Here are 100 books that The Year-god's Daughter fans have personally recommended if you like
The Year-god's Daughter.
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I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
Through the pages of this book, unfolds a tangible reality of the birth and boyhood of Merlin the magician, leading up to his central position in the legend of Arthur and the Knights of the Round Table.
As I read, I saw how Stewart wove a story using some accepted historical facts and myths, to create something new and solid. I saw the way Stewart used mystical moments and magical spells to sit above common logic.
Her ability to write in this imaginative way makes her characters more believable. And I do believe it. I have feelings of satisfaction at the end of the book, which inspired me to write my own historical story.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
It is a dark and raw story, written of a turbulent, violent time. What impressed me most was that the author chose the difficult path of writing her story from the different viewpoints of three people – all in first person. The narrative is wonderfully written and absolutely convincing. It's written with meticulous attention to detail, as if you're there, breathing in the scent of the heather, hearing the clink of harness, feeling the rain. I felt I was seeing a slice of history as it happened.
(THE BRUCE TRILOGY: BOOK I) Love and loyalty. Betrayal and murder. What is the cost of a crown? In 1290, Scotland is without a king. Two families - the Bruces and the Balliols - vie for the throne. Robert the Bruce is in love with Elizabeth de Burgh, the daughter of an adherent of the ruthless Longshanks, King of England. In order to marry her and not give up his chances of someday becoming King of Scots, Robert must abandon his rebel ways and bide his time as Longshanks' vassal. But Edward, Longshanks' heir, doesn't trust the opportunistic Scotsman and…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
In 1812 Britain ruled the waves and Napoleon ruled everything else. We in the twenty-first century don’t realise how difficult and dangerous those times really were, how much of an analogy can be drawn with the dark days of World War II, when Britain stood alone against the forces in Europe. While the main plot line appears to be a simple romance, in fact Bennetts has gathered together strand after strand of conflict into a rich, absorbing tapestry. There's code-breaking, social mores, how to partake of snuff, politics, the assassination of the British PM. The story is utterly absorbing and very, very real.
1812. Europe has been at war for twenty years. Britain stands alone against the greatest threat to peace the world has ever known, at daily risk of a French invasion and revolution. In London, a handful of men struggle to protect their country and maintain the war effort. Among them, the Earl of Myddelton, code-breaker to the Foreign Office, strives to crack the most difficult French code yet-the Grand Chiffre-before still more men die on the battlefields of Europe. Then, on 11 May 1812, the unthinkable happens-the Prime Minister is assassinated. Amid widespread panic and fear of a French conspiracy,…
I've always been interested in history, which is probably why I ended up with a BA(Hons) in history. One of the things that historical fiction can do better than a historical text is to take you there, let you live the events as they happened. It's important that the facts are correct, but so is the setting. The narrative has to be believable and convincing. I've done that with my own book,To Die a Dry Death, and I expect nothing less from the books I read.
This book takes place at the end of WW2 on a Pacific island. Jack has survived the war, but can't give up the places where he fought. For me, the book reads like a succession of short stories held together with the underlying theme of Jack’s search for himself. It tells tales from Jack’s childhood with his twin brother and stories from the war, some funny, some poignant, some a little eerie. Through it all, the author’s knowledge of aircraft and the Pacific theatre of WW2 lends authenticity.
This isn't a fast-paced cliff-hanger. I could dip in and out and re-read sections, laugh a little, cry a little, live the war in the Pacific vicariously. It feels real.
"The location is beautiful, the hotel well worth a visit, and the lives of the guests are intriguing... A great read." - Historical Novels Review (May 2011) "This is a thoroughly enjoyable read and a 'must' for any fan of military aviation." - M Howard Morgan, author of 'First Fleet' "Beyond the technical details lies a wonderful story with beautifully written characters full of personality and charm." - Raven Dane "Adventure, excitement, tragedy, romance and engaging characters, this novel has it all." - Susanne O'Leary, author of Fresh Powder *** The War is over, but for Marine pilot Jack McGuire,…
I was lucky enough to have been taught Latin at school, and I remember my first teacher telling the class that a tandem bicycle was so called because Latin tandem means ‘at length’. That was the beginning with my fascination for words, etymologies, and languages. At University I was able to specialise in Greek, Latin, and Indo-European languages and then for my PhD I learnt Armenian (which has an alphabet to die for: 36 letters each of which has four different varieties, not counting ligatures!). I am now Professor of Comparative Philology at the University of Cambridge.
Linear A, the script that preceded Linear B in Crete, has long attracted attempts at decipherment. Ester Salgarella, who is a colleague of mine at Cambridge, would not claim to have deciphered Linear A, but her work on the script and its relation to Linear B is brilliant at reframing the question about the relationship between the two. If you read this after Andrew Robinson’s account of Linear A (in his Lost Languages book mentioned above), you might be surprised by how much progress has been made.
When does a continuum become a divide? This book investigates the genetic relationship between Linear A and Linear B, two Bronze Age scripts attested on Crete and Mainland Greece and understood to have developed one out of the other. By using an interdisciplinary methodology, this research integrates linguistic, epigraphic, palaeographic and archaeological evidence, and places the writing practice in its sociohistorical setting. By challenging traditional views, this work calls into question widespread assumptions and interpretative schemes on the relationship between these two scripts, and opens up new perspectives on the ideology associated with the retention, adaptation and transmission of a…
I am a Professor Emeritus of Classical and Byzantine History, and I was fascinated by Attila and the Hun and Genghis Khan from early childhood when I decided that I would become a historian. I set out to write the history of the Eurasian nomads from their perspective, and so convey their neglected history to a wider readership.
Anthony has synthesized a vast literature on historical linguistics and archaeology to explain the origins of the first steppe nomads on the South Russian steppes in the fourth millennium B.C.
In my opinion, Anthony does an outstanding job of explaining the origins and distribution of the speakers of Indo-European languages whose migrations have defined the linguistic map from Ireland to India. Subsequent DNA analysis of the populations of Yamnaya steppe culture has confirmed his thesis based on linguistic evidence and archaeology.
I recommend this book as the fundamental work for any study of the early Indo-European-speaking nomads.
Roughly half the world's population speaks languages derived from a shared linguistic source known as Proto-Indo-European. But who were the early speakers of this ancient mother tongue, and how did they manage to spread it around the globe? Until now their identity has remained a tantalizing mystery to linguists, archaeologists, and even Nazis seeking the roots of the Aryan race. The Horse, the Wheel, and Language lifts the veil that has long shrouded these original Indo-European speakers, and reveals how their domestication of horses and use of the wheel spread language and transformed civilization. Linking prehistoric archaeological remains with the…
I'm a Scottish writer, addicted to reading and writing historical fiction. My love of history was first kindled by visits to the misty Roman ruins of Britain and the sun-baked antiquities of Turkey and Greece. My expeditions since have taken me all over the world and back and forth through time (metaphorically, at least), allowing me to write tales of the later Roman Empire, Byzantium, Classical Greece and even the distant Bronze Age.
The Bronze Age was followed by the Iron Age. What caused this epochal shift? Eric Cline outlines just how cataclysmic the 12th and 13th centuries BC really were. Be prepared for fire, earthquakes, and a tide of war!
A bold reassessment of what caused the Late Bronze Age collapse
In 1177 B.C., marauding groups known only as the "Sea Peoples" invaded Egypt. The pharaoh's army and navy managed to defeat them, but the victory so weakened Egypt that it soon slid into decline, as did most of the surrounding civilizations. After centuries of brilliance, the civilized world of the Bronze Age came to an abrupt and cataclysmic end. Kingdoms fell like dominoes over the course of just a few decades. No more Minoans or Mycenaeans. No more Trojans, Hittites, or Babylonians. The thriving economy and cultures of the…
I studied Mathematics – the art of solving a problem by making it as general as possible, then attacking it with a combination of different techniques. By profession, I am a technologist, but the problem that interested me wasn’t technical – I wanted to know why, when most people are basically well-meaning, the world was in such a mess! Early on in my career, I came to believe that better collaboration was part of the answer. Later, I saw how you also needed the right kind of communities. Along the way, I’ve learned a lot about psychology, biology, systems theory, learning theory, anthropology, history, management, economics, finance, and more. I’m still learning.
I can’t say how much I love this book. It explains everything we know intuitively about economics but find hard to justify. Hudson was one of the few who saw the 2008 crisis coming, and he is still one of the few who know what we must do now. Taking the discussion of David Graeber’s extraordinary 2011 book Debt: The First 5000 Years to the next level, Hudson shows how Bronze Age rulers understood economic instability better than we do. When people get into serious debt, their personal crises not only destroy their own lives but ripple outwards to derail society, by giving their creditors enough power to compete with governments. To avoid society being run into the ground, governments must start cancelling debts – as they did long ago.
In ...and forgive them their debts, renowned economist Michael Hudson – one of the few who could see the 2008 financial crisis coming – takes us on an epic journey through the economies of ancient civilizations and reveals their relevance for us today. For the past 40 years, in conjunction with Harvard’s Peabody Museum, he and his colleagues have documented how interest-bearing debt was invented in Bronze Age Mesopotamia, and then disseminated to the ancient world. What the Bronze Age rulers understood was that avoiding economic instability required regular royal debt cancellations. Professor Hudson documents dozens of these these royal…
I was seven when our headmaster told us about Stone-Age people using stone tools and living in caves. This seemed so unlikely that I checked with my Dad before believing it, but after that, I loved history. I adored the idea of time machines: a day trip to Ancient Rome! A selfie with a saber-tooth! Writing allowed me to time-travel to whenever I liked and to use what I learned about how people lit and warmed their homes, cooked their food, and worshipped their gods. It was inevitable that I would write a time travel book, and it’s a real pleasure to revisit some books that inspired me.
I read this classic sci-fi way back when I was a teenager and I think, over the years, it has been a quiet, persistent influence on my own writing.
Two groups of time-travellers go back and forth along ‘the corridors of Time,’ fighting to influence history their way. The protagonist is taken from a prison cell to join one group and has to catch up with what’s going on as he’s taken to the future, the seventeenth century, and the Bronze Age.
What stayed with me most vividly was Anderson’s recreation of the Danish Bronze Age and the fact that the main character chooses to give up his own time in order to remain in the Bronze Age with the people he has come to love.
A young man from the twentieth century is recruited to fight in a war that rages throughout time in this classic science fiction adventure from a multiple Hugo and Nebula Award–winning master.
College student, ex-marine, and martial artist Malcolm Lockridge is in prison awaiting his trial for murder when he receives an unexpected visit from an extraordinarily beautiful woman named Storm. Claiming to be a representative of the Wardens, a political faction from two thousand years in the future, Storm offers the astonished young man a proposition: freedom in return for his assistance in recovering an unspecified lost treasure. But…
From a young age, I have been obsessed with the Arabic language and culture. In 1959, I studied this language at Durham University, graduating Summa Cum Laude – including living with a Palestinian family in Jerusalem for a number of months. Then moving on to further studies in Arabic at Cambridge University, graduating with a First Class Honors degree. Over the next decades, I have made many trips to the Middle East, working on a number of projects, including stints in North Africa, Egypt, Lebanon, Syria, Jerusalem, Kuwait, and the Persian Gulf. Most recently, I served as the Arabic consultant on the Netflix TV series House of Cards.
The Palestinian writer, Nur Masalha, traces Palestine's thousands of years old heritage, uncovering cultures and societies of extraordinary depth and complexity that stretch back to the very beginnings of recorded history. Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine’s multicultural past has been distorted and mythologised by Biblical lore and the Israel–Palestinian conflict.
This rich and magisterial work traces Palestine's millennia-old heritage, uncovering cultures and societies of astounding depth and complexity that stretch back to the very beginnings of recorded history.
Starting with the earliest references in Egyptian and Assyrian texts, Nur Masalha explores how Palestine and its Palestinian identity have evolved over thousands of years, from the Bronze Age to the present day. Drawing on a rich body of sources and the latest archaeological evidence, Masalha shows how Palestine's multicultural past has been distorted and mythologised by Biblical lore and the Israel-Palestinian conflict.
In the process, Masalha reveals that the concept of…
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