Here are 28 books that A Fatal Obsession fans have personally recommended if you like
A Fatal Obsession.
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A good puzzle will draw me in every time, and I’ve always loved mysteries. When I was a kid, Trixie Belden was my favorite sleuth. In junior high, I tried my hand at writing a few mystery stories. I also discovered logic puzzles about this time. In a mystery, you have to locate the clues and put them together in a logical manner to solve the riddle. Now I’m the author of 100 published books. Many of them are mysteries, and most of the ones that aren’t have elements of mystery within the story.
While I love the old classics, I’ve discovered several
contemporary authors whose cozy mysteries draw me in. I read this prequel after
having devoured several books about Raleigh Harmon as an adult working for the
FBI and then as a private investigator. They’re all great, but the three in the
Prequel series (or Young Raleigh Harmon series) are now my favorites. I love
the teenage Raleigh, who must solve serious mysteries while dealing with her difficult
family. I love her genius best friend, Drew. And I love the way Raleigh uses
her passion for geology and her common sense in every mystery.
During the worst week of her life, Raleigh Harmon discovers her destiny. Her best friend is a smart-mouthed genius girl named Drew Levinson. But Drew is gone. Nowhere to be found. Everybody insists Drew ran away. But Raleigh suspects something worse.
Armed with one rock hammer, an encyclopedic knowledge of city criminal codes, and a stubborn streak wide as the Chesapeake Bay, Raleigh searches for clues.
Did Drew secretly meet somebody?
Did her loony parents finally push her over the edge?
Or is Raleigh’s hunch dead-on: Drew didn’t choose to leave….
The first book in the best-selling Raleigh Harmon prequel…
Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.
Sister Joan is yet another religious sleuth. Set in the early 1990s, I think this series now qualifies as a historical mystery. It is a lighter read than my other choices, but one I absolutely loved and, like Cadfael, I dived in and devoured the lot. Vow of Silence is the first and hooked me straight away. The religious life fascinates me and I enjoyed the way the ceremonial routine of the convent was woven into the mysteries. This detail serves to immerse you in the life of Sister Joan, a down-to-earth heroine who drew my admiration. The mysteries unfold naturally into the setting and don’t seem incongruous. A more gentle read than the others I have chosen, but acutely satisfying.
When one nun dies in a bizarre accident and another disappears, hushed whispers of virgin sacrifice, Mother Goddess worship, suicide, and murder spread among the Sisters at Cornwall House convent and Sister Joan is sent to investigate
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Try as I might, I can’t get into Marple. But T.E. Kinsey’s Lady Hardcastle series, beginning with the debut A Quiet Life in The Country turns the cozy genre on its head. In this case, the dithering, older busybody is Lady Emily Hardcastle, with her trusty ladies’ maid, Florence Armstrong. As the book and series progress, we find that neither woman is quite the helpless Edwardian female the neighbors believe. Come for the murder mystery and stay for the… knife throwing?
Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life.
But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...
As Lady Hardcastle and Flo delve deeper into rural rivalries…
A good puzzle will draw me in every time, and I’ve always loved mysteries. When I was a kid, Trixie Belden was my favorite sleuth. In junior high, I tried my hand at writing a few mystery stories. I also discovered logic puzzles about this time. In a mystery, you have to locate the clues and put them together in a logical manner to solve the riddle. Now I’m the author of 100 published books. Many of them are mysteries, and most of the ones that aren’t have elements of mystery within the story.
I love historical mysteries, and this series set in nineteenth-century San Francisco delivers the goods. I really like the main character, Annie Fuller. She’s been left on her own, and she excels at her ventures as a boardinghouse owner and a financial advisor. When she learns she has sleuthing talents as well, there’s no stopping her. In this book, she goes undercover as a housemaid to solve a mystery.
It's the summer of 1879, and Annie Fuller, a young San Francisco widow, is in trouble. Annie's husband squandered her fortune before committing suicide five years earlier, and one of his creditors is now threatening to take the boardinghouse she owns to pay off a debt. Annie Fuller also has a secret. She supplements her income by giving domestic and business advice as Madam Sibyl, one of San Francisco's most exclusive clairvoyants, and one of Madam Sibyl's clients, Matthew Voss, has died. The police believe his death was suicide brought upon by bankruptcy, but Annie believes Voss has been murdered…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
I was not born in Canada and I only arrived here in my early twenties without being aware of the colonial past or present of my new home. This study has helped me understand that portion of Canadian history and its present repercussions. Equally important, it has highlighted how Indigenous persons have and continue to be dehumanized, excluded and ‘othered’ across the country.
No matter where in Canada they occur, inquiries and inquests into untimely Indigenous deaths in state custody often tell the same story. Repeating details of fatty livers, mental illness, alcoholic belligerence, and a mysterious incapacity to cope with modern life, the legal proceedings declare that there are no villains here, only inevitable casualties of Indigenous life. But what about a sixty-seven-year-old man who dies in a hospital in police custody with a large, visible, purple boot print on his chest? Or a barely conscious, alcoholic older man, dropped off by police in a dark alley on a cold Vancouver night?…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
If you were an adult in August 1997 you will almost certainly remember exactly what you were doing when you first heard the news about the death of Princess Diana. I was in bed. My husband arrived home from his night shift at about 6 a.m., and climbing into bed he said “There’s been a terrible accident. Princess Diana is dead.” “Oh don’t be ridiculous.” I said, “She can’t be.” He switched on the television and we saw the first floral tribute being laid at the gates of Kensington Palace. It was true; the People’s Princess had been killed in a road accident in Paris by a drunk driver while being chased by the paparazzi. “Not so,” says the author. “She was murdered by the State.” Chilling!
This explosive book blows the lid on one of the most shocking crimes of our modern era. But it does more than that. How They Murdered Princess Diana is the most complete evidence-based account of the assassination of Princess Diana yet written. It delivers on providing answers to many of the key questions surrounding the 1997 Paris crash that took the lives of Diana and her lover Dodi Fayed – Who did it? Why was Diana assassinated? How was it carried out? It also exposes the massive inter-governmental cover-up that has taken place throughout the 17 years since the deaths.…
I work on topics where medicine, crime, and the law intersect, aided by an undergraduate degree in chemistry and stimulated by my fascination with how criminal justice systems work. I have published on the history of poisoning, vitriol attacks, assault, child murder, and the role of scientific expertise in criminal investigations and trials, focusing on Britain since the seventeenth century. I’ve contributed to many TV documentaries over the years, and enjoy the opportunity to explain just why the history of crime is about so much more than individual criminals: it shows us how people in the past lived their lives and helps explain how we got where we are today.
This book overturns a long-held notion that the English were slow to adopt forensic practices in death investigations, by showing just what medieval people did when a body turned up dead in mysterious circumstances. The records created by coroners’ inquests reveal the rather impressive thoroughness of this key element of late medieval law enforcement, including the regular presence of medical professionals on inquest juries.
England has traditionally been understood as a latecomer to the use of forensic medicine in death investigation, lagging nearly two-hundred years behind other European authorities. Using the coroner's inquest as a lens, this book hopes to offer a fresh perspective on the process of death investigation in medieval England. The central premise of this book is that medical practitioners did participate in death investigation - although not in every inquest, or even most, and not necessarily in those investigations where we today would deem their advice most pertinent. The medieval relationship with death and disease, in particular, shaped coroners' and…
Around age thirteen I discovered Perry Mason and put Nancy Drew on a back shelf. By the time I discovered Raymond Chandler’s mean streets, I was hooked. A vastly over-protected child, I longed to explore places that would make my mother faint. To paraphrase Chandler, I wanted to read about the best woman of her world and a good enough woman for any world. The kind of woman (or yes, a man) who would never ever need to be rescued. And when I sat down to write, I wanted to write about men and women who could handle themselves on those mean streets without turning mean themselves.
In recommending this book, I want to emphasize the word reluctant. Fenway Stevenson gets shanghaied into covering a friend’s butt by stepping in as coroner in a town in the California desert. She reminds me of Jason McCullough in Support Your Local Sheriff in that she constantly protests that the job is only temporary. She has every intention of going back to nursing school for her degree—right after she finds out what really happened to the body in her lab.
I couldn’t help rooting for her to discover her true vocation. Incidentally, for a male author writing a female protagonist, Ardoin does a fantastic job.
Blood is thicker than oil--until murder is involved. Fenway Stevenson doesn't want to return to the coastal town where her estranged father is practically king. But the death of her mother draws her back home--and the murder of the county coroner draws her into a deepening conspiracy. As the body count rises and all signs seem to point toward her father's oil company, will Fenway uncover the truth before family bonds become deadly?
My debut mystery novel takes place in Alaska, a setting I love and think has a distinct personality of its own. My historical novel in progress is set in Hawaii, where I grew up, and it reflects the particular diverse culture of this nostalgic venue. Another work-in-progress is set in post-apocalyptic Argentina–you can see the pattern here. Having a cast of interesting, believable characters is essential–but bringing them to life in compelling locales enriches and enlarges the story, in my mind. So many wonderful books skillfully fulfill these requirements–I hope you’ll agree these are among the best in the mystery genre!
I admit I’m old enough that memories of the post-Vietnam War era had begun to fade (mercifully?) until this book brought them back into sharp focus.
Vientiane, Laos, in 1976, after the Communist takeover, is so vividly portrayed–from the scent of the “Crow Shit blossoms” on the banks of the Mekhong to the inertia of the socialistic hierarchy, to the chicken counter spies turning their neighbors in for their capitalistic extravagances. And I found the 72-year-old Laotian coroner protagonist so endearing!
His cynical outlook and visitations from the dead make him a singularly sage and unconventional hero who can roll with the wildly absurd changes of the new regime.
In Laos in the year 1976, the monarchy has been deposed, and the Communist Pathet Lao have taken over. Most of the educated class has fled, but Dr Siri Paiboun, a Paris-trained doctor remains. And so this 72-year-old physician is appointed state coroner, despite having no training, equipment, experience or even inclination for the job. But the job's not that bad and Siri quickly settles into a routine of studying outdated medical texts, scrounging scarce supplies, and circumnavigating bureaucratic red tape to arrive at justice. The fact that the recently departed are prone to pay Siri the odd, unwanted nocturnal…
I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
Kisscut is the second book in Karen Slaughter’s Grant County series.
Slaughter’s books are dark, and this one is no exception. The darkness is magnified because I think her heroine, Dr. Sarah Linton, is an innocent at heart.
Even though Sarah, a pediatrician, doubles as the Grant County coroner, she tends to see the best in people until the worst appears before her in a way she can’t ignore.
After her ex-husband commits a necessary but appalling act, Sarah discovers a threat to the community’s children which she’s compelled to follow until its unspeakable end is revealed.
The depravity she uncovered haunted me long after I finished the book.
When a teenage quarrel in the small town of Heartsdale explodes into a deadly shoot-out, Sara Linton -- paediatrician and medical examiner --finds herself entangled in a horrific tragedy. And what seems at first to be a terrible but individual catastrophe proves to have wider implications when the autopsy reveals evidence of long-term abuse and ritualistic self-mutilation.
Sara and police chief Jeffrey Tolliver start to investigate, but the children surrounding the victim close ranks. The families turn their backs. Then a young girl is abducted, and it becomes clear that the first death is linked to an even more brutal…
