100 books like The Obsession

Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine. 

Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine. 

Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine. 

Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine. 

I'm an avid reader, lover of history, and newly-published author of The Real History of Thanksgiving (with more projects in the works!). I'm a mother of two and come from a large family at Gaa-waabigaanikaag, White Earth Reservation. I'm enrolled citizen of the White Earth Band of Ojibwe. I'm also an Oneida descendent with Irish, French, and Black ancestry. Much of my journey as a writer has been exploring the threads of our humanity and histories. It's powerful to think that we are still here, through time, distance, love, pain, and survival. There is immense beauty in being human and being Indigenous, and these books have been a source of connection and learning in my journey.

Most people know the slowburn romance. A spark flickers at deliberate pace until finally passion ignites. But what about the slowburn mystery? As a reader and a writer, I’m drawn to mysteries that twine as a well-drawn character, usually an amateur sleuth, gets pulled into investigating some eerie event. These mysteries begin with a straightforward query, and as the sleuth digs, the mystery grows. The pace leaves room for well-developed subplots—often, in my favorites, a slowburn romance, too. I love a book where I can settle into the world while the story gathers steam. And in the end, when that slow flame finally blazes… Oh, it’s so worth the wait. 

I was an avid reader as a child. Then I became a teenager and started hating it! Why? Because the teachers at school started pushing classical literature on me. I didn’t read for years until a friend introduced me to fantasy. I fell in love and haven’t looked back. I love commercial fantasy fiction that has lots of action, where the writer focuses less on elegant prose and more on plot and characters. I aim to write the kind of books that readers get addicted to, where they can disappear into another world and forget they are reading – the kind of books I love to read!

In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.

In my younger days, as the son of a medical professor and a public health nurse, I was more interested in healing society than patients. But my political interests and research agenda as a professor of political science ultimately led back to medicine. I found that profit-maximizing market competition in health care failed miserably to promote value in therapeutics and economize on society’s scarce resources. I became aware of the neglect of public health to prevent disease for vulnerable groups in society and save money as well as lives. Pervasive and enduring economic conflicts of interest in the medical-industrial complex bear primary responsibility for severe deficits in quality, equality, and economy in American health care.

I am an economist who came to realize that the marketplace of ideas was a political doctrine, and not an empirical description of how we came to know what we think we know. Science has never functioned in the same manner across centuries; it was only during my lifetime that it became recast as a subset of market reality. I have spent a fair amount of effort exploring how economics sought to attain the status of a science; but now the tables have turned. It is now scientists who are trained to become first and foremost market actors, finally elevating the political dominance of the economists.