Here are 72 books that The Poacher's Son fans have personally recommended if you like
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I grew up watching Perry Mason on TV and have always enjoyed mysteries with a legal theme, what has become known as the legal thriller. My affection for this genre only increased when I became a lawyer and, later, a trial judge. I especially appreciate a novel that accurately depicts what lawyers and judges say and do and that highlights the tension between law and justice. Not surprisingly, that has been my goal for the four legal thrillers I have written.
Connally is not a lawyer, but he does a great job of accurately portraying the nitty gritty of the practice of street law, where the clients are usually on the lower economic rung of society. Mikey Haller is a lawyer who practices law from the back seat of a Lincoln Town Car, and these are his typical clients. Haller is a likable, memorable character who can sometimes sail close to the wind but has a solid inner moral compass.
In this novel, the first in the series, Haller takes on the defense of a rich playboy type. While he is happy to have a good fee, and it looks like he may, for a change, have an innocent client, things get complicated quickly, and Haller finds himself facing an ethical dilemma. How he resolves the conflict between his professional duty and his individual moral compass is clever and entertaining. And…
They're called Lincoln Lawyers: the bottom of the legal food chain, the criminal defence attorneys who operate out of the back of a Lincoln car, travelling between the courthouses of Los Angeles county to take whatever cases the system throws in their path.
Mickey Haller has been in the business a long time, and he knows just how to work it, how to grease the right wheels and palms, to keep the engine of justice working in his favour. When a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years.…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
In recommending this book, I want to emphasize the word reluctant. Fenway Stevenson gets shanghaied into covering a friend’s butt by stepping in as coroner in a town in the California desert. She reminds me of Jason McCullough in Support Your Local Sheriff in that she constantly protests that the job is only temporary. She has every intention of going back to nursing school for her degree—right after she finds out what really happened to the body in her lab.
I couldn’t help rooting for her to discover her true vocation. Incidentally, for a male author writing a female protagonist, Ardoin does a fantastic job.
Blood is thicker than oil--until murder is involved. Fenway Stevenson doesn't want to return to the coastal town where her estranged father is practically king. But the death of her mother draws her back home--and the murder of the county coroner draws her into a deepening conspiracy. As the body count rises and all signs seem to point toward her father's oil company, will Fenway uncover the truth before family bonds become deadly?
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
This book is the first in a strong series about another woman pressed into a “man’s job” when her husband, the sheriff, is murdered. The streets of Lily Ross’s town in 1920s Ohio may seem bucolic at first, even cozy. But Montgomery delves deep into the vicious side of small towns.
I grew up in some mean streets in Ohio, which is why I picked up the book, and this series made me believe they ain’t changed much. And you gotta admire a woman who takes on vicious killers and corrupt authorities in between raising kids and canning tomatoes. By the way, the book is based on a true historical person. You can look it up.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” ―Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever
Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel Ross, the town’s widely respected sheriff, is killed while transporting a prisoner, she is devastated and vows to avenge his death.
Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died, and begs to speak with him about her missing daughter.
From miles away but worlds apart, Lily and Marvena’s lives collide as…
I’ve always enjoyed time spent outdoors, and over the years I’ve done plenty of hiking and camping and some whitewater rafting and canoeing. As a result, I’m intrigued by books that excel in their portrayals of outdoor settings. A serious whitewater accident prompted me to include lots of kayaking scenes in my most recent book (Over the Falls), and so I thought it would be fun to pull together a list of other river-related books that offer suspense and/or mystery. I hope these suggestions help you add a few new stories to your reading list.
I’m always up for a page-turning thriller that’s set in the outdoors, and The River at Night kept me awake late and eager for more. This story follows four women who decide to jazz up their annual girls’ trip by whitewater rafting in the Maine wilderness. What could go wrong? Just about everything. When a freak accident leaves them stranded, they’re eager for help. But are their rescuers the saviors they first believe? Grab this book for an energizing read you won’t soon forget.
A “raw, relentless, and heart-poundingly real” (Ruth Ware, New York Times bestselling author) thriller set against the harsh beauty of the Maine wilderness, The River at Night charts the journey of four friends as they fight to survive the aftermath of a white water rafting accident.
Winifred Allen needs a vacation.
Stifled by a soul-crushing job, devastated by the death of her beloved brother, and lonely after the end of a fifteen-year marriage, Wini is feeling vulnerable. So when her three best friends insist on a high-octane getaway for their annual girls’ trip, she signs on, despite her misgivings.
Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine.
A normal high school in Wisconsin disappears, along with everyone in it. Stranded on an alien planet, the accidental voyagers must figure out who (or what) they’re up against, how best to survive, and whether there’s any way to return. Meanwhile on Earth, their stunned families struggle to cope with what they’ve lost.
The Woods, my favorite comic series of all time, is split into nine volumes, and the first hits the ground running. With Lord of the Flies-level social politics and a high body count,this sci-fi saga is not for the faint of heart.
On October 16, 2013, 437 students, 52 teachers, and 24 additional staff from Bay Point Preparatory High School in suburban Milwaukee, WI vanished without a trace. Countless light years away, far outside the bounds of the charted universe, 513 people find themselves in the middle of an ancient, primordial wilderness. Where are they? Why are they there? The answers will prove stranger than anyone could possibly imagine. As fans of James Tynion IV's work in the Batman universe (Batman Eternal, Red Hood and the Outlaws), we were eager to publish his first original comic series. Plus, The Woods gives us…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
When I first started reading about wilderness, I accepted it as an obvious thing—a place without people. That lasted a short time before I realized the enormous historical complexity of such places. Rather than places without people, without history, without politics, “wilderness” became a laboratory of American society. I tried to capture that vibrancy in my book An Open Pit Visible from the Moon where I showed all the claims various people made on one wilderness area in the North Cascades. I'm a writer, historian, and former college professor who now calls the Skagit Valley of Washington home. As much as I enjoy studying wilderness, I prefer walking through it and noticing what it teaches.
At times, what we most need is a deeply researched, carefully argued, and exhaustively covered history of a topic. Turner provides that essential guidebook to wilderness politics after the passage of the Wilderness Act of 1964. Cutting through slogans and ideology, Turner shows pragmatic strategies, evolving practices, and the political nature of wilderness. I turn toThe Promise of Wilderness whenever I want to know what happened and why it mattered. And also, because Turner sees wilderness activism as a key component to modern democracy, a lesson in engaged citizenship—and that inspires me.
From Denali's majestic slopes to the Great Swamp of central New Jersey, protected wilderness areas make up nearly twenty percent of the parks, forests, wildlife refuges, and other public lands that cover a full fourth of the nation's territory. But wilderness is not only a place. It is also one of the most powerful and troublesome ideas in American environmental thought, representing everything from sublime beauty and patriotic inspiration to a countercultural ideal and an overextension of government authority.
The Promise of Wilderness examines how the idea of wilderness has shaped the management of public lands since the passage of…
I grew up in a wilderness cabin in Alaska, surrounded by more wild animals than humans. For many years, I worked in the heavily male-dominated Alaskan fishing industry. I still work as a scientist in rural Alaska. I care passionately about the place, and the truthful stories written about it by people with deep roots and diverse backgrounds here.
As a kid growing up in Alaska, I daydreamed of venturing into the wilderness alone. I was hooked on the promise of adventure.
This book follows that dream as the author and her partner set off on an astonishing quest to traverse Alaska in homemade boats. Thoughtful, funny, and magical, it’s a tale of true love as well as near-death escapes.
During graduate school, as she conducted experiments on the peculiarly misshapen beaks of chickadees, ornithologist Caroline Van Hemert began to feel stifled in the isolated, sterile environment of the lab. Worried that she was losing her passion for the scientific research she once loved, she was compelled to experience wildness again, to be guided by the sounds of birds and to follow the trails of animals.
In March of 2012 she and her husband set off on a 4,000-mile wilderness journey from the Pacific rainforest to the Alaskan Arctic. Travelling by rowboat, ski, foot, raft and canoe, they explored northern…
Since my late teens, I have traveled extensively in wilderness areas across the United States and Alaska, as well as in Canada, Switzerland, and Patagonia. Backpacking, technical mountain climbing, and canoeing have led me to appreciate wilderness for its own sake and to become a fierce advocate for its protection. Since moving to Seattle in 1982, I have hiked extensively in the western mountains and experienced a profound sense of peace and wonder in the wild. The listed books have deepened my appreciation of the wild's intrinsic value. I have tried to convey this appreciation to my readers in my three novels set in the American West.
In John McPhee’s classic defense of environmental sanity and wilderness protection, the archdruid is David Brower, in his day among the planet’s most fervent environmentalists and defenders of nature.
Charles Fraser, a resort developer, labeled Brower a “druid”: i.e., “ a religious figure who sacrifices people and worships trees,” and I know of no other book that so starkly contrasts the urge to develop everything—even the Grand Canyon!—with the counter urge to preserve as much as possible of the wild before it is all gone.
I deeply appreciate McPhee’s format: a series of dialogues in which Brower and his three opponents extol their arguments fully and then engage in rigorous debate about their wildly contrasting values.
The narratives in this book are of journeys made in three wildernesses - on a coastal island, in a Western mountain range, and on the Colorado River in the Grand Canyon. The four men portrayed here have different relationships to their environment, and they encounter each other on mountain trails, in forests and rapids, sometimes with reserve, sometimes with friendliness, sometimes fighting hard across a philosophical divide.
Miranda falls in love with her dream house but soon discovers it's an affair with complications. A lot of them. Rosewood is a centuries old, tumble-down, gambrel roofed charmer located in an isolated, coastal corner of Virginia referred to as "strange". Known for long-standing and antiquated customs, an almost indecipherable…
William Ophuls served as a Foreign Service Officer in Washington, Abidjan, and Tokyo before receiving a PhD in political science from Yale University in 1973. His Ecology and the Politics of Scarcity published in 1977 laid bare the ecological, social, and political challenges confronting modern industrial civilization. It was honored by the Kammerer and Sprout awards. After teaching briefly at Northwestern University, he became an independent scholar and author. He has since published a number of works extending and deepening his original argument, most prominently Requiem for Modern Politics in 1997, Plato’s Revenge: Politics in the Age of Ecology in 2011, and Immoderate Greatness: Why Civilizations Fail in 2013.
Another profound critique of “civilized” values. Thoreau is like Plato in that he always drills down to bedrock truth: What is it that makes for a good life? Individually and collectively?
Be prepared for longueurs. Those who want a pithier critique along more contemporary lines might enjoy the works of the late Ivan Illich, especially Tools for Conviviality.
Henry David Thoreau reflects on life, politics, and society in these two inspiring masterworks: Walden and Civil Disobedience.
In 1845, Thoreau moved to a cabin that he built with his own hands along the shores of Walden Pond in Massachusetts. Shedding the trivial ties that he felt bound much of humanity, Thoreau reaped from the land both physically and mentally, and pursued truth in the quiet of nature. In Walden, he explains how separating oneself from the world of men can truly awaken the sleeping self. Thoreau holds fast to the notion that you have not truly existed until you…
