Fans pick 78 books like The Sheriff of Yrnameer

Before I was an author, I was a scientist pursuing a PhD in molecular genetics. When I left the lab and started writing, that scientist’s need for real-world sense stuck with me and became a theme in everything I write. The authors I like understand that “suspension of disbelief” is a limited resource, so they’d better only ask readers for it when it counts. Get the baseline facts and logic right, and I’ll believe and enjoy the fantastical stuff spun from it so much more. 

I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.

My PhD work was in developmental robotics, which is about how a robot could wake up and learn about the world the way a human child does. The robot in my thesis work does this by building models, and, more generally, society as a whole advances when science builds ever better causal models about how the world works. The books in this collection are about what could happen when we are 5, 10, and 100 years ahead in the causal model-building process, and they look at what happens when those models are built by robots instead of humans.

I inherited a love of puzzles from my mother, and we still share crossword clues, looking for answers. I also shared her love of reading mysteries and trying to solve crimes, from the Hardy Boys and Nancy Drew to Agatha Christie and Sue Grafton. So, when I started writing, it was only natural that I create my own literary puzzles. Add in an ingrained sense of justice–so often missed in society–and I love it when the bad guy (or gal) gets their comeuppance. I also love the mental workout I get when I need focused logic to puzzle out the ending before the final pages.

I've been fascinated by cultures shrouded in secrets and mystery since childhood, a fascination that intensified when efforts to unravel the mystery and expose the truth were stonewalled, leading to frustrating dead-ends.  I spent decades trying to uncover the truth history obscures through research that included travel to the lands of secrets, mystery, and sometimes outright lies. As a writer, I draw from experience, education, and imagination because I know it's sometimes necessary to wrap truth in fiction to protect it. The books I've selected speak to that reality.

I have chosen this area of literature because I enjoy expanding my horizons. I love to find out about stories from different cultures and different times that will open my eyes to things I would never have thought about before. The depth of the writing is important to convey the emotions felt by the characters. This is what inspires me in my writing and my book that I have chosen to highlight here is also a story of historical fiction, influenced by my experience of living in Slovakia and finding out from residents about how incredibly different life had been in their country.

I once had a history advisor in school whom I informed that I was studying history so I could write fiction better. I saw him cringe a bit at that. Even so, I think that history and fiction–and the mystery–go together well. I am always drawn by mystery dramas–and by the drama of real lives facing and unraveling their way through real events. Of course, that led to graduate studies in cultural and intellectual history, to many years of teaching literature, and to passionate reading of mystery novels. Sparkling fiction and strong narrative history, for me, continue to stimulate a sense of wonder at human experience and this incredible universe we live in.    

Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”

I love being by the water. Most of my vacations are spent at tropical destinations. There’s something pretty amazing about reading a book at the water’s edge, near a palm tree, with the breeze and the salty smell of the wonderful warm air as pelicans swoop across the surface. 

I grew up on the coast of South Carolina, where many of the Golden Age pirates were welcomed as business associates and charming guests by some of the most influential people of the day. They are, to this day, considered local heroes. I read everything I could lay hands on about them, fiction and histories, and I knew my first book would have to be about the pirate I always pretended I could be, if I’d only been born two hundred years ago.