Love Violence? Readers share 100 books like Violence...

I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale. 

I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years.  I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder. 

I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years.  I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder. 

I am a forensic and clinical psychologist and have worked years with violent criminals for over 30 years.  I am passionate about understanding how and why ordinary people end up doing extraordinary things and specialise in violent crimes by women. Some of the best descriptions of the inner lives of criminals are found in works of fiction, revealing how people think, feel and react. The novels I chose do this brilliantly, leading the reader into the mind of the characters, evoking compassion as well as shock and horror. The psychiatric memoirs describe the fascinating work of psychotherapy with criminal patients and unravel the mysteries of what draws people to violence, even murder. 

Both of my grandfathers served in WWI. Growing up on their stories, I had a keen interest in WWI. A lover of history, I attended an exhibit at the Smithsonian called The Faces of War that focused on prosthetic masks made by artists during WWI for men whose faces had been mutilated by war. Having always wanted to write a historical novel, I merged my interest in WWI with a newfound passion for these faces of war and wrote Day Lights the Bone (not yet published). The novel is set in a military hospital in Wandsworth, England, during the final months of WWI. I am a professor at Hamline University in St. Paul, MN, where for many years I taught and served as Director of The Creative Writing Programs.

A lifelong horror fan, I have always been fascinated by haunted landscapes and creepy buildings. My childhood in the Midlands of England prepared me for my career as a horror writer and filmmaker with its abundance of spooky ruins and foggy canal paths. I have since explored ancient sites all across the U.K. and Europe and my novels are inspired by these field trips into the uncanny, where the contemporary every day rubs shoulders with the ancient and occult. Places become characters in their own right in my work and I think this list of books celebrates that. I hope you find them as disturbing and thought-provoking as I have.

From a young age, I was captivated by art, music, film, and literature—constantly craving more from these creative mediums. Growing up in a lower-income, working-class home, I was surrounded by blue-collar workers, many of whom couldn’t attend college due to financial limitations. I learned early on that the richest education comes not just from books but from the stories of others and the world around us. Always feeling I had my own story to tell, I transitioned from steel worker to talent agent in Hollywood. But despite my success promoting others, something was missing—my own narrative. After a tragic loss, I reevaluated my path and chose to become a psychotherapist and author.

I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.  

I am a psychotherapist, with a private practice, and the author of several books. Like me, Yalom is a psychotherapist as well as an author, and the best of his writing takes place in that heightened zone where emotions seem to crackle because two people are sustaining an authentic contact, actually being “there” with one another – like the very best, life-changing moments in psychotherapy. I dreamt last night about Irvin Yalom. So yeah, Yalom can get into your head, in a good way.

I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.