Here are 100 books that American Junkie fans have personally recommended if you like
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When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
How do we decipher mundane truth from sophisticated deception? Who holds the gaze and who is the protagonist if they’re not readily revealed? Vulpius, a popular actor in a dubious era, develops an obsession with an unknown spectator, who he believes comes only to see him. The reader watches his life slowly unravel because Vulpius can never seem to capture the woman watching. Capriolo draws the reader into the insanity and narcissism of obsession, revealing how it can make perfect sense to the afflicted. I loved this book because of the strangeness of the extreme passive voice, probably because it's translated from Italian to English. Also, there is a complete lack of dialogue. I loved Capriolo’s masterful teasing of the reader, revealing just enough to keep you coming back, wondering just what’s going to happen to Vulpius. Will he survive, or will he destroy himself in the end?
What is the nature of the actor's mask? At what point do performer and performance merge? Vulpius, a much admired young actor in a provincial rep company, develops an obssession with an unknown spectator whose gaze seems only for him, at first kindling fresh fervour in his mastery of each role, then leaving him a slave to artistic perfection. With philosophical elegance and black macabre sense of comedy, Paola Capriolo draws the reader deep into obssession, exploring the most compelling recesses of the theatrical experience where ritual and stylisation run rampant. Dark questions emerge about the power of representation and…
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
In Suicide Blonde, the lead character Jesse tries to sustain a connection with her beautiful bisexual boyfriend, Bell, who though he loves her, cannot refuse the allure of sex with strange men and seems to be regularly “dipped in sleaze.” Jesse becomes caretaker of Madam Pig, an old obese beauty queen who lives in a crumbling old house. The paint peels in the wind with only vacant lots and industrial buildings nearby, as Madam Pig swills red wine and vomits down staircases. I loved this book for the lonely dystopian feel and the way Jesse seems utterly alone in the world. I also loved the natural way Stienke writes about sex. I learned a great deal from her graphic content, learning how to actually write sex into litertaure. The book is not for the faint of heart and does not have a happy ending, but in its way, it…
Jesse is a twenty-nine-year-old adrift in San Francisco's demi-monde of sexually ambiguous, drug-taking outsiders, desperately trying to sustain a connection with her bisexual boyfriend. She becomes caretaker and confidante to Madame Pig, a grotesque, besotted recluse. Jesse also meets Madison - Pig's daughter or lover or both - who uses others' desires for her own purposes, and who leads Jesse into a world beyond all boundaries.
As startling, original and vital as it was when first published, Suicide Blonde is an intensely erotic story of one young woman's sexual and psychological odyssey, and a modern cult classic.
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
This book of short fiction is a riveting account of how the marginalized outcasts of society struggle to find a voice, often not finding anything other than the realization of their own loneliness and social isolation. Many dynamics are shown in this book, such as a kind of unquenchable desire for new experience, even when it harms us, and the struggle to contend with class, gender, age, and continued sexual hunger. Do we invite troubled persons into our lives if they might harm us, or at least carve profanity into our coffee tables, or do we walk away? I loved this book because each story and character captures what it's like to live on the edge, and this is done without judgment, malice, or any form of indifference. I had so many favorite stories from this collection, just rest assured it is totally worth your time and the money to…
Named one of the Best Books of the Year by Bustle and Lit Hub
A fiercely empathetic group portrait of the marginalized and outcast in moments of crisis, from one of the most galvanizing voices in American fiction.
Lidia Yuknavitch is a writer of rare insight into the jagged boundaries between pain and survival. Her characters are scarred by the unchecked hungers of others and themselves, yet determined to find salvation within lives that can feel beyond their control. In novels such as The Small Backs of Children and The Book of Joan, she has…
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
Along with being extremely well written, this book details the horrific murder of a celebrated actor, a man blitzed in his sleep, a decent man who dealt with mundane foibles many men experience. But Crane always continued on, heading to work, embracing a hopeful and positive outlook on his abilities and the future. Bob Crane may well have never awoken from the cowardly assault that took his life in 1978, leaving his 4 children fatherless. A couple of years ago, I got to know Robert David Crane, Bob Crane’s son, via social media and it was one of the oddest occurrences of my life. I’d never have predicted it. I’ve found him to be insightful, generous, accomplished, and genuine. I loved this book because it is about the murder of a man who I grew up seeing.
Yes, I too watched Hogan’s Heroesand absolutely loved the character played by…
On June 29, 1978, Bob Crane, known to Hogan's Heroes fans as Colonel Hogan, was discovered brutally murdered in his Scottsdale, Arizona, apartment. His eldest son, Robert Crane, was called to the crime scene. In this poignant memoir, Robert Crane discusses that terrible day and how he has lived with the unsolved murder of his father. But this storyline is just one thread in his tale of growing up in Los Angeles, his struggles to reconcile the good and sordid sides of his celebrity father, and his own fascinating life. Crane began his career writing for Oui magazine and spent…
Over my two decades as a scholar of American foreign policy and international politics, I had multiple opportunities to serve as a Latin America foreign policy aide. Given that Latin America plays a central role in the U.S.-hatched modern war on drugs, much of my policymaking was directly or indirectly tied to drug policy. I thus wrote Drugs and Thugs above all to make sure that I had a good sense of the history of this seemingly eternal conflict, one that is “fought” as much at home as abroad.
A work of intrepid journalism and sizzling writing, Grillo’sEl Narco is the result of upwards of a decade following the mercurial, terrifying evolution of Mexico’s drug cartels. I’ve taught this book to my Davidson College students studying Latin American politics and they repeatedly tell me that it is their favorite book they tackle in the course.
'War' is no exaggeration in discussing the bloodshed that has terrorized Mexico in the past decades. As rival cartels battle for control of a billion-dollar drug trade, the body count- 23,000 dead in five years - and sheer horror beggar the imagination of journalistic witnesses. Cartel gunmen have shot up schools and rehabilitation centers, and murdered the entire families of those who defy them. Reformers and law enforcement officials have been gunned down within hours of taking office. Headless corpses are dumped on streets to intimidate rivals, and severed heads are rolled onto dancefloors as messages to would-be opponents. And…
Whether I read fiction, non-fiction, poetry, or prose, I especially love books by authors whose voices resonate with authenticity and originality, and who write imaginative page-turners about characters who change and grow personally, regardless of the difficulties they face in life. When their changes lead to creating conducive conditions for others to thrive, I feel gratified and inspired by them. As a practicing psychotherapist and writer I have devoted my career to supporting people in discovering and nurturing the creative sparks within themselves. My PhD in psychology and Post-Doctoral studies, presentations, and publications over the past 45 years have focused on the healing aspect of the creative process.
James McBride has an enormous gift for evoking the goodness in characters whose lives are perceived to be beyond redemption.
They inhabit the down and out realms of addiction, impoverishment, life on the streets, in housing projects rife with crime. And yet, he also reveals the faith and spirituality that binds them with love and humor, and provides them with the endurance for facing the ugliness and miracles in everyday life.
What I love most about Deacon King Kong is the surprising affection I feel for the characters that James McBride describes in hilariously creative ways, revealing the depths of their souls as well as the sins they rectify or try to cover up.
Never pious or self-righteous, these characters offer the heart of change and give us love!
NEW YORK TIMES BESTSELLER AND OPRAH'S BOOK CLUB PICK CHOSEN BY BARACK OBAMA AS A FAVOURITE READ TOP TEN BOOKS OF THE YEAR, NEW YORK TIMES & WASHINGTON POST
'Brilliantly imagined, larger than life, a tragicomedic epic of intertwined lives.' JOYCE CAROL OATES
'Deeply felt, beautifully written and profoundly humane.' JUNOT DIAZ, New York Times Book Review
The year is 1969. In a housing project in south Brooklyn, a shambling old church deacon called Sportcoat shoots - for no apparent reason - the local drug-dealer who used to be part of the church's baseball team. The repercussions of that moment…
I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
Another great read of my teens that had me looking for real versions of the people described in this book, aka I wished I lived in this book!
It was like an action-packed movie; all the details of the story came to life in my head at the time I read it. Books like this one made me wish I could tell stories like this.
In a stunning first novel, renowned hip-hop artist, writer and activist Sister Souljah brings the streets of New York to life with a powerful and utterly unforgettable tale. Ghetto-born, Winter is the young, wealthy daughter of a prominent Brooklyn drug-dealing family. Quick-witted, sexy, business minded and fashionable, Winter knows no restrictions. No one can control her. She's nobody's victim. Winter knows the Brooklyn streets like she knows the curves of her own body. She manoeuvres skilfully, applying all she has learned to come out on top, no matter how dramatically the scenes change. But a cold winter wind is about…
I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling.
This book epitomizes what it means to be Black and male in American society and how one’s poor choices or the choices that chose one can be overcome. Horton, a native of the segregated South and the by-product of educators, headed north to college and became swept away by the crack cocaine epidemic of the 1980s. A major drug smuggler, he spent seven years in prison for his crime. But it was during that time, that poetry discovered him and upon his release he earned a B.A., Master, and PhD degrees. In fact, he describes himself as the only tenured professor with seven convicted felonies. In addition, Horton is an award-winning poet, essayist, musician, and devotes much of his time to outreach into the criminal justice system to provide hope for others. Dead Weight, with its theme of redemption, is destined to become an American classic and should be…
Dead Weight chronicles the improbable turnaround of a drug smuggler who, after being sentenced to eight years in state prison, returned to society to earn a PhD in creative writing and become the only tenured professor in the United States with seven felony convictions. Horton's visceral essays highlight the difficulties of trying to change one's life for the better, how the weight of felony convictions never dissipates.
The memoir begins with a conversation between Horton and Ralph Ellison's Invisible Man statue in New York City. Their imagined dialogue examines the psychological impact of racism on Black men and boys, including…
My earliest filmgoing memory is of a bad guy getting pushed down the stairs in Alfred Hitchcock's The Man Who Knew Too Much. That shocking scene has stayed with me, leading me into a lifetime of exploring the dark visions of crime stories. It was only natural that my love of rock music, and in its interaction with other media would draw me to mystery writers whose books were fueled by their love of rock, blues and pop. "If not for music and movies, I wouldn't be a novelist," George Pelecanos once told me. "They have influenced me more than any author. I want to shout about it." Me too.
A lot of people know George Pelecanos from his work as a TV writer, but long before he contributed to The Wire and The Deuce, he was turning out great mysteries, most of them set in his hometown of Washington, D.C. These are smart, sociological thrillers that teach you a lot about life on the city's mean streets. What sets books like King Suckerman apart for me is how much they teach you about the way popular music—heard from car radios, boom boxes, and record store systems—defines people's lives. For me, one of the book's many highlights is a fierce exchange between a guy who, based on Jimi Hendrix's funky playing in Band of Gypsys thinks the guitarist should be filed under soul rather than rock because that was the direction he was going and a friend who responds, "What you think you are, man, the Amazing Kreskin... gonna…
While out looking to buy drugs, small-time dealer Dimitri Karras and his friend, record-store owner Marcus Clay, stumble into a big deal gone bad, acquire some cash that is not theirs, and become players in a savage game of cross and double-cross.
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
For a closer look at the way drug cartels work, Wainwright suggests we need to think of them in terms of big business, for that is what, underneath the extreme violence and horror, they are.
What drug lords learned from big businessHow does a budding cartel boss succeed (and survive) in the 300 billion illegal drug business? By learning from the best, of course. From creating brand value to fine-tuning customer service, the folks running cartels have been attentive students of the strategy and tactics used by corporations such as Walmart, McDonald's, and Coca-Cola. And what can government learn to combat this scourge? By analyzing the cartels as companies, law enforcers might better understand how they work,and stop throwing away 100 billion a year in a futile effort to win the war" against this global,…
