I write for middle grade readers because they still dwell in a place of possibility. They know flashy magic doesn’t exist but they’ll still check the back of a wardrobe to see if it leads to Narnia. Middle grade is a period where readers explore their identity, trying to figure out who they are as well as who they’ll become. In these witchy books, the protagonists are exploring their identities, trying to reconcile expectations and the broadening world around them with who they truly are. The resulting books are adventures both external and internal and the start of exciting journeys.
While staying with her aunt in Italy, Lilla comes across a book that reveals she’s a witch. But the Stregamama, an ancient witch, wants to use Lilla for her own means. Meanwhile, Lilla’s crushing on her aunt’s assistant and trying to avoid the local boy her family is trying to set her up with. As a bookish introvert who wanted space to read, draw, and grow on my own terms, I couldn’t help but see myself in Lilla. Slightly artwork brings movement to the story while the palette adds spots of spookiness. A cute, queer graphic novel of realizing and voicing one’s identities, this book charms.
Thirteen-year-old Lilla feels she is a bit different. She's quiet and shy and sometimes feels uncomfortable in the company of boys. She'd much rather spend time by herself drawing and daydreaming. This summer, while staying with her aunt in rural Italy, Lilla discovers a book of magic which reveals that she is a witch with special powers, the magic of 'Strega'.
But unbeknownst to her, an ancient witch, Stregamama, threatens to ruin more than just her summer. Lilla is soon faced with a choice that could change her life forever.
Fantasy has long been a favorite genre of mine for the way you can explore so many different concepts and ideas, and the freedom it gives you as a storyteller. If you feel like you’ve been transported to that world as the story unfolds, I see that as a successful story. Creating vibrant, diverse, new worlds and real, flawed characters for readers is something I strive towards with every project. As a queer author, I find it especially important to give queer characters the hero roles they deserve. The best thing about fantasy is it can be anything, and anyone, from any background, can be the main character.
Peter Pan was one of the first books that made me want to write and create my own worlds. Neverland was an escape, not only for the Darling children but for my earliest stories. It was a place to be anyone, and go on endless adventures, without the limitations of adult expectations. The characters will always be special to me. We may have to grow up, but we can always keep special places like Neverland in our hearts and strive to create worlds that generations of readers will enjoy.
One note is that while I will always love this book, it was published in 1911 and I cannot endorse the racist portrayals of Native Americans/Indigenous People. As the historical costume community says, ‘vintage style, not vintage values.’
Peter Pan is a character created by Scottish novelist and playwright J. M. Barrie. A mischievous boy who can fly and never grows up, Peter Pan spends his never-ending childhood adventuring on the small island of Neverland as the leader of his gang, the Lost Boys, interacting with mermaids, Native Americans, fairies, pirates, and occasionally ordinary children from the world outside of Neverland. In addition to two distinct works by Barrie, the character has been featured in a variety of media and merchandise, both adapting and expanding on Barrie's works.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to Helge's Hole in Forres, the Hermitage Forest in Dunkeld, and Glen Lyon in Perth on a quest for Truth, Beauty, and Goodness. It's a story of a grandmother's greater love for a granddaughter, a mother for a daughter, and the boundless bounty of the natural realm for each one of…
Not so long ago, nomadic communities in Scotland told stories around camp fires and slept in bow tents made of hazel and canvas. In this book, their culture is introduced through Cant's vocabulary, a dialect spoken by Scottish travellers. Following them, Serendipity takes you to Helge's Hole in Forres, Hermitage Forest in Dunkeld, and Glen Lyon in Perth, meandering through the valleys and cragged peaks of the Scottish Highlands, in a quest for Truth, Beauty and Goodness.
Dive into Scottish culture as the old grandmother, Julia, recounts to her granddaughter Gaia the tale of a little girl of pure heart.…
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
“Doors are very powerful things. Things are different on either side of them”’
I love this quote. There’s nothing like the threshold of a door when it comes to story magic! It’s steeped in tradition since long before Roman times. And Diana Wynne Jones is the underrated Queen of this whimsical genre. Her words flow so beautifully, and not only that, her characters are the cutest. I fell in love with Calcifer, the little fire demon, and the headstrong Sophie.
Now an animated movie from Studio Ghibli and Hayao Miyazaki, the oscar-winning director of Spirited Away
In this beloved modern classic, young Sophie Hatter from the land of Ingary catches the unwelcome attention of the Witch of the Waste and is put under a spell...
Deciding she has nothing more to lose, Sophie makes her way to the moving castle that hovers on the hills above her town, Market Chipping. But the castle belongs to the dreaded Wizard Howl, whose appetite, they say, is satisfied only by the souls of young girls...
There Sophie meets Michael, Howl's apprentice, and Calcifer…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
I’ve always been drawn to stories where characters discover the magic within and channel it to confront overwhelming odds. Dystopian fantasies meld the intricate worldbuilding of an oppressive world with a character’s unique abilities to fight back. When I was a young adult, these types of books made the most challenging moments in life manageable, not only for the escapism but for their message of hope. They reminded me I wasn’t alone and that my voice mattered. At their core, they’re made for the dreamer in all of us. They inspired me to become an author and write about the transformative power of self-discovery.
Between the high-stakes worldbuilding, Earth on the brink of war with Luna while battling a global pandemic, and Marissa Meyer’s fresh sci-fi take on magic, the story drew me in and wouldn’t let me go.
I’m not ashamed to say I devoured this in one sitting. I was fascinated by the lunar people’s ability to use their “gifts” to manipulate bioelectricity, casting glamours and bewitching their victim’s minds. It added yet another layer of tension to the story.
The seamless fusion of dystopia, sci-fi, and elements from classic fairytales creates a powerhouse narrative that centers around Cinder, a cyborg mechanic whose fate is inexplicably twined with the prince’s in a race to find a cure and prevent the impending war.
A forbidden romance. A deadly plague. Earth's fate hinges on one girl . . .
CINDER, a gifted mechanic in New Beijing, is also a cyborg. She's reviled by her stepmother and blamed for her stepsister's sudden illness. But when her life becomes entwined with the handsome Prince Kai's, she finds herself at the centre of a violent struggle between the desires of an evil queen - and a dangerous temptation.
Cinder is caught between duty and freedom, loyalty and betrayal. Now she must uncover secrets about her mysterious past in order to protect Earth's future.
I’ve been fascinated by fantasy and sci-fi books since childhood – ever since I read Harry Potter and my parents took me to Disneyland Park. My parents had a giant library, and they used to encourage me to buy books and read them. I enjoy reading books that mix genres with unexpected twists and turns, and I am always on the hunt for a good story to enjoy and review.
This book is brilliant! The blurb alone was enough to hook me, and I couldn’t put it down until I reached the last sentence! The story was interesting, and the world-building was vivid, and the magic system was so interesting. Give it a shoot, you won’t regret it!
In this blockbuster fantasy series, perfect for fans of Firekeeper’s Daughter and Iron Widow, fate binds two Black teenagers together as they journey into a magical jungle to hunt down a vicious monster.
“Rich in magic and mythos, Beasts of Prey is a feast for all the senses.” —Renée Ahdieh, New York Times bestselling author of The Beautiful
An Instant New York Times and Indie Bestseller
There’s no such thing as magic in the broken city of Lkossa, especially for sixteen-year-old Koffi, who indentured to the notorious Night Zoo, knows the fearsome creatures in her care and paying off her…
This a fantasy chapter book about a girl at a magic school who’s taking lessons. You’re supposed to turn into a type of animal, but the girl can’t figure out how to work the magic right, so she’s a mixed-up animal, like a cat with dragon wings, which is funny and kind of scary. My granddaughter found it exciting to see what was going to happen to her.
A hilarious and heartfelt new series about a group of magical misfits!
Nory Horace is nine years old. She's resourceful, she's brave, she likes peanut butter cookies. Also, like most people in her magical world, she's able to transform into many different animals.
Unfortunately, Nory's shape-shifting ability is a bit...wonky. And when she flunks out of her father's own magic academy, Nory's forced to enter the magic equivalent of the remedial classes.
But Nory and her new classmates are going to prove that upside-down magic definitely beats right-side up!
This is very simple as to why there is passionate engagement with the themes listed within each of the five titles chosen. It's about engagement with the story which immediately comes from strongly identifying with the characters and events. The ‘identity factor’ is vital in drawing the reader in, and it's the mystery when writing a story or book which doesn’t begin with a prescribed plan. The mystery is really what creates the story and its characters, wanting to see what happens on the next page. With the reader, after having read a few pages, feeling the compulsion to read on, fully committed, emotionally involved, intrigued, and passionately caught up in the story.
Peter is on his way home from school and discovers a crooked laneway. Soon he looks through the bay window of a junk shop and is ‘drawn’ towards one item inside: a little ship. There is a strange conversation between Peter and the owner of the shop who says, "All the money in the world wouldn’t have bought this ship once [...]. It would cost all the money you have in the world and a bit over!" The man in the shop sells it to Peter.
Along the beach on the way home the ship turns into a real ship with sails. The book is not only about the many adventures with his brothers and sisters involving time travel to many lands but has an overarching plot that one day Peter will have to return the ship where he bought it. Only then will he discover about the ship and…
When Peter sees the model ship in the shop window, he wants it more than anything else on Earth. But this is no ordinary model. The ship takes Peter and the other children on magical flights, wherever they ask to go. Time after time the magic ship takes them on different exciting adventures, to different countries, and to different times. And why should magic ever end?
As the saying goes, I could tell you, but then I'd have to kill you. Ahem. Not actually. Breaking cover doesn't typically demand killing people. But I might lose my security clearance and my diplomatic immunity in Fairy. Which I don't want to do, so shall we say I have a lively imagination and no personal knowledge about spy craft or espionage either in this world or in Fairy? Promise. I know nothing. And anyway, you can't prove it!
This one is a great example of a middle-grade fantasy that deserves more attention. It pulled me right in and wouldn’t let go with its authentic Irish folklore and vivid narrative. Author Pat O’Shea is from Ireland and the sense of place is rich with history and atmosphere.
Brigit’s spunk is a perfect counterpoint to Pidge’s sober personality, and they were my friends. We were on an adventure together.
Set in the world of Irish mythology, The Hounds of the Morrigan tells of the coming of the great queen, the Morrigan, from out of the west to free the snake Olc Glas, and to bring destruction to the world. Two children, Pidge and Brigit, are chosen to thwart the Morrigan.
