Here are 84 books that Crane fans have personally recommended if you like
Crane.
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When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
How do we decipher mundane truth from sophisticated deception? Who holds the gaze and who is the protagonist if they’re not readily revealed? Vulpius, a popular actor in a dubious era, develops an obsession with an unknown spectator, who he believes comes only to see him. The reader watches his life slowly unravel because Vulpius can never seem to capture the woman watching. Capriolo draws the reader into the insanity and narcissism of obsession, revealing how it can make perfect sense to the afflicted. I loved this book because of the strangeness of the extreme passive voice, probably because it's translated from Italian to English. Also, there is a complete lack of dialogue. I loved Capriolo’s masterful teasing of the reader, revealing just enough to keep you coming back, wondering just what’s going to happen to Vulpius. Will he survive, or will he destroy himself in the end?
What is the nature of the actor's mask? At what point do performer and performance merge? Vulpius, a much admired young actor in a provincial rep company, develops an obssession with an unknown spectator whose gaze seems only for him, at first kindling fresh fervour in his mastery of each role, then leaving him a slave to artistic perfection. With philosophical elegance and black macabre sense of comedy, Paola Capriolo draws the reader deep into obssession, exploring the most compelling recesses of the theatrical experience where ritual and stylisation run rampant. Dark questions emerge about the power of representation and…
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
In Suicide Blonde, the lead character Jesse tries to sustain a connection with her beautiful bisexual boyfriend, Bell, who though he loves her, cannot refuse the allure of sex with strange men and seems to be regularly “dipped in sleaze.” Jesse becomes caretaker of Madam Pig, an old obese beauty queen who lives in a crumbling old house. The paint peels in the wind with only vacant lots and industrial buildings nearby, as Madam Pig swills red wine and vomits down staircases. I loved this book for the lonely dystopian feel and the way Jesse seems utterly alone in the world. I also loved the natural way Stienke writes about sex. I learned a great deal from her graphic content, learning how to actually write sex into litertaure. The book is not for the faint of heart and does not have a happy ending, but in its way, it…
Jesse is a twenty-nine-year-old adrift in San Francisco's demi-monde of sexually ambiguous, drug-taking outsiders, desperately trying to sustain a connection with her bisexual boyfriend. She becomes caretaker and confidante to Madame Pig, a grotesque, besotted recluse. Jesse also meets Madison - Pig's daughter or lover or both - who uses others' desires for her own purposes, and who leads Jesse into a world beyond all boundaries.
As startling, original and vital as it was when first published, Suicide Blonde is an intensely erotic story of one young woman's sexual and psychological odyssey, and a modern cult classic.
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
This book of short fiction is a riveting account of how the marginalized outcasts of society struggle to find a voice, often not finding anything other than the realization of their own loneliness and social isolation. Many dynamics are shown in this book, such as a kind of unquenchable desire for new experience, even when it harms us, and the struggle to contend with class, gender, age, and continued sexual hunger. Do we invite troubled persons into our lives if they might harm us, or at least carve profanity into our coffee tables, or do we walk away? I loved this book because each story and character captures what it's like to live on the edge, and this is done without judgment, malice, or any form of indifference. I had so many favorite stories from this collection, just rest assured it is totally worth your time and the money to…
Named one of the Best Books of the Year by Bustle and Lit Hub
A fiercely empathetic group portrait of the marginalized and outcast in moments of crisis, from one of the most galvanizing voices in American fiction.
Lidia Yuknavitch is a writer of rare insight into the jagged boundaries between pain and survival. Her characters are scarred by the unchecked hungers of others and themselves, yet determined to find salvation within lives that can feel beyond their control. In novels such as The Small Backs of Children and The Book of Joan, she has…
When I think of who I am, as a writer and a human being, I remember the words of prolific Portland poet Dan Rapheal, who wrote the foreword to my book of poetry, Blue Reverie in Smoke: “...the reader must look carefully to get a full picture of the poet herself—tender, no nonsense, quietly observing and juggernauting to make things as she thinks they should be.” I’ve never forgotten Dan’s astute appraisal of me, and it surprised me. It seems that's how I’ve always been—someone who quietly observes, never unmoved by what I see, just trying to make sense of it, sometimes successful in that endeavor, and oftentimes, not successful at all.
American Junkie is a brutally honest tour de force you will never forget! The life of a young and intelligent musician with the promise of success in the 1990s Seattle Grunge scene slowly morphs into the sad reality of a man slipping into addiction and melancholy. In this memoir, Hansen struggles, but does find that his humanity is tied up in more than just addiction. Hansen was a gentleman heroin dealer, not a thug or bully.He mixed with celebrities and those unseen ghosts of the street that end up unnamed and forgotten. He had a code of ethics he lived by. Cleverly written in intimate second-person narrative voice, I loved this book because as you read, you are at once a part of Hansen’s story and in the end, you feel moved by his honesty and the unsparing way he shares the details of his life. When his final…
A non-stop trip into one man's land of desperate addicts, failed punk bands, and brushes with sad fame, as he sells drugs during the Seattle grunge years.
In American Junkie, Tom Hansen maps his heroin addiction, from the promise of a young life to the prison of a mattress, from budding musician to broken down junkie, drowning in syringes and cigarette butts, shooting heroin into wounds the size of softballs, and ultimately, a ride to a hospital for a six-month stay and a painful self-discovery that cuts down to the bone. Through it all he never really loses his step,…
I wholeheartedly believe that embracing your geeky side is an important part of life and self-discovery. When romance novels incorporate nerdiness, it gives characters (and therefore readers) the ability to understand themselves and what they want on another level, and to gain the courage to pursue what they want. I know that my own forays into TTRPGs, LARPing, Ren Faires, and other such interests have helped shape me as a person. I’m more confident and embodied because I embrace my inner geek, and I want that for my characters and my readers, too. That’s why I want to read and write as many of these stories as possible!
Olivia Dade is the queen of romcoms with twists, and this may be her best work, IMO! Marcus is so sexy and such a golden retriever MMC, and I loved April just as much. This is a perfect example of two main characters who are both great but somehow even better together.
And Olivia Dade is truly hilarious–I especially loved the interlude chapters with the awful scripts Marcus had encountered over the years. This is one of the easiest romances for me to recommend to people because there’s something for everybody!
Olivia Dade bursts onto the scene in this delightfully fun romantic comedy set in the world of fanfiction, in which a devoted fan goes on an unexpected date with her celebrity crush, who's secretly posting fanfiction of his own.
Marcus Caster-Rupp has a secret. While the world knows him as Aeneas, the star of the biggest show on TV, Gods of the Gates, he's known to fanfiction readers as Book!AeneasWouldNever, an anonymous and popular poster. Marcus is able to get out his own frustrations with his character through his stories, especially the ones that feature the internet's favorite couple to…
I don’t consider myself specifically a horror reader (or writer for that matter!) any more than I consider myself a fantasy, mystery, or science fiction reader. As a writer (under my real name John Mantooth as well as my pseudonym, Hank Early), much of my work has been classified as horror, though I take pride in my novels appealing to people who aren’t typically well-versed in the genre. So, it got me thinking… what are some novels that may or may not be classified as horror that will appeal to a wide range of readers? I call these books horror-adjacent, and no matter what you typically read, I think you’ll enjoy them.
This one is truly unique. It’s a true crime story operating under the guise of a horror story that is really neither. Instead, it grapples with teenage alienation and the way stories transform the truth, while offering an insightful meditation on empathy. Darnielle is one of the most unique and stylistically adventurous writers we have. And this may be his best.
“It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times
From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling.
Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the…
Even though I have not lived in the Midwest for fifty years, I remain a Midwesterner. It is in how I speak (adding an “r” to wash), what I like to eat (Cincinnati chili), and explains my favorite smell (the inside of a barn). Both as a reader and writer, I want to know where the story is “from.” What does this place look like? Smell like? What is the cadence of the characters’ speech? All this translates into an immersive experience and that is something I look for both in a book I pick up and in one I write.
Hazel Micaellef, 62, a police officer in a small town in Ontario, is divorced, overweight, has back problems, and drinks too much. I am from a small town and divorced. Liquor is not my vice. I am, however, completely at home in the fictional and slightly seedy Port Dumas where locals have long memories. When human bones are found on land that formerly housed orphans, many of the town’s ugly secrets bubble up.The plot is complex and the setting immersive. I would not necessarily want to live in a place like Port Dumas…but I have.
The new novel in this acclaimed series is brilliantly paced, addictively suspenseful—the author's best yet. Hazel Micallef (played by Susan Sarandon in the recent film of the series' debut, The Calling) has become one of crime writing's most memorable detectives. The Night Bell moves between the past and the present in Port Dundas, Ontario, as two mysteries converge. A discovery of the bones of murdered children is made on land that was once a county foster home. Now it's being developed as a brand new subdivision whose first residents are already railing against broken promises and corruption. But when three…
As a child, finding reality both overwhelming and boring, I was drawn to movies. My father, a New York City disc jockey also at odds with reality, had contacts at a sixteen-millimeter movie rental company. He often brought films home, shown in a makeshift screening room he set up in our basement. Singin’ in the Rain, the classic musical, made a great impression there. Its funny first scene at a movie premiere featured a pompous star’s ennobling account of his early days, comically contradicted by the tacky, scrounging, painfully undignified truth. What lay behind Hollywood's glamor, smiles, and success soon became as interesting to me as what was on the screen.
An excellent nonfiction account of an actual Hollywood killing, this is a well-written and researched investigation of the (as yet) unsolved 1922 shooting of director William Desmond Taylor. The murder was committed right when scandals, including Fatty Arbuckle’s, besieged an ascendant Hollywood.
Also of interest: A Murder in Hollywood by Casey Sherman, which recaps the killing of Johnny Stompanato, Lana Turner’s gangster boyfriend, supposedly by her teenage daughter, Cheryl. This crime inspired entertainment from Harold Robbin’s potboiler, Where Love Has Gone, to Woody Allen’s self-serious movie, September.
New York Times Bestseller Edgar Award winner for Best Fact Crime The Day of the Locust meets The Devil in the White City and Midnight in the Garden of Good and Evil in this juicy, untold Hollywood story: an addictive true tale of ambition, scandal, intrigue, murder, and the creation of the modern film industry. By 1920, the movies had suddenly become America's new favorite pastime, and one of the nation's largest industries. Never before had a medium possessed such power to influence. Yet Hollywood's glittering ascendency was threatened by a string of headline-grabbing tragedies-including the murder of William Desmond…
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
Richard Price, in my opinion, is one of today’s best writers in any genre. The Whites, a book about five detectives finally getting the criminal that always eluded them, was just the most recent book of his I’ve read. His classics—Clockers, Freedomland, The Night of, Sea of Love—were all adapted for the big screen. His prose is cliché free, no one captures New York City and its denizens the way Price does, and the dialogue in his books is pitch perfect and realistic.
NEW YORK TIMES BESTSELLER FINALIST FOR THE L.A. TIMES BOOK PRIZE 2015 IN THE MYSTERY/THRILLER CATEGORY
Every cop has a personal 'White': a criminal who got away with murder - or worse - and was able to slip back into life, leaving the victim's family still seeking justice, the cop plagued by guilt.
Back in the 1990s, Billy Graves was one of the Wild Geese: a tight-knit crew of young mavericks, fresh to police work and hungry for justice, looking out for each other and their 'family' of neighbourhood locals. But then Billy made some bad headlines by accidentally shooting…
I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.
Hikers stumbled upon the body of a young woman near Boulder, Colorado, in 1954. Buried in an anonymous grave, for decades she was yet another Jane Doe, abandoned and unidentified.
Decades later, historian Silvia Pettem joined forces with law enforcement and forensic experts. Together, they exhume the Jane Doe and achieve the seemingly impossible: they identify her andher probable killer.
In 1954, two college students were hiking along a creek outside of Boulder, Colorado, when they stumbled upon the body of a murdered young woman. Who was this woman? What had happened to her? The initial investigation turned up nothing, and the girl was buried in a local cemetery with a gravestone that read, "Jane Doe, April 1954, Age About 20 Years."
Decades later, historian Silvia Pettem formed a partnership with law enforcement and forensic experts and set in motion the events that led to Jane Doe's exhumation and eventual identification, as well as the identity of her probable killer.…
