100 books like The Scarlet Ibis

I love this book because it has such a strong, dystopian message. It is told by a group of children who find themselves marooned on an island.

This tale is not for the faint-hearted. It catalogs a rapid descent into cruelty and barbarism, while the growth of warring factions and the development of superstition add to the sense of menace.

I also love that the publishers heavily edited this book before it was put on sale, including removing the first section entirely. It’s a great lesson that sometimes less really is more. 

This book is a classic.  It has heart, action, comedy and an awesome Grandpa who is always there with some wise wisdom.  Billy Coleman is a country kid growing up on a farm.  He decides he wants to get two Coonhounds and…well, I don’t want to spoil the tale.

I first read this book at age 12 and have read it once a year since then. If you grew up out in the country, like I did, with wide open skies, a big heart, and a little bit of mischief, this book is for you.  

I love this story! It’s a wonderful romp through the lives of the characters, characters who are like everyday people that we could know.

It’s at once bizarre yet relatable, imaginative yet real, and just all-around fantastic. This is a story that I thoroughly enjoyed reading the first time and one that I would read again.

Hatter Fox is one of those rare stories which causes me to lose my sense of self.

There is no who am I, how am I, or why am I, none of that matters, all that matters is the story. This story is so real, and shows so accurately what can happen to young minds when they are raised in an oppressive, prejudiced environment.

Hatter Fox also exemplifies the true power of fiction, in that it allows us to shed a tear. We steel ourselves against the harsh realities of life, and do not weep for the downtrodden, but for fictional characters, we are free to feel our sorrows.

I loved this book because it isn’t just a great story; it demonstrates that the nautical genre, which is supposedly about rugged masculinity, heroism, male bonding, and man against the sea, can be about many other things too, even women!

There is nothing like a ship at sea for creating the ideal hothouse environment for a penetrating study of human nature, especially when you throw a woman into the mix. Clarissa Oakes is a stowaway on a 19th-century sailing ship, the only woman among 200 men, and the perfect catalyst for an explosion of male desire, jealousy, and rage.

It's probably the best book I’ve read in this genre for demonstrating just how much you can stretch the canvas to cover almost every aspect of the human condition.  

A better world is possible — just not through the kind of progress touted by liberal politicians. In this 1982 collection, Bookchin sketches such a new world, based on his concept of social ecology — a prescient integration of the people’s desires for a better life, for personal freedom, and for coexistence, mutual aid, and respect.

Ships and boats are good settings for conflict; physical, sociological, and psychological.

No wind to drive the ship, a sick crew, and a mentally unstable first mate beleaguered by the ghost of the previous captain are trials the young captain must deal with. As in all of Conrad's fiction, there is plenty of insight into the human condition revealed through the characters and felt in the subtext. I classify it as a coming-of-age at sea story, drawn from Conrad's own experiences. "Coming-of-age" does not mean "young adult" in my life dictionary. It may continue well beyond the teen years.

Susanne K. Langer was a philosopher of aesthetics, and a specialist in the nature of symbolism and language. This classic book, dedicated to Alfred North Whitehead, contains her now somewhat famous distinction between “presentational forms” and “discursive forms,” which refers, roughly to symbolism such as sculpture and architecture which present much-at-once, and symbolism such as music and language which disclose their meaning linearly over time. She also brilliantly lays out her views on “Language,” where in a chapter by that name, she critiques instinct theories, challenges naïve views, and speculates on how human beings are evolutionary descendants of singing, dancing, pantomiming apes.

When it comes to poetry, one can’t help but visualize the emotions often conveyed as readers see with their mind’s eye.

In this book of visceral poetry, John eloquently touches on different motifs with poems and photography, all while exploring the human condition, giving true shape and identity to each piece.

From one poet to another, the principles of understanding require an inward look at oneself, and John does this without blemish. Striking heart cords to the tune of sophisticated emotions in their simplest form, Raw Thoughts lives up to its title.

This Cretan writer, who is most often identified as a Greek, asks us to probe our deepest identity, to be honest with ourselves. I think that that should be the first premise of an honest writer…an honest person. When you are born you are told early what to believe. Why you should believe. Who you and what you should believe or not believe in. At some point in your own life, you must resolve what you yourself accept for your own belief system. You should determine what is or is not important to you. Only then can you live YOUR LIFE.