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I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
Michael Connelly is the immensely successful author of the Harry Bosch books, but The Poet is the first book in his much shorter Jack McEvoy series.
McEvoy is a reporter who has a penchant for chasing down serial killers, and unfortunately becoming a target as well.
The psychological horror here comes from Connelly’s exacting and precise account of who the killer, dubbed the Poet, is and how he came to be.
I discovered this along with McEvoy and came to realization that he was becoming a target before he did. It’s a long book, but I found that I did not want to put it down before I learned how it played out.
When Jack begins to investigate the phenomenon of police suicides, a disturbing pattern emerges and he soon suspects that a serial killer is at work, one who sets up his victims and leaves "suicide" notes drawn from the dark poems of Edgar Allan Poe.
I chose my favorite books, and through careful psyche analysis, I see a theme in them: stubborn characters who persevere through miserable elements. I cave, hike, kayak, motorcycle, etc. A lot of it is not comfortable. It
starts with having an explorer’s heart. It isn’t glamorous. It is 90%
talking yourself into the fact that you can do something you at first
don’t believe you can do. The similar-minded friends that one finds
along the way are lifelong, and there’s a bond that forms from crazy
people like this. That comes through in my writing – companionship against a backdrop of stubborn exploration in an indifferent
environment.
Who can match the character development and killer pacing of Tess Gerritsen’s Rizzoli & Isles books? Her characters are best friends who understand and accept each other’s flaws completely. I love the menacing characters who stalk the BFF duo and the baggage the two have to overcome to keep up with the fight.
Her pacing is stellar, and her dialogue is perfect. I adore her treatment of stalkers—very creepy. While these characters do not have to travel through the jungle, forest, or cave—the city streets, elements, crime scenes, and killers are worthy foes.
NEW YORK TIMES BESTSELLER • “A briskly paced, terrifically suspenseful work that steadily builds toward a tense and terrifying climax.”—People (Page-turner of the week)
This ebook edition contains a special preview of Tess Gerritsen’s I Know a Secret.
He slips into homes at night and walks silently into bedrooms where women lie sleeping, about to awaken to a living nightmare. The precision of his methods suggests that he is a deranged man of medicine, prompting the Boston newspapers to dub him “The Surgeon.” Led by Detectives Thomas Moore and Jane Rizzoli, the cops must consult the victim of a nearly…
I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
Eyes Without a Face is a serial killer book with a unique perspective, the story of a female serial killer told by herself.
She chronicles her murderous journey from college through three decades of her life, and in the process, she made me understand the fascination and the rush she gets from killing.
She justifies her actions by explaining why the victims deserved to die, and I found myself agreeing with her logic in most cases.
Perhaps this one should be read with the lights on because you’ll discover some uncomfortable truths about yourself.
When her sorority sisters are engaged in sex, drugs, and rock and roll, the unnamed narrator finds her true calling in life when she kills her first victim. She doesn't have a neon sign stating, "Warning, Serial Killer," following her around. She delights in the realization that her role separates her from the people around her. A chameleon by nature, she exploits her ethic and sexual ambiguity to hide in plain sight. She kills up close and personal, because she wants her victims to know they are about to die. And she remains active for nearly three decades.
I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
USA Today Best-Selling Author Benjamin Franklin Gold Medal Winner National Indie Excellence Award Winner Kidnapped, pregnant teen plots a calculating escape and merciless revenge Imagine a helpless, pregnant 16-year-old who's just been yanked from the serenity of her home and shoved into a dirty van. Kidnapped . . . Alone . . . Terrified. Now forget her . . . Picture instead a pregnant, 16-year-old, manipulative prodigy. She is shoved into a dirty van and, from the first moment of her kidnapping, feels a calm desire for two things: to save her unborn child and to exact merciless revenge. She…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
If you were an adult in August 1997 you will almost certainly remember exactly what you were doing when you first heard the news about the death of Princess Diana. I was in bed. My husband arrived home from his night shift at about 6 a.m., and climbing into bed he said “There’s been a terrible accident. Princess Diana is dead.” “Oh don’t be ridiculous.” I said, “She can’t be.” He switched on the television and we saw the first floral tribute being laid at the gates of Kensington Palace. It was true; the People’s Princess had been killed in a road accident in Paris by a drunk driver while being chased by the paparazzi. “Not so,” says the author. “She was murdered by the State.” Chilling!
This explosive book blows the lid on one of the most shocking crimes of our modern era. But it does more than that. How They Murdered Princess Diana is the most complete evidence-based account of the assassination of Princess Diana yet written. It delivers on providing answers to many of the key questions surrounding the 1997 Paris crash that took the lives of Diana and her lover Dodi Fayed – Who did it? Why was Diana assassinated? How was it carried out? It also exposes the massive inter-governmental cover-up that has taken place throughout the 17 years since the deaths.…
Like Patrick in "Rubbernecker," I excelled at dissecting animals in high school and college biology labs. I was also preoccupied by death, specifically violent deaths, and the reasons why people did such horrible things. Perhaps it was because of the Perry Mason mysteries my father gave me when I had a bad case of insomnia at age thirteen. So when I saw my first autopsy while interning at the Fulton County ME's office in Atlanta during graduate school, I was riveted. And while I didn't become a pathologist, my career in the criminal justice field gave me a front-row seat to observe the sad, traumatic, and often violent ways in which disturbed individuals impact society.
And now for something completely different, set in the People's Republic of Laos in 1976.
Dr. Siri Paiboun, a former surgeon and socialist activist now old and disillusioned with the Communist Party, has become the country's only coroner. It's a job he hates, made worse by corrupt officials and a judge who tries to turn even blatant homicides into deaths from natural causes. And by the dead, who haunt his dreams.
Aided only by his Thai nurse, Dtui, and his mentally-challenged morgue attendant, Geung, Siri must deal with the bodies of three men who weren't supposed to be found and the suspicious death of a senior official's wife. Both are political tightropes. As he teeters on them, Siri travels to an unfamiliar area where the people know him—but as the reincarnation of Yeh Ming, an ancient shaman.
Soon, he's having hallucinations that may, in fact, be very real. To save…
In Laos in the year 1976, the monarchy has been deposed, and the Communist Pathet Lao have taken over. Most of the educated class has fled, but Dr Siri Paiboun, a Paris-trained doctor remains. And so this 72-year-old physician is appointed state coroner, despite having no training, equipment, experience or even inclination for the job. But the job's not that bad and Siri quickly settles into a routine of studying outdated medical texts, scrounging scarce supplies, and circumnavigating bureaucratic red tape to arrive at justice. The fact that the recently departed are prone to pay Siri the odd, unwanted nocturnal…
I work on topics where medicine, crime, and the law intersect, aided by an undergraduate degree in chemistry and stimulated by my fascination with how criminal justice systems work. I have published on the history of poisoning, vitriol attacks, assault, child murder, and the role of scientific expertise in criminal investigations and trials, focusing on Britain since the seventeenth century. I’ve contributed to many TV documentaries over the years, and enjoy the opportunity to explain just why the history of crime is about so much more than individual criminals: it shows us how people in the past lived their lives and helps explain how we got where we are today.
This book overturns a long-held notion that the English were slow to adopt forensic practices in death investigations, by showing just what medieval people did when a body turned up dead in mysterious circumstances. The records created by coroners’ inquests reveal the rather impressive thoroughness of this key element of late medieval law enforcement, including the regular presence of medical professionals on inquest juries.
England has traditionally been understood as a latecomer to the use of forensic medicine in death investigation, lagging nearly two-hundred years behind other European authorities. Using the coroner's inquest as a lens, this book hopes to offer a fresh perspective on the process of death investigation in medieval England. The central premise of this book is that medical practitioners did participate in death investigation - although not in every inquest, or even most, and not necessarily in those investigations where we today would deem their advice most pertinent. The medieval relationship with death and disease, in particular, shaped coroners' and…
A good puzzle will draw me in every time, and I’ve always loved mysteries. When I was a kid, Trixie Belden was my favorite sleuth. In junior high, I tried my hand at writing a few mystery stories. I also discovered logic puzzles about this time. In a mystery, you have to locate the clues and put them together in a logical manner to solve the riddle. Now I’m the author of 100 published books. Many of them are mysteries, and most of the ones that aren’t have elements of mystery within the story.
The characters always
pull me back for the next book in the series. Trudy Loveday is a WPC—Woman
Police Constable—in the 1960s. She’s a young woman clawing her way up in a
man’s world. Her favorite sidekick is Dr. Clement Ryder, the local coroner. He’s
nearing retirement, and he has secrets he’d rather not reveal—like the reason
he quit being a surgeon and signed on as coroner. Together these two solve
murders faster than the local police detectives, inspiring jealousy and
suspicion. Trudy and Clement make an ideal sleuthing team. I pre-order these
books as soon as I learn there’s another one coming out, I love them so much.
'Absolutely loved it... The characters were some of the best I've read in a long time.' Angela Marsons, no. 1 bestselling author of the Kim Stone series
Oxford, 1960. Police constable Trudy Loveday is about to face her first murder case...
It's five years since twenty-one-year-old Gisela Fleet-Wright died. But when her former boyfriend is found brutally beaten to death the day after a mysterious note threatened his life, the case is reopened - and, to WPC Trudy Loveday's delight, she's sent to investigate alongside coroner Clement Ryder.
At first it's just a ploy by her senior officer, a man…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
I was not born in Canada and I only arrived here in my early twenties without being aware of the colonial past or present of my new home. This study has helped me understand that portion of Canadian history and its present repercussions. Equally important, it has highlighted how Indigenous persons have and continue to be dehumanized, excluded and ‘othered’ across the country.
No matter where in Canada they occur, inquiries and inquests into untimely Indigenous deaths in state custody often tell the same story. Repeating details of fatty livers, mental illness, alcoholic belligerence, and a mysterious incapacity to cope with modern life, the legal proceedings declare that there are no villains here, only inevitable casualties of Indigenous life. But what about a sixty-seven-year-old man who dies in a hospital in police custody with a large, visible, purple boot print on his chest? Or a barely conscious, alcoholic older man, dropped off by police in a dark alley on a cold Vancouver night?…
I write what I see. Dark Fantasy has been the escape I have needed my entire life. It helped me understand hard topics such as war, greed, and loss. Working through a character's struggles has saved me from the darkest parts of my mind and guided me to where I can love myself.
A world exists around us that we never knew existed. When all you want is to be accepted, it is hard to find love.
I found that two people can find love regardless of what creature bore them. Family may not always understand what you want, but as long as there is trust and a little bit of humor, anything is possible.
Etienne Argeneau can turn one human into a vampire in his lifetime - an honour his kind usually reserved for their life mates, to let their love life forever.
But it's all a bit more complicated than that. Rachel Garrett, a beautiful coroner, has just saved his life and now she's about to lose hers. Etienne has a choice: he can save her life in turn, and thus doom himself to an eternity alone, unable to create his own life mate. Or he can watch his saviour die in the name of…
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