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I grew up watching Perry Mason on TV and have always enjoyed mysteries with a legal theme, what has become known as the legal thriller. My affection for this genre only increased when I became a lawyer and, later, a trial judge. I especially appreciate a novel that accurately depicts what lawyers and judges say and do and that highlights the tension between law and justice. Not surprisingly, that has been my goal for the four legal thrillers I have written.
Connally is not a lawyer, but he does a great job of accurately portraying the nitty gritty of the practice of street law, where the clients are usually on the lower economic rung of society. Mikey Haller is a lawyer who practices law from the back seat of a Lincoln Town Car, and these are his typical clients. Haller is a likable, memorable character who can sometimes sail close to the wind but has a solid inner moral compass.
In this novel, the first in the series, Haller takes on the defense of a rich playboy type. While he is happy to have a good fee, and it looks like he may, for a change, have an innocent client, things get complicated quickly, and Haller finds himself facing an ethical dilemma. How he resolves the conflict between his professional duty and his individual moral compass is clever and entertaining. And…
They're called Lincoln Lawyers: the bottom of the legal food chain, the criminal defence attorneys who operate out of the back of a Lincoln car, travelling between the courthouses of Los Angeles county to take whatever cases the system throws in their path.
Mickey Haller has been in the business a long time, and he knows just how to work it, how to grease the right wheels and palms, to keep the engine of justice working in his favour. When a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years.…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
I fell in love with Sue Grafton’s Kinsey Milhone in the first paragraph of this book. She’s learned to protect her heart from significant damage, and she’s got a toughness that makes her equal to any drug lord or cold-blooded killer in the streets of L.A. or anywhere else.
She’s hired by a woman who was convicted of killing her husband. She swears she didn’t do it. Of course, right? Kinsey is tasked with finding out who actually did it, and yes, she takes it with the proverbial grain of salt—until the bodies start piling up. Her investigation ranges from Beverly Hills to Las Vegas. Who says rich streets aren’t mean? Trust me, the lady can handle herself while keeping her ethics intact.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
Doiron’s protagonist, Maine gamewarden Mike Bowditch, doesn’t spend much time on “mean streets” and isn’t looking to. He’s more apt to be in the woods looking for illegal hunting. But I loved that he could handle himself when he hit the streets, city, or village.
Bowditch is a hothead and makes some serious mistakes (don’t we all?). He’s an angry young man hoping to find his fugitive father before he’s arrested for murder. His childhood was more shattering than mine, which would crush most people, but Mike keeps fighting for answers and the truth.
Game warden Mike Bowditch returns home one evening to find an alarming voice from the past on his answering machine: his father, Jack, a hard-drinking womanizer who makes his living poaching illegal game. An even more frightening call comes the next morning from the police: They are searching for the man who killed a beloved local cop the night before - and his father is their prime suspect. Jack has escaped from police custody, and only Mike believes that his tormented father might not be guilty.
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
This book is the first in a strong series about another woman pressed into a “man’s job” when her husband, the sheriff, is murdered. The streets of Lily Ross’s town in 1920s Ohio may seem bucolic at first, even cozy. But Montgomery delves deep into the vicious side of small towns.
I grew up in some mean streets in Ohio, which is why I picked up the book, and this series made me believe they ain’t changed much. And you gotta admire a woman who takes on vicious killers and corrupt authorities in between raising kids and canning tomatoes. By the way, the book is based on a true historical person. You can look it up.
“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” ―Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever
Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel Ross, the town’s widely respected sheriff, is killed while transporting a prisoner, she is devastated and vows to avenge his death.
Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died, and begs to speak with him about her missing daughter.
From miles away but worlds apart, Lily and Marvena’s lives collide as…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
If you were an adult in August 1997 you will almost certainly remember exactly what you were doing when you first heard the news about the death of Princess Diana. I was in bed. My husband arrived home from his night shift at about 6 a.m., and climbing into bed he said “There’s been a terrible accident. Princess Diana is dead.” “Oh don’t be ridiculous.” I said, “She can’t be.” He switched on the television and we saw the first floral tribute being laid at the gates of Kensington Palace. It was true; the People’s Princess had been killed in a road accident in Paris by a drunk driver while being chased by the paparazzi. “Not so,” says the author. “She was murdered by the State.” Chilling!
This explosive book blows the lid on one of the most shocking crimes of our modern era. But it does more than that. How They Murdered Princess Diana is the most complete evidence-based account of the assassination of Princess Diana yet written. It delivers on providing answers to many of the key questions surrounding the 1997 Paris crash that took the lives of Diana and her lover Dodi Fayed – Who did it? Why was Diana assassinated? How was it carried out? It also exposes the massive inter-governmental cover-up that has taken place throughout the 17 years since the deaths.…
A good puzzle will draw me in every time, and I’ve always loved mysteries. When I was a kid, Trixie Belden was my favorite sleuth. In junior high, I tried my hand at writing a few mystery stories. I also discovered logic puzzles about this time. In a mystery, you have to locate the clues and put them together in a logical manner to solve the riddle. Now I’m the author of 100 published books. Many of them are mysteries, and most of the ones that aren’t have elements of mystery within the story.
The characters always
pull me back for the next book in the series. Trudy Loveday is a WPC—Woman
Police Constable—in the 1960s. She’s a young woman clawing her way up in a
man’s world. Her favorite sidekick is Dr. Clement Ryder, the local coroner. He’s
nearing retirement, and he has secrets he’d rather not reveal—like the reason
he quit being a surgeon and signed on as coroner. Together these two solve
murders faster than the local police detectives, inspiring jealousy and
suspicion. Trudy and Clement make an ideal sleuthing team. I pre-order these
books as soon as I learn there’s another one coming out, I love them so much.
'Absolutely loved it... The characters were some of the best I've read in a long time.' Angela Marsons, no. 1 bestselling author of the Kim Stone series
Oxford, 1960. Police constable Trudy Loveday is about to face her first murder case...
It's five years since twenty-one-year-old Gisela Fleet-Wright died. But when her former boyfriend is found brutally beaten to death the day after a mysterious note threatened his life, the case is reopened - and, to WPC Trudy Loveday's delight, she's sent to investigate alongside coroner Clement Ryder.
At first it's just a ploy by her senior officer, a man…
I work on topics where medicine, crime, and the law intersect, aided by an undergraduate degree in chemistry and stimulated by my fascination with how criminal justice systems work. I have published on the history of poisoning, vitriol attacks, assault, child murder, and the role of scientific expertise in criminal investigations and trials, focusing on Britain since the seventeenth century. I’ve contributed to many TV documentaries over the years, and enjoy the opportunity to explain just why the history of crime is about so much more than individual criminals: it shows us how people in the past lived their lives and helps explain how we got where we are today.
This book overturns a long-held notion that the English were slow to adopt forensic practices in death investigations, by showing just what medieval people did when a body turned up dead in mysterious circumstances. The records created by coroners’ inquests reveal the rather impressive thoroughness of this key element of late medieval law enforcement, including the regular presence of medical professionals on inquest juries.
England has traditionally been understood as a latecomer to the use of forensic medicine in death investigation, lagging nearly two-hundred years behind other European authorities. Using the coroner's inquest as a lens, this book hopes to offer a fresh perspective on the process of death investigation in medieval England. The central premise of this book is that medical practitioners did participate in death investigation - although not in every inquest, or even most, and not necessarily in those investigations where we today would deem their advice most pertinent. The medieval relationship with death and disease, in particular, shaped coroners' and…
My debut mystery novel takes place in Alaska, a setting I love and think has a distinct personality of its own. My historical novel in progress is set in Hawaii, where I grew up, and it reflects the particular diverse culture of this nostalgic venue. Another work-in-progress is set in post-apocalyptic Argentina–you can see the pattern here. Having a cast of interesting, believable characters is essential–but bringing them to life in compelling locales enriches and enlarges the story, in my mind. So many wonderful books skillfully fulfill these requirements–I hope you’ll agree these are among the best in the mystery genre!
I admit I’m old enough that memories of the post-Vietnam War era had begun to fade (mercifully?) until this book brought them back into sharp focus.
Vientiane, Laos, in 1976, after the Communist takeover, is so vividly portrayed–from the scent of the “Crow Shit blossoms” on the banks of the Mekhong to the inertia of the socialistic hierarchy, to the chicken counter spies turning their neighbors in for their capitalistic extravagances. And I found the 72-year-old Laotian coroner protagonist so endearing!
His cynical outlook and visitations from the dead make him a singularly sage and unconventional hero who can roll with the wildly absurd changes of the new regime.
In Laos in the year 1976, the monarchy has been deposed, and the Communist Pathet Lao have taken over. Most of the educated class has fled, but Dr Siri Paiboun, a Paris-trained doctor remains. And so this 72-year-old physician is appointed state coroner, despite having no training, equipment, experience or even inclination for the job. But the job's not that bad and Siri quickly settles into a routine of studying outdated medical texts, scrounging scarce supplies, and circumnavigating bureaucratic red tape to arrive at justice. The fact that the recently departed are prone to pay Siri the odd, unwanted nocturnal…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
I was not born in Canada and I only arrived here in my early twenties without being aware of the colonial past or present of my new home. This study has helped me understand that portion of Canadian history and its present repercussions. Equally important, it has highlighted how Indigenous persons have and continue to be dehumanized, excluded and ‘othered’ across the country.
No matter where in Canada they occur, inquiries and inquests into untimely Indigenous deaths in state custody often tell the same story. Repeating details of fatty livers, mental illness, alcoholic belligerence, and a mysterious incapacity to cope with modern life, the legal proceedings declare that there are no villains here, only inevitable casualties of Indigenous life. But what about a sixty-seven-year-old man who dies in a hospital in police custody with a large, visible, purple boot print on his chest? Or a barely conscious, alcoholic older man, dropped off by police in a dark alley on a cold Vancouver night?…
I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
Kisscut is the second book in Karen Slaughter’s Grant County series.
Slaughter’s books are dark, and this one is no exception. The darkness is magnified because I think her heroine, Dr. Sarah Linton, is an innocent at heart.
Even though Sarah, a pediatrician, doubles as the Grant County coroner, she tends to see the best in people until the worst appears before her in a way she can’t ignore.
After her ex-husband commits a necessary but appalling act, Sarah discovers a threat to the community’s children which she’s compelled to follow until its unspeakable end is revealed.
The depravity she uncovered haunted me long after I finished the book.
When a teenage quarrel in the small town of Heartsdale explodes into a deadly shoot-out, Sara Linton -- paediatrician and medical examiner --finds herself entangled in a horrific tragedy. And what seems at first to be a terrible but individual catastrophe proves to have wider implications when the autopsy reveals evidence of long-term abuse and ritualistic self-mutilation.
Sara and police chief Jeffrey Tolliver start to investigate, but the children surrounding the victim close ranks. The families turn their backs. Then a young girl is abducted, and it becomes clear that the first death is linked to an even more brutal…
