Here are 100 books that The Long Dark Tea-Time of the Soul fans have personally recommended if you like
The Long Dark Tea-Time of the Soul.
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Why hopepunk, and why me? Look, it’s no surprise that you can look around today and find all sorts of indicators that we are entering Heinlein’s “Crazy Years.” Imagining a dystopian or grimdark future isn’t difficult; all you have to do is read the news. But I think that we are writing the history of the future right now, by the choices we make every day. Writing stories that present that optimistic view of the future is not just the right thing to do but necessary, at least to me. As Heinlein said, “A pessimist is correct oftener than an optimist, but an optimist has more fun…”
Andy Weir has. In my opinion, come to define hopepunk: pushing towards a goal through difficulties, even if the goal doesn’t personally benefit the character.
His depiction of the plight of Mark Watney, the impacts Watney’s plight have on a global scale, and the hard science behind it all combine to create a compelling story. The sacrifices his crewmates and NASA officials make to push his rescue forward exemplify the “community over self” attitude common in hopepunk.
Six days ago, astronaut Mark Watney became one of the first people to walk on Mars.
Now, he's sure he'll be the first person to die there.
After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he's alive--and even if he could get word out, his supplies would be gone long before a rescue could arrive.
Chances are, though, he won't have time to starve to death. The damaged machinery, unforgiving environment, or plain-old human error are…
I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.
Illuminae is the first book in a YA science fiction series called the Illuminae Files Trilogy.
The story is told through intersecting first-person narratives constructed from journals, letters, texts, reports, and pictures. You want to absorb all that “found footage” goodness on paper. Trust.
There’s almost no exposition in Illuminae, especially in the first few chapters. That’s the beauty of these books – the narration is so visceral and urgent that you get invested in the story long before you really understand what’s happening. Putting the pieces of the world-building together is an addictive mystery in and of itself.
I don’t recommend cracking open this book the night before anything requiring a good night’s rest and lots of focus – your mind will be in 2575 until well after you’ve finished the last page.
'Never have I read a book so wholly unique and utterly captivating.' Marie Lu
'It certainly filled the Battlestar Galactica-shaped hole in my heart.' Victoria Aveyard
The internationally bestselling first book in a high-octane trilogy
Kady thought breaking up with Ezra was the worst thing she'd ever been through. That was before her planet was invaded. Now, with enemy fire raining down on them, Kady and Ezra are forced to fight their way onto one of the evacuating craft, with an enemy warship in hot pursuit.
But the warship could be the least of their problems. A deadly plague has…
Comedy and science fiction have special places in my heart. I’m fascinated with the prospect of what AI and machine learning might bring us, and I believe to laugh and enjoy life is to be healthy and content. The best humor is revealed through character relationships. I grew up watching Doctor Who, a show that presented a serious story with lighthearted moments. Douglas Adams put that same formula in his books. For ten years I honed my writing skills producing graphic novels, where you had to tell a story and inject humor onto one page. Now novel writing is my means of bringing a little joy to the world.
Guy strikes it rich, splurges on cryogenically freezing his head then gets killed crossing the street. This is a story I can get behind! Bob is now a sentient AI—no body or external senses. This is a problem until he comes up with an innovative solution. Not only is this a book full of sharp and wacky humor, there’s a fantastic undercurrent of sci-fi thought experimentation—and this really resonated with me. What would it be like to be a sentient AI? Imagine replicating yourself and dealing with your “other selves.” There are highs and lows for Bob, and great action sequences. The book is pure fun! I spent part of the summer walking and listening to the amazing audiobook, I looked forward to those walks every day.
Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street.
Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first…
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers he’s the only human being who can prevent the end of the world, and not just on his planet! In the multiverse, infinite Earths will be destroyed.
★★★★★ "Funny, yet deep, this is definitely worth venturing into the multiverse for."
Amazing Stories says: "Snarky as Pratchet, insightful as Stephenson, as full of scathing social commentary as Swift or Voltaire, and weirdly reminiscent of LeGuin, Alpha Max is the only multiverse novel you need this month, or maybe ever."
Maximilian Tundra is about to have an existential crisis of cosmic proportions.
When a physical duplicate of him appears in his living room, wearing a tight-fitting silver lamé unitard and speaking with an English accent, Max knows something bad is about to happen. Bad doesn’t cover it. Max discovers…
Comedy and science fiction have special places in my heart. I’m fascinated with the prospect of what AI and machine learning might bring us, and I believe to laugh and enjoy life is to be healthy and content. The best humor is revealed through character relationships. I grew up watching Doctor Who, a show that presented a serious story with lighthearted moments. Douglas Adams put that same formula in his books. For ten years I honed my writing skills producing graphic novels, where you had to tell a story and inject humor onto one page. Now novel writing is my means of bringing a little joy to the world.
I have so much love for this story and I can’t understand how it’s not a bestseller. This book helped me understand my own brand of humor could work in a novel. Michael Rubens has a unique razor wit like Douglas Adams, and what I cherish about this story is all the laugh-out-loud moments. When I read this book, I am smiling the whole time—it lifts my spirits! Cole, the main character, flees the galaxy’s most hideous and feared bounty hunter who wants to lay eggs in his brain. Things don't get any better when he smuggles a ship full of freeze-dried orphans. In the end, Cole has to make a tough choice, which always resonates with me. Do you want to be happy? Read this book!
In the spirit of Douglas Adams and Terry Pratchett, The Sheriff of Yrnameer is sci-fi comedy at its best—mordant, raucously funny, and a thrilling page-turner.
Meet Cole: hapless space rogue and part-time smuggler. His sidekick just stole his girlfriend. The galaxy’s most hideous and feared bounty hunter wants to lay eggs in his brain. And the luxury space yacht Cole just hijacked turns out to be filled with interstellar do-gooders, one especially loathsome stowaway, and a cargo of freeze-dried orphans. Cole gathers a misfit crew for a desperate journey to the far reaches of the galaxy: the mysterious world of…
I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
As much as the late 80s and early 90s are prevalent in the story, the Magnum PI-esque crime novel features more than meets the eye in its characters. If you go beyond the often hilarious and familiar pop culture situations, you find a deeply disturbing chain of events by equally disturbed people. Even the main character is a bit of an unapologetic anti-hero, which only adds depth beyond the printed word.
At times I wasn’t sure who I should be rooting for, and for that, I highly recommend this book and others in his Skink Series of stories.
Bestselling author Carl Hiaasen serves up a humorous helping of "taut, fast-paced action...crisp and hot" (The New York Times).
After dispatching a pistol-packing intruder from his home with the help of a stuffed Marlin head, Mick Stranahan can't deny that someone is out to get him. His now-deceased intruder carries no I.D., and as a former Florida state investigator, Stranahan knows there are plenty of potential culprits. His long list of enemies includes an off point hit man, a personal injury lawyer of billboard fame, a notoriously irritating TV journalist, and a fumbling plastic surgeon.
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
This is a historical mystery, but so much more than a whodunit. It’s fourth in the series, but can be read alone if you don’t mind spoiling the earlier books a bit. It’s a stand-out to me because it’s about raising one’s voice against inhumanity, even when it seems commonplace, or necessary.
Maisie is an intuitive detective and as such, has to fight against conventional police interference, client skepticism, and male smugness. But what she’s fighting for is the right outcome for everyone concerned, including the victim of the crime. This novel focuses on an artist ex-soldier of WWI who was using his voice to criticize the powers within government. I just love how Maisie deliberately wields her compassion in order to see the full picture of a case.
London, 1931. Nick Bassington-Hope, veteran of the Great War and controversial artist, is suddenly found dead. His death from a fall, the night before a much-anticipated exhibition of his work, is recorded as 'accidental'. But his sister is not convinced.
Despite overwhelming evidence to the contrary, Georgina Bassington-Hope believes her brother was murdered, and she turns to Maisie Dobbs for help. Maisie's investigation takes her from the desolate beaches of Kent to the dark underbelly of London's art world. Still fragile after her war-related breakdown, Maisie's immersion in her work could lead her to lose more than she bargained for,…
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
This is another historical mystery but it's set in a different time period than Huber's mysteries.
The main character of this book has been hired as an assistant to a detective in Victorian England and through the course of the book, I learned a great deal about the history of law enforcement. I think we take so much for granted in our high-tech, always-connected world.
It's surprising and sometimes amazing to realize how the world functioned before telephones, automobiles, and a unified law enforcement department.
An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto.
When the eccentric and enigmatic Cyrus Barker takes on the recent murder case of a young scholar in London's Jewish ghetto, he realizes that he must hire an assistant, and out of all who answer an ad for a position with "some danger involved," he chooses downtrodden Llewelyn, a gutsy young man with a murky past.
I've always been fascinated by stories about married couples, especially when there are secrets in the marriage. My series The Rannoch Fraser Mysteries follows Mélanie and Malcolm Rannoch, whose marriage began when Mélanie, a French agent, married British agent Malcolm to spy on him during the Napoleonic Wars. As the Rannochs investigate mysteries, they grapple with personal and political betrayals and the secrets between them.
I've always been fascinated by stories that show what happens to a couple after the wedding.
As wonderful as it is to watch Peter Wimsey and Harriet Vane fall in love and finally marry in the previous books in the series, I find it even more interesting to see them adjust to marriage and the challenges it brings. The final scene in particular has been a huge influence on my own writing.
The thirteenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by crime writer Natasha Cooper - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
They plan to have a quiet country honeymoon. Then Lord Peter Wimsey and his bride Harriet Vane find the previous owner's body in the cellar.
Set in a country village seething with secrets and snobbery, this is Dorothy L. Sayers' last full-length detective novel. Variously described as a love story with detective interruptions and a detective story with romantic interruptions, it lives up to both descriptions with style.…
I've always wanted to be a detective. I remember writing stories on my mom's old typewriter and playing pretend investigator with my childhood friend. I have had an appetite for stories and mysteries for as long as I remember. I was intrigued by human behavior and had the desire to find justice. This led me to study forensics and use my fine art ability and critical mind to get answers for victims and their families. I have a Master's Degree in Forensic Science and years of government and experience as a forensic artist and investigator, making my writing as authentic as possible. My story and personal struggles, and life's discoveries are highlighted by my stories.
I love Anne Perry's murder mystery books. Her historical novels take us back to a place that none of us remember but feel familiar through Charles Dickens. We learn about the dark side of Victorian England. Perry shows us the grit and struggle of the times. Her characters are complex, and we see their growth. Detective Thomas Monk (before the television show) is in a field still struggling for professionalism, and he grapples with that status. We also learn about the development of the nursing profession and how women helped and fought for rights through the other main character, Hester Latterly. Perry does an outstanding job of showing not only the surroundings but also the characters' feelings and how they processed their surroundings and pasts.
In a sensational breach-of-promise suit, two wealthy social climbers are suing on behalf of their beautiful daughter, Zillah. The defendant is Zillah’s alleged fiancé, brilliant young architect Killian Melville, who adamantly declares that he will not,cannot, marry her. Utterly baffled by his client’s refusal, Melville’s counsel, Sir Oliver Rathbone, turns to his old comrades in crime—William Monk and nurse Hester Latterly. But even as they scout London for clues, the case suddenly and tragically ends, in an outcome that no one—except a ruthless murderer—could have foreseen.
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
A Beautiful Blue Death begins the publication order of this marvelous Victorian series, though some later-written prequels bring the list of titles to fifteen.
Lenox is remarkable for his affable nature—no enormous childhood trauma, addictions, or unresolved grief defining him; he’s not oppressed by his society. He stands in contrast to the complicated, dynamic, and politically fraught world he investigates.
Finch’s prose is both plummy and punchy, his voice well crafted for the period, and his plots delightfully rife with Victorian arcana and eccentricities. Comfort reading never had quite this much style, elegance, and verve!
