Here are 95 books that The Arrow fans have personally recommended if you like
The Arrow.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
Epic fantasy can be a hard sell for me, but Laini Taylor’s intricate worldbuilding sweeps me off my feet. There’s a love story at the center of this duology, characters from different and equally tragic worlds, but there’s also lots of magic: moths who carry dreams, orphaned half-gods, and floating palaces of magic metal. Oh, and there’s a robust cast of ghosts. Need I say more?
The magical Sunday Times bestseller by Laini Taylor, author of the Daughter of Smoke and Bone trilogy
*********
The dream chooses the dreamer.
Since he was five years old, Lazlo Strange has been obsessed with the mythic lost city of Weep, but it would take someone bolder than he to go in search of it. Then a stunning opportunity presents itself - in the person of a hero called the Godslayer and a band of legendary warriors, and he has to seize his chance or lose his dream forever.
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
What’s more all-consuming than being in love with your best friend? An uncontrolled fire, maybe–or a few of them. This turbulent romance between two teenage girls is told in prose poetry, and like the best novels in verse, every carefully formatted word carries weight. The narrative jumps back and forth in time, and it dives into the (main) narrator’s mind so intimately you’ll forget you don’t even know her name.
From New York Times bestselling author Ashley Woodfolk, Nothing Burns as Bright as You is an impassioned stand-alone tale of queer love, grief, and the complexity of female friendship.
Two girls. One wild and reckless day. Years of tumultuous history unspooling like a thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more. Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed. And…
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
Bestselling Girl in Piecesauthor Glasgow knows her way around hard-hitting hyperrealism. (Plus, she writes beautifully about my once and future home of Tucson, Arizona.) In her latest, a modern take on Our Town, Emmy’s brother comes home from rehab, and Emmy prepares to fulfill the role she’s always had as the household rock and peacekeeper. But what about what she needs, and what if Joey has problems she can’t cover up? This novel’s depiction of drug addiction, and how its impact reverberates through families, is informed and unromanticized.
From the New York Times bestselling author of Girl in Pieces comes a stunning novel that Vanity Fair calls “impossibly moving” and “suffused with light”. In this raw, deeply personal story, a teenaged girl struggles to find herself amidst the fallout of her brother's addiction in a town ravaged by the opioid crisis.
For all of Emory's life she's been told who she is. In town she's the rich one--the great-great-granddaughter of the mill's founder. At school she's hot Maddie Ward's younger sister. And at home, she's the good one, her stoner older brother Joey's babysitter. Everything was turned on…
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
Thrillers! At a time when the world feels so perilous, what could be more satisfying than a high-stakes story that’s fully resolved by the last page? Only one that’s also a triumphant revenge fantasy.
Delilah is sick of feeling scared. When she retaliates against her tyrannical stepfather and he winds up dead, it would be the perfect crime–if not for a hidden camera planted by her creepy classmate. Logan believes he and Delilah are meant to be together, and he’s not above using blackmail to keep her around. Told in dual POV between Delilah and the eerily calm Logan, The Obsessionis fast-paced, riveting, and, if you’re new to the thriller world, an A+ introduction to the genre.
A fast-paced teen revenge-thriller from the author of Dial A for Aunties, The Obsession will keep readers on the edge of their seats until the very end. Boy Meets Girl. Boy Stalks Girl. Girl Gets Revenge. Logan thinks he and Delilah are meant to be. Delilah doesn't know who Logan is. Logan believes no one knows Delilah like him. He makes sure of it by learning everything he can by watching her through a hidden camera. Some might call him a stalker. Logan prefers to be called "romantic". Delilah is keeping secrets though, deadly ones. There's so much more to…
Chris Thomas is an ecologist and evolutionary biologist who is interested in how people are changing the Earth’s biodiversity. He has written over 300 scientific articles on topics as varied as showing that animal species have shifted their distributions closer to the poles as the climate has warmed, how butterflies navigate fragments of remaining habitats as they move through human-altered landscapes, and how invasive plants are increasing rather than reducing biological diversity. Chris is today Director of the Leverhulme Centre for Anthropocene Biodiversity at the University of York in England. His popular book Inheritors of the Earth: How Nature Is Thriving in an Age of Extinction was among The Times, Economist & Guardian Books of the Year for 2017.
This is my favourite ever environmental
book. Superbly written in an engaging narrative, Emma Marris explores the
complex realities and contradictions of living in a world where the human and
non-human components can no longer be separated. And she finds that this
mixture is not so bad. If the only way that we can keep wild nature the way it
used to be (or rather, the way we usually mistakenly imagine it to have been)
is to manage it ever more intensively, then we might as well accept the
inevitable. Humans are part of our planet, not separate, and the reality is
that all nature everywhere has at least partly been touched by the hand of
humans, and in this sense, we are already living in a planetary garden.
She
describes it as rambunctious because wildlife does not simply sit back and take
the medicine, it grows and lives where…
“Remarkable . . . Emma Marris explores a paradox that is increasingly vexing the science of ecology, namely that the only way to have a pristine wilderness is to manage it intensively.” -The Wall Street Journal
A paradigm shift is roiling the environmental world. For decades people have unquestioningly accepted the idea that our goal is to preserve nature in its pristine, pre-human state. But many scientists have come to see this as an outdated dream that thwarts bold new plans to save the environment and prevents us from having a fuller relationship with nature. Humans have changed the landscapes…
I grew up in a wilderness cabin in Alaska, surrounded by more wild animals than humans. For many years, I worked in the heavily male-dominated Alaskan fishing industry. I still work as a scientist in rural Alaska. I care passionately about the place, and the truthful stories written about it by people with deep roots and diverse backgrounds here.
As a kid growing up in Alaska, I daydreamed of venturing into the wilderness alone. I was hooked on the promise of adventure.
This book follows that dream as the author and her partner set off on an astonishing quest to traverse Alaska in homemade boats. Thoughtful, funny, and magical, it’s a tale of true love as well as near-death escapes.
During graduate school, as she conducted experiments on the peculiarly misshapen beaks of chickadees, ornithologist Caroline Van Hemert began to feel stifled in the isolated, sterile environment of the lab. Worried that she was losing her passion for the scientific research she once loved, she was compelled to experience wildness again, to be guided by the sounds of birds and to follow the trails of animals.
In March of 2012 she and her husband set off on a 4,000-mile wilderness journey from the Pacific rainforest to the Alaskan Arctic. Travelling by rowboat, ski, foot, raft and canoe, they explored northern…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
In John McPhee’s classic defense of environmental sanity and wilderness protection, the archdruid is David Brower, in his day among the planet’s most fervent environmentalists and defenders of nature.
Charles Fraser, a resort developer, labeled Brower a “druid”: i.e., “ a religious figure who sacrifices people and worships trees,” and I know of no other book that so starkly contrasts the urge to develop everything—even the Grand Canyon!—with the counter urge to preserve as much as possible of the wild before it is all gone.
I deeply appreciate McPhee’s format: a series of dialogues in which Brower and his three opponents extol their arguments fully and then engage in rigorous debate about their wildly contrasting values.
The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
Another profound critique of “civilized” values. Thoreau is like Plato in that he always drills down to bedrock truth: What is it that makes for a good life? Individually and collectively?
Be prepared for longueurs. Those who want a pithier critique along more contemporary lines might enjoy the works of the late Ivan Illich, especially Tools for Conviviality.
Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience.
In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you…
When I first started reading about wilderness, I accepted it as an obvious thing—a place without people. That lasted a short time before I realized the enormous historical complexity of such places. Rather than places without people, without history, without politics, “wilderness” became a laboratory of American society. I tried to capture that vibrancy in my book An Open Pit Visible from the Moon where I showed all the claims various people made on one wilderness area in the North Cascades. I'm a writer, historian, and former college professor who now calls the Skagit Valley of Washington home. As much as I enjoy studying wilderness, I prefer walking through it and noticing what it teaches.
At times, what we most need is a deeply researched, carefully argued, and exhaustively covered history of a topic. Turner provides that essential guidebook to wilderness politics after the passage of the Wilderness Act of 1964. Cutting through slogans and ideology, Turner shows pragmatic strategies, evolving practices, and the political nature of wilderness. I turn toThe Promise of Wilderness whenever I want to know what happened and why it mattered. And also, because Turner sees wilderness activism as a key component to modern democracy, a lesson in engaged citizenship—and that inspires me.
From Denali's majestic slopes to the Great Swamp of central New Jersey, protected wilderness areas make up nearly twenty percent of the parks, forests, wildlife refuges, and other public lands that cover a full fourth of the nation's territory. But wilderness is not only a place. It is also one of the most powerful and troublesome ideas in American environmental thought, representing everything from sublime beauty and patriotic inspiration to a countercultural ideal and an overextension of government authority.
The Promise of Wilderness examines how the idea of wilderness has shaped the management of public lands since the passage of…
I grew up in Colorado and visited national parks all over the country on summer vacations with my family. Now I write about U.S. Western history while living outside Boston, Massachusetts. My most recent book, The Three-Cornered War: The Union, the Confederacy, and Native Peoples in the Fight for the West (Scribner 2020) was a finalist for the 2021 Pulitzer Prize in History. I have written about the Civil War and the U.S. West for The New York Times, Washington Post, The Atlantic, Smithsonian Magazine, and Civil War Monitor. Scribner will publish my next book, Saving Yellowstone: Exploration and Preservation in Reconstruction America, on March 1, 2022.
Neither Muir nor Sellars pay much attention to Indigenous communities living in or near national parks—Dispossessing the Wilderness puts the lie to the claim that Native peoples were afraid of or have vanished from these places. Spence examines the Indigenous histories of Yellowstone, Glacier, and Yosemite, and concludes that while white federal officials expended a tremendous amount of energy promoting the myth that the nation’s national parks are “uninhabited wildernesses,” Indigenous communities have continued to claim them in various ways. Compelling and wide-ranging in its analysis, this is a must-read for fans of the national park system.
This book examines the ideal of wilderness preservation in the United States from the antebellum era to the first half of the twentieth century, showing how the early conception of the wilderness as the place where Indians lived (or should live) gave way to the idealization of uninhabited wilderness. It focuses on specific policies of Indian removal developed at Yosemite, Yellowstone, and Glacier national parks from the early 1870s to the 1930s.
