully written and constructed book. Subjective voices rise and fall interspersed by moments of dispassionate clarity. It had a big effect on me and I continue to dip into it to remind me of what words can do. It was the first book I read where the novel’s form was as essential a part of the book’s meaning as its story and where the form had been considered and created rather than simply copied from convention. Surely every book should be written in that way, no? To make every aspect of what you are creating a conscious choice rather than a compulsive reaction is the artistic goal, and one that can make art a true force for change.
“I am made and remade continually. Different people draw different words from me.”
Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf’s masterpiece. It begins with six children—three boys and three girls—playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.
