Here are 49 books that The Whites fans have personally recommended if you like
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On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
She is 11 years old, self-schooled, and lives outside a small English town in the 1950s. She is overlooked and underestimated by everyone. Deep inside, I’m still 11 years old, underestimated, and overlooked. I had an insatiable desire to learn about my environment, and I often saw things others didn’t. Flavia also reminds me of my childhood living in the country in the 1980s. I ran unchecked, safe, and constantly delighted in discovering new things about my corner of the world. I wince at the de Luce family politics. I cheer Flavia’s investigations and her fearlessness. I want nothing more than to stay in Flavia’s 11-year-old world forever. She is the kick-ass kid I wanted to be.
Meet Flavia: Mystery Solver. Master Poisoner. 11 Years Old.
England 1950. At Buckshaw, the crumbling country seat of the de Luce family, very-nearly-eleven-year-old Flavia is plotting revenge on her older sisters.
Then a dead bird is left on the doorstep, which has an extraordinary effect on Flavia's eccentric father, and a body is found in the garden. As the police descend on Buckshaw, Flavia decides to do some investigating of her own.
Praise for the historical Flavia de Luce mysteries: 'The Flavia de Luce novels are now a cult favourite' Mail on Sunday
I’ve been writing crime stories since I was a child. They entertained me and helped me cope with a lot of family strife. My first novel was published in college and sold to the movies, which got me into screenwriting, leading to writing hundreds of hours of TV and fifty novels to date. The one thing all of my stories share is humor because I believe it’s an essential part of life–and of memorable story-telling. Humor makes characters come alive, revealing shades of personality and depths of emotion you wouldn’t otherwise see. Here are five books that taught me that it’s true and that continue to influence me as a writer.
Spy novels, especially the British ones, are densely plotted, densely written, densely serious stories full of politics and betrayals…without a smile to be had by the characters or the reader. The only funny ones are satires. But this book is different.
I could enjoy all the pleasures of a spy novel, with all the betrayals and plot twists, and find myself laughing even as I was caught up in the suspense and surprises. If anything, the laughs made the twists more twisty and the tragedies more tragic.
This book revitalized an entire genre for me…by knowing where to find the humor in what was always portrayed as a humorless job in a humorless world.
'To have been lucky enough to play Smiley in one's career; and now go and play Jackson Lamb in Mick Herron's novels - the heir, in a way, to le Carre - is a terrific thing' Gary Oldman
Slough House is the outpost where disgraced spies are banished to see out the rest of their derailed careers. Known as the 'slow horses' these misfits have committed crimes of drugs and drunkenness, lechery and failure, politics and betrayal while on duty.
In this drab and mildewed office these highly trained spies don't run…
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
I’ve always been a Thomas Perry fan going all the way back to The Butcher’s Boy, and thoroughly enjoyed his Jane Whitefield series. His novel, The Old Man, was recently adapted for television, starring Jeff Bridges, who’s perfect as the protagonist. The thing I’ve always appreciated about Perry’s books is his careful plotting and attention to detail, which is particularly noticeable in the Jane Whitefield books. The other thing about his books is the way he can turn a villain —like the Butcher’s Boy—into a likable protagonist.
To all appearances, Dan Chase is a harmless retiree in Vermont with two big dogs and a grown daughter with a life of her own. But most sixty-year-old widowers don't have multiple drivers' licenses, savings stockpiled in banks across the country and two Beretta nanos stashed in the spare bedroom closet. Most have not spent decades on the run.
Now, the toppling of a Middle Eastern government suddenly makes Dan Chase, and the stunt he pulled thirty-five years ago as a young hotshot in army intelligence,…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I’m the Edgar and Barry Award nominated author of twenty novels, sixteen in my Joe DeMarco series, three in my Kay Hamilton Series, and my standalone, Redemption. Prior to becoming a writer, I was a senior civilian executive working in the U.S. Navy’s nuclear propulsion program. My books are mostly set in and involve characters in Washington, D.C., because Washington is a target-rich environment for a writer—and now more so than ever.
John Sandford’s books aren’t as “literary” as those written by Mick Herron or Richard Price, but I love his books for their pacing—they always start out with a bang—and for Sandford’s sense of humor. I also admire the way he’s aged the recurring characters in the Prey books, taking Lucas Davenport from a young man in his thirties to the age of almost sixty in the last book. You can’t go wrong with any of the thirty-plus books in the Prey series, and I’m holding my breath for the next one.
**Don't miss John Sandford's brand-new thriller Ocean Prey - out now**
#1 New York Times bestselling author John Sandford's 'haunting, unforgettable, ice-blooded thriller' - first in the Lucas Davenport series!
The killer was mad but brilliant.
He left notes with every woman he killed. Rules of murder: Never have a motive. Never follow a discernible pattern. Never carry a weapon after it has been used...So many rules to his sick, violent games of death.
But Lucas Davenport, the cop who's out to get him, isn't playing by the rules.
I was born in the Bronx, New York. I arrived in Paris, France at the age of 32. Thought I would stay for one year. That was thirty years ago. I'm still in Paris, and the author of a memoir, a play, and seven novels. Many of my novels fit the term "social thriller," popularized by Jordan Peele to define his ground-smashing classic film Get Out. Peele identified a genre that has been with us, particularly when it comes to crime fiction, for a long time. I've always been fascinated by dark, suspenseful stories that explore the nature of greed, of racism, of political power. And how the three are so often wrapped around each other.
This witty and suspenseful tour-de-force is set in a Paris most tourists never see: the Nineteenth Arrondissement, a sprawling, multicultural district where working-class grit coexists uneasily with encroaching gentrification.
The author, who doubles as a well-known documentary filmmaker, is also a friend of mine from the French noirworld.
Arab Jazz, first published in 2012, sardonically explores the religious fanaticism of Jews, Muslims and evangelical Christians while weaving a thrilling intrigue that earned it France's top prize for crime fiction.
Kosher sushi, kebabs, a second-hand bookshop and a bar: the 19th arrondissement in Paris is a cosmopolitan district where multicultural citizens live, love and worship alongside one another. This peace is shattered when Ahmed Taroudant's melancholy daydreams are interrupted by the blood dripping from his upstairs neighbour's brutally mutilated corpse.
The violent murder of Laura Vignole, and the pork joint placed next to her, set imaginations ablaze across the neighbourhood, and Ahmed finds himself the prime suspect. But detectives Rachel Kupferstein and Jean Hamelot are not short of other leads. What is the connection between a disbanded hip-hop group and…
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!
The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.
But most important of all, this book offers an irresistible mystery that certainly kept me guessing!
A detective steeped in the art of magic solves the mystifying murder of two occultists.
Now retired from the tour circuit on which he made his name, master magician The Great Merlini spends his days running a magic shop in New York’s Times Square and his nights moonlighting as a consultant for the NYPD. The cops call him when faced with crimes so impossible that they can only be comprehended by a magician’s mind. In the most recent case, two occultists are discovered dead in locked rooms, one spread out on a pentagram, both appearing to have been murdered under…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
I have been writing fantasy professionally for more than twenty-five years, and have published novels of epic fantasy, contemporary urban fantasy, supernatural thriller, and (as D.B. Jackson) historical fantasy. I have devoted my professional life to the genre because I love writing about magic and the people who wield it. I believe fantasy novels should thrill and intrigue, but also touch our emotions, and carry us through narratives with beautiful writing. That is what I try to do with my books, and that is what draws me to the novels I have listed here. I hope you enjoy them as much as I have.
I am a huge fan of urban fantasy, and have written several myself, including my newest project.
Of all the UFs I have read, C.E. Murphy’s Negotiator series is my favorite.Heart of Stone, the first book in the sequence, introduces us to a magically reimagined New York City that is populated by dragons, vampires, and gargoyles that come to life at night and slumber in their stone form by day.
It also introduces us to Magrit Knight, a smart, powerful, fearless hero who will capture your heart and have you cheering (when you’re not breathlessly rushing to see what happens to her next)!
Okay, so jogging through Central Park after midnight wasn't a bright idea. But Margrit Knight never thought she'd encounter a dark new world filled with magical beings―not to mention a dying woman and a mysterious stranger with blood on his hands. Her logical, lawyer instincts told her it couldn't all be real― but she could hardly deny what she'd seen…and touched.
The mystery man, Alban, was a gargoyle. One of the fabled Old Races who had hidden their existence for centuries. Now he was a murder suspect, and he needed Margrit's help to take…
I’m a public health research scientist who writes humorous historical mysteries set in 1900s Los Angeles among the police matrons of the LAPD. Like you, I read. I love smart, well-researched historical fiction with strong female protagonists and a good romantic subplot. Extra points if the book is funny because studies show laughter is good for you.
Ellie Stone, a young alcoholic newspaper reporter in 1960s New York, makes her own rules while searching for a killer. The series is an incredible window into the era and the protagonist is superb. Booksellers, publishers, authors—we all know who James Ziskin is—simply one of the most decorated mystery authors writing today. This series has won so many awards, I can’t begin to list them all here. In spite of this, James Ziskin remains a secret to most readers. This baffles me and the only thing that can explain it is that we happen to be in that one alternate universe where James Ziskin, who is a bestselling author in every other multiverse, randomly hasn’t caught fire in this universe. Yet.
Ellie Stone is a professed modern girl in 1960s' New York City, playing by her own rules and breaking boundaries while searching for a killer among the renowned scholars in Columbia University's Italian Department.
"If you were a man, you'd make a good detective."
Ellie is sure that Sgt. McKeever meant that as a compliment, but that identity-a girl wanting to do a man's job-has throttled her for too long. It's 1960, and Ellie doesn't want to blaze any trails for women; she just wants to be a reporter, one who doesn't need to swat hands off her behind at…
Before I’m a writer, I’m a reader and I need the realness when it comes to military service. I started as an Army journalist so the details matter to me. When I pick up a book to relax and the main character draws me with a story I can get all the five senses of it, I’m in! On the other hand, I'm usually turned off by books that use veterans as props or either heroes or villains with nothing in between. That’s not who I served with. Where was the gray of the human existence in veteran characters? Gimme books that bring more depth to characters that round out personal experience.
This book is from a series but I picked this one out because it was perfectly targeting why veterans talking to other veterans can heal. These fictional characters have real backstories that resonated with me. This is set in a small town with the dichotomy of military and law enforcement and is an easy, mystery read.
On a warm September evening in the Millers Kill community center, five veterans sit down in rickety chairs to try to make sense of their experiences in Iraq. What they will find is murder, conspiracy, and the unbreakable ties that bind them to one another and their small Adirondack town.
The Rev. Clare Fergusson wants to forget the things she saw as a combat helicopter pilot and concentrate on her relationship with Chief of Police Russ Van Alstyne. MP Eric McCrea needs to control the explosive anger threatening his job as a police officer. Will Ellis, high school track star,…
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
I wanted to write crime fiction from a young age. I took a Biomedical Science degree, hoping to follow this with a PhD in Forensics but soon realised I didn’t want to spend the rest of my working life in a lab. So I took a Master’s degree in Science Communication and became a health journalist and editor instead. I knew my own crime novel needed to feature a journalist. My main character, Shanna Regan, has spent her life travelling, whereas my own job has always been desk-based in the UK. Maybe this is why I love reading crime novels that whisk me off to other countries (in my head)!
Invisible City is the first book in Julia Dahl’s Rebekah Roberts series. Julia Dahl cleverly weaves together Jewish culture and a murder mystery, using a rookie journalist as her main character.
I think journalists make great detectives in crime fiction, with their investigative skills, enthusiasm, communication skills, persistence, and perseverance. They bridge the gap between amateur sleuths and the police (not that different from a private investigator).
Invisible City portrays journalists in a positive light and also provides an insight into an unknown world, with a non-judgmental portrayal of the ultra-religious Hassidic Jewish community in Brooklyn. I enjoyed following the main character’s personal journey too.
If you enjoyed UNORTHODOX, you will be riveted by Rebekah Roberts . . .
'An absolutely crackling, unputdownable mystery. I loved it.' GILLIAN FLYNN
Fresh out of journalism school, Rebekah Roberts is working for the New York Tribune, trying to make a name for herself. Assigned a story about the murder of a woman in Brooklyn, Rebekah finds a case from inside a closed, secretive Hasidic Jewish community - the same Brooklyn neighbourhood her estranged mother was brought up in.
Shocked to discover that the victim is set to be buried without an autopsy, Rebekah knows there is a story…
