Fans pick 100 books like Tulagi Hotel

Through the pages of this book, unfolds a tangible reality of the birth and boyhood of Merlin the magician, leading up to his central position in the legend of Arthur and the Knights of the Round Table.

As I read, I saw how Stewart wove a story using some accepted historical facts and myths, to create something new and solid. I saw the way Stewart used mystical moments and magical spells to sit above common logic.

Her ability to write in this imaginative way makes her characters more believable. And I do believe it. I have feelings of satisfaction at the end of the book, which inspired me to write my own historical story.

It is a dark and raw story, written of a turbulent, violent time. What impressed me most was that the author chose the difficult path of writing her story from the different viewpoints of three people – all in first person. The narrative is wonderfully written and absolutely convincing. It's written with meticulous attention to detail, as if you're there, breathing in the scent of the heather, hearing the clink of harness, feeling the rain. I felt I was seeing a slice of history as it happened.

In 1812 Britain ruled the waves and Napoleon ruled everything else. We in the twenty-first century don’t realise how difficult and dangerous those times really were, how much of an analogy can be drawn with the dark days of World War II, when Britain stood alone against the forces in Europe. While the main plot line appears to be a simple romance, in fact Bennetts has gathered together strand after strand of conflict into a rich, absorbing tapestry. There's code-breaking, social mores, how to partake of snuff, politics, the assassination of the British PM. The story is utterly absorbing and very, very real.

This book will transport you straight back to the Crete of the Bronze Age. I felt I was taking every step with the characters. Each setting, whether it be the marketplace in the village, the palace, and the underground prison cells, is meticulously described. The society, bound by ritual and ruled by a queen and her priestesses who are constantly searching for signs of approval from the goddess, is utterly believable. It's a fascinating mix of actual history and myth, where the Gods and Goddesses are as real as they were to the people living in those times.

When I began researching and writing for my books this fifteen-volume set by distinguished historian Rear Admiral Samuel Eliot Morison, was one of my first purchases for my World War II library. I consider his series a must-have for any WWII researcher or history buff. I did much of my research and writing on freighters and always took selected volumes with me.

When Wingmen was published in 1979, there had been nothing else quite like it: a war novel, very well researched, with plenty of action and adventure… plus a romance between two men at its center. Those feelings emerge, in a classic slow burn, between young Ensign Fred Trusteau and the more seasoned Lieutenant Commander Fred Hartigan against the backdrop of the Pacific Theatre of World War II. The often-harrowing life of naval aviators is vividly conveyed in action scenes set in places whose names will be familiar to students of WW2 – Wake Island, Tarawa, Kwajalein, Truk. Case has certainly done his homework on the hardware and the military lingo, but what lifts the narrative is the uncertain, unconventional romance between the main characters. What Top Gun could have been.

The Philippine resistance of WWII was, in my opinion, the most admirable resistance organization of the war, whether European or Pacific. In fact, resistance among the Philippine people was so widespread, that the Japanese occupiers were almost correct in assuming any civilian they encountered was a resister on some level. Carlos Romulo, a Philippine aide de camp to General MacArthur and a hero to his countrymen, gives his personal account of the war in this excellent memoir.

Similar to Eichelberger, few today know the name of General George Kenney who commanded the Allied Air Forces in the Southwest Pacific Area (SWPA) from the 1942 defense of Papua New Guinea to the surrender of Japan.

Again, MacArthur’s need to dominate all headlines from his military theater explains the relative obscurity of his field generals. But Kenney’s story, related in his own words, should not be overlooked.

He was arguably the most innovative and successful air commander of the WWII. He demanded aggressiveness from his pilots, mounted .50-caliber machine guns onto pretty much anything that could fly and insisted on implementing the dangerous but deadly tactics of parachute fragmentation bombing on land and mast-height and skip-bombing against Japanese shipping at sea.  

A little-known aspect of the Pacific War was the imprisonment of Allied civilians. While these Japanese-run prison camps were not deliberate death machines, as were the Nazi-run concentration camps, large numbers of women and children died of starvation and disease there, or at least had their health permanently ruined. Many stories would come out of these camps, both horrific and inspiring. Perhaps the most brilliantly creative story of the latter category was the vocal orchestra, a group of imprisoned women who sought to recreate symphonic music with their voices. Colijn’s memoir was made into the film, Paradise Road.

This book doesn’t have a catchy title and sounds rather pedestrian, but we are told never to judge a book by its cover and in this case it’s true about the title as well! Mark Parillo’s magisterial thesis taught me a great deal about why the Japanese lost the Pacific War. He explains why they stubbornly refused to convoy their merchant fleet even when, by failing to do so, they were aiding the enemy’s cause. Japan needed to import most of its war material, but once the US submarine campaign began to decimate the ships that were bringing in those vital supplies in 1944-45 the game was essentially up. Therefore, a case can be made that the war was effectively lost before the atomic bombs were dropped on Hiroshima and Nagasaki.