100 books like Castle Waiting

While I am a tremendous fan of Daphne DuMaurier’s uncanny short stories, in particular, The Birds and Don’t Look Now, I reserve my greatest love and admiration for her modern Gothic masterpiece Rebecca.

While Alfred Hitchcock’s film version is justifiably a classic, it cannot capture the richness of DuMaurier’s prose nor the powerful first-person perspective of the narrator, the unnamed newlywed of a wealthy widower who finds herself cursed to always be in the shadow of his first wife, the eponymous Rebecca. It also can’t quite evoke the oppressive atmosphere of Manderley, silent and secretive, ancient and beautiful, the gilded cage of a mansion ruled over by a domineering housekeeper, the unforgettable Mrs. Danvers. 

Granted, nobody would call a castle a small space, but the world of 17-year-old Cassandra Mortmain—the narrator of this full-of-life novel-in-journal-form—is hemmed in by her father’s writer’s block and his innate dislike of neighbors, resulting in their family’s life of dwindling gentile poverty in a dilapidated rented castle.

Much of the novel’s long-lasting enchantment is how Cassandra makes the best of the stone walls that contain and border her life. Cassandra has a wonderful imagination and a knack for seeing her life as a story. A very funny and wise coming-of-age story about how our homes shape our world-views.

In a dreamlike fantasy world, a royal family holes up for the three-year winter in their vast, quiet palace. As the winter wends on, cabin fever sets in, but at least the young twins of the family have their giant cat Nemo to keep them company. Even if things don’t go so well for the characters, the palace, with its enormous baths, masses of eiderdown quilts, and mile-high windows for watching the snow fall, feels like a cozy place to spend a chilly night—or several hundred. Tillie Walden is a stunning talent, and in her debut graphic novel, created while she was still in art school, she emerges as a fully-formed artist with a personal, intimate style.

I’m not sure anyone has written with such clarity about the everyday horror of social/cultural alienation better than Shirley Jackson.

I loved reading about the main character, Merricat, and her trips into town to purchase groceries and other common household goods. The pariah-like way she is received by the allegedly typical townsfolk is a theme I—admittedly to a much lesser degree—wanted to include in my own writing.  

I loved this story of the extraordinary friendship between a young, gay, HIV-positive Cuban American activist and a young, struggling Jewish cartoonist who became roommates on an MTV reality show called The Real World. For good reason, UCLA chose Pedro & Me as its 2013-2014 "Common Book" with the goal of providing incoming freshmen with a "platform to discuss relationships, sexual orientation, health education, loss, love, and other topics." Winick’s story is timeless in its themes of friendship, loss, and hope.

In Japan, Osamu Tezuka is often referred to as the “God of Manga.” And Phoenix may be his greatest manga series of all. He created twelve volumes between 1954 and his death in 1989. Around 1971, a friend in Tokyo lent me the first five and I became hooked on manga and their potential as a medium of expression. The story converges on the present from the past and the future and deals with reincarnation and the quest for eternal life. My favorite volume is Karma, which has a strong Buddhist theme, and spectacular page layouts. With a group called Dadakai, I translated the first five volumes around 1977/78. After collecting dust for nearly twenty-five years, Jared Cook and I translated the remaining volumes, and the whole series was then finally published by Viz Communications between 2002 and 2008. This work changed my life.

This is a non-fiction book about an artist doing a road trip with an adorable dog by the name of Bug. As they travel the historic highway, Shing Yin Khor reflects on this country’s history, what it can mean to live in the US as a person of color and why we’re often left with more questions than satisfying answers. Even the title reflects this as it’s an interrogative sentence rather than a declarative one. It’s a very personal journey and it reads like a friend telling you about their trip. There are various segments where the scenery does the talking.

As someone who did not grow up in this country, I have been in a similar headspace. I love this book.

This is a story about a girl who loves animals but discovers she’s allergic to all creatures with fur. Megan does such a great job of portraying Maggie’s feelings so starkly and truthfully, that she comes across as one of the most relatable, heartfelt characters. And the illustrations are spot-on. There are also fun and realistic side characters, like her new friend Claire and her annoying but lovable little brothers. Maggie’s journey to finding the perfect pet despite all obstacles helps teach kids about never giving up (yet going about it honestly) and counting on those you’re closest to. I found all the characters to be sweet, honest, and relatable.

This is a story about someone going through something difficult and not having the words to verbalize why it is having a drastic impact. The premise is simple: Laila’s parents are going through a separation and she has to stay home. One day, she sees a giant bird across the street and allows him to enter her house. Laila tries to keep him a secret, but this bird has other plans. To me, this book is about visualizing a difficult or unnamed emotion. It shows how messy such a process can be. Also, the illustrations are delightful.  

I know, I know. Lots of people are over The Walking Dead. I have a love/hate relationship with the television show, as well. But I’ve read every chapter of the comic book series, and I have to tell you that zombie fiction doesn’t get much better. Kirkman’s epic spans 22 collection editions comprising 193 total comic books, and it’s pure dark magic from start to finish. He populates his tale with compelling characters and terrifying zombies. The tension is palpable and absolutely no one is safe. One of the hallmarks of this series is the shocking, unexpected deaths of key characters, which made all the more impactful because Kirkman makes us feel genuine emotions for them all.