100 books like Report to Greco

Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.

I was born on the Oneida reservation in Wisconsin. Raised during the often troubled, often wonderful decade of the 1960s, I learned to stand up for what I thought was right. I joined forces with my beautiful wife during our high school years, and together, we ran away to build our own life aided by the Oneida principle of “looking ahead seven generations.” Encountering many obstacles along the way, including a poetry professor who said that what I wrote wasn’t poetry and a theater professor who said that if what I wrote was any good it was already being done. Still, I continue to write.

I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.

For most of my life I have been fascinated by Africa, but I could never figure out a good reason to go there. Then one day in 2010 while delivering a book talk in North Carolina, a gentleman approached me afterward saying that he’d read a brief item in a missionary newsletter that morning and he thought it might make “a good story” for me. Six months later, I was on a flight to Uganda and that “good story” was born as a magazine piece before evolving into a book and finally in 2016 into a Disney movie. I have since traveled to Africa many times and it is a magical place, my home away from home.  

I fell in love with all things Greek around the same time I fell in love with my Greek Cypriot husband about 30 years ago. That was when I started reading books about Greece as well as fiction set in Greece. I also learned to cook Greek food, which made both my man and me happy. I traveled to as many Greek islands, and of course, Cyprus, as time would allow. Eventually, I started writing books set in Greece myself. I went to a Greek Orthodox church and took Greek language evening classes. I feel at this point and have been told by Greek islanders, that I am now essentially Greek.

My passion for the Battle of Crete flows from my traveler’s experiences of this most beautiful of Mediterranean islands and its people. The Second World War is just one episode in a history that stretches back millennia, yet to this day, it remains ever-present in the minds of Cretans. The landscape, too, still bears the scars of war. Every visitor to Crete has the opportunity to uncover the multiple layers of a rich past. To dig down to the horrors of the twentieth century with its brutal war and occupation does not take long, and it is enormously rewarding. In few places are past and present so closely intertwined.

I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.

My passion for the Battle of Crete flows from my traveler’s experiences of this most beautiful of Mediterranean islands and its people. The Second World War is just one episode in a history that stretches back millennia, yet to this day, it remains ever-present in the minds of Cretans. The landscape, too, still bears the scars of war. Every visitor to Crete has the opportunity to uncover the multiple layers of a rich past. To dig down to the horrors of the twentieth century with its brutal war and occupation does not take long, and it is enormously rewarding. In few places are past and present so closely intertwined.

I started my professional writing career in 1987 having founded the small press writers’ magazine, Quartos, which ran for nine years until its merger with Acclaim in 1996 to become The New Writer, as well as authoring several creative writing how-to books – including Horror Upon Horror.  In addition to acting as judge for national writing competitions, I've also tutored at writers’ workshops including The Annual Writers’ Conference (Winchester College), The Summer School (University of Wales), Horncastle College (Lincolnshire), and the Cheltenham Literature Festival.  Having been a staunch supporter of the Gothic Society and a regular contributor to its quarterly magazine, Udolpho, I have also created the series of The Vampyre’s Tale novels.

I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book, To Die a Dry Death, and I expect nothing less from the books I read.