Here are 100 books that Wingmen fans have personally recommended if you like
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As an academic researcher, I’ve taken the plunge into areas that others often fear to tread to trace something of the hidden erotic history of Britain. In this stretch of experience, you’ll find crystalized the changes of manners and mores, emerging fronts against reactionary governments, world-making among communities marginalized, ostracised, and endangered, censorship and legislation and debate, and the long tail of civil upheavals around the Summer of Love, gay rights, trans rights, and more. This is often the history of the suburbs, of dreams and imaginations, of reprehensible interlopers, of freethinking paradigm-breakers, and the index of what British society offered its citizens.
This was only published way after Forster’s death–and I can quite see why: it would have whipped up a storm of unimaginable controversy with its story of homosexual love between two Cambridge students and then (steady yourself!) one of those students in later life and a rough-and-ready groundsman.
Forster wrote this in 1913/14, revised it in the 1930s and again in the 1950s, died in 1970, and Maurice finally appeared in 1971. So the book, which concerns hiding, was deeply hidden for over half a century. Forster is sentimental in terms of love and brutal in terms of fate.
Love bucks polite society’s norms in the face of the danger of arrest, public scandal, and disgrace. But such love is so delicate and dangerous that any affront to it has to be met with the most decisive action to protect everyone involved–even if the price is loneliness and a life-long…
As Maurice Hall makes his way through a traditional English education, he projects an outer confidence that masks troubling questions about his own identity. Frustrated and unfulfilled, a product of the bourgeoisie he will grow to despise, he has difficulty acknowledging his nascent attraction to men.
At Cambridge he meets Clive, who opens his eyes to a less conventional view of the nature of love. Yet when Maurice is confronted by the societal pressures of life beyond university, self-doubt and heartbreak threaten his quest for happiness.
I was never a little boy who played soldier. But when I was 13, I read Barbara Tuchman’sThe Guns of August, and developed a lifelong fascination (unusual for an American) with the First World War. Decades later, having achieved a happy life as a gay man, I started to wonder during the debate over “Don’t Ask, Don’t Tell”: What would life have been like for two soldiers in the Great War who fell in love? So, I traveled to the battlefields and cemeteries of France, and to the Imperial War Museum in London, and read anything and everything I could about WW1. And then I wrote Flower of Iowa.
Coleman got very famous, and very rich, fromBeulah Land, a trilogy of plantation life in the pre-Civil War South that was variously viewed as a much racierGone with the Wind or simply dismissed as an interracial soap opera. What a surprise, then, to find he wrote this beautiful coming-of-age story about a sensitive boy who is a budding writer. The novel richly depicts Mark’s life in Alabama and Georgia during the 1930s and early ’40s. We are as elated as he is when he finally finds people who understand him, most notably his teacher, who is the kind of quietly strong woman character all too often overlooked in such a milieu, and equally, the unexpected young man with whom Mark finally finds a romance both exhilarating and heartbreaking.
The work of a superbly gifted writer at the height of his powers, Lonnie Coleman’s Mark is destined to become a classic—the wonderfully moving story of a young man growing up in a small southern town. It is a novel about the lives of ordinary people, the exploration of feelings, the capacity to love, the discovery of sexual choice. Set in Montgomery, Alabama, and Savannah, Georgia, in the twenties and thirties, Mark is the story of a young boy, orphaned by death of both parents and raised by his aunt and uncle, from adolescence to adulthood, and ending with the…
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
The sweeping saga of two seemingly socially disparate boys caught up in the volatile world of early 1900s Ireland from which springs forth the Easter Uprising. As a writer and a reader,I am amazed at the historical details and language that are completely immersive, as well as by the structure and control O’Neill wields over the book. Yet he never overwhelms with the “history,” nor does he ever lose sight of the true story, the true heart of his stunning novel.
The love story between the boys is timeless and beautiful and, of course, tragic, as is so often the case with gay love stories from our history. It has haunted me since I first read the novel some twenty-two years ago. It is yet another book I often come back to reread, and I am astounded all over…
Praised as “a work of wild, vaulting ambition and achievement” by Entertainment Weekly, Jamie O’Neill’s first novel invites comparison to such literary greats as James Joyce, Samuel Beckett and Charles Dickens.
Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the…
As a young doctor, Carl Holman has experienced the horrors of World War I and the death of his lover, a fellow officer. Back home after the War, he befriends a young jazz musician who he hopes will become a companion he can share his life with. But this is…
I was never a little boy who played soldier. But when I was 13, I read Barbara Tuchman’sThe Guns of August, and developed a lifelong fascination (unusual for an American) with the First World War. Decades later, having achieved a happy life as a gay man, I started to wonder during the debate over “Don’t Ask, Don’t Tell”: What would life have been like for two soldiers in the Great War who fell in love? So, I traveled to the battlefields and cemeteries of France, and to the Imperial War Museum in London, and read anything and everything I could about WW1. And then I wrote Flower of Iowa.
Perhaps the most powerful story surrounding The Bitterweed Path concerns the creation of the novel itself. This tale of cross-class, same-sex love set in late 19th century rural Mississippi – a place and time so well evoked you can feel the heat – was originally published in 1950(!). They say historical novels reflect the time in which they’re written at least as much as the time in which they’re set, and there’s a distinct obliqueness to the writing here. That does not detract from the astonishing eroticism of main character Darrell’s first glance at Roger, the boy he will fall in love with (and vice versa). Nor does it diminish the radical shift, in more than one sense of the term, when Roger’s father also emerges as a mutual love interest for Darrell.
This long out-of-print and newly rediscovered novel tells the story of two boys growing up in the cotton country of Mississippi a generation after the Civil War. Originally published in 1950, the novel's unique contribution lies in its subtle engagement of homosexuality and cross-class love. In The Bitterweed Path , Thomas Hal Phillips vividly recreates rural Mississippi at the turn of the century. In elegant prose, he draws on the Old Testament story of David and Jonathan and writes of the friendship and love between two boys--one a sharecropper's son and the other the son of the landlord--and the complications…
Kathryn J. Atwood’s young adult collective biographies on women and war have garnered multiple book awards. She has been seen on America: Facts vs. Fiction; heard on BBC America; published in The Historian and War, Literature & the Arts; and featured as a guest speaker at the Harold Washington Library in Chicago, the First Division Museum at Cantigny Park, and the Atlanta History Center.
The Philippine resistance of WWII was, in my opinion, the most admirable resistance organization of the war, whether European or Pacific. In fact, resistance among the Philippine people was so widespread, that the Japanese occupiers were almost correct in assuming any civilian they encountered was a resister on some level. Carlos Romulo, a Philippine aide de camp to General MacArthur and a hero to his countrymen, gives his personal account of the war in this excellent memoir.
William L. McGee is an award-winning World War II Pacific war historian. His writing career has spanned six decades — three of them in marketing and sales in the broadcasting industry. He is a WWII veteran of the Pacific theater and an atomic veteran of Operation Crossroads, the postwar atomic bomb tests at the Bikini Atoll in 1946.
When I began researching and writing for my books this fifteen-volume set by distinguished historian Rear Admiral Samuel Eliot Morison, was one of my first purchases for my World War II library. I consider his series a must-have for any WWII researcher or history buff. I did much of my research and writing on freighters and always took selected volumes with me.
Kathryn J. Atwood’s young adult collective biographies on women and war have garnered multiple book awards. She has been seen on America: Facts vs. Fiction; heard on BBC America; published in The Historian and War, Literature & the Arts; and featured as a guest speaker at the Harold Washington Library in Chicago, the First Division Museum at Cantigny Park, and the Atlanta History Center.
A little-known aspect of the Pacific War was the imprisonment of Allied civilians. While these Japanese-run prison camps were not deliberate death machines, as were the Nazi-run concentration camps, large numbers of women and children died of starvation and disease there, or at least had their health permanently ruined. Many stories would come out of these camps, both horrific and inspiring. Perhaps the most brilliantly creative story of the latter category was the vocal orchestra, a group of imprisoned women who sought to recreate symphonic music with their voices. Colijn’s memoir was made into the film, Paradise Road.
Thrown into the whirlwind of dark forces unleashed with the onset of World War II, a young woman, Helen Colijn, her sisters, and father flee the oncoming Japanese army. Helen Colijn's account of her wartime experiences is a window into a largely overlooked dimension of World War II -- the imprisonment of women and children in Southeast Asia by the Japanese and how these prisoners of war responded to their dire circumstances. The conditions were terrible. Food was scarce; medicine unavailable. Held in captivity for three and a half years, more that a third of the women in Helen's camp…
I am an author and investor living in windward Oahu who has had a lifelong interest in military history ever since I read a biography of Alexander the Great when I was 12 years old. I have written several books including Hitler’s Great Gamble and MacArthur Reconsidered. For my next project I have transcribed, compiled, and edited 1,100 of General Douglas MacArthur’s daily communiques issued by his Southwest Pacific Area (SWPA) headquarters from 1942-45. This collection will be published by McFarland in 2024.
Similar to Eichelberger, few today know the name of General George Kenney who commanded the Allied Air Forces in the Southwest Pacific Area (SWPA) from the 1942 defense of Papua New Guinea to the surrender of Japan.
Again, MacArthur’s need to dominate all headlines from his military theater explains the relative obscurity of his field generals. But Kenney’s story, related in his own words, should not be overlooked.
He was arguably the most innovative and successful air commander of the WWII. He demanded aggressiveness from his pilots, mounted .50-caliber machine guns onto pretty much anything that could fly and insisted on implementing the dangerous but deadly tactics of parachute fragmentation bombing on land and mast-height and skip-bombing against Japanese shipping at sea.
General Kenney Reports is a classic account of a combat commander in action. General George Churchill Kenney arrived in the Southwest Pacific theater in August 1942 to find that his command, if not in a shambles, was in dire straits. The theater commander, General Douglas MacArthur, had no confidence in his air element. Kenney quickly changed this situation. He organized and energized the Fifth Air Force, bringing in operational commanders like Whitehead and Wurtsmith who knew how to run combat air forces. He fixed the logistical swamp, making supply and maintenance supportive of air operations, and encouraging mavericks such as…
I grew up just north of Chicago, took courses at the University of Madrid (La Complutense), and graduated from Marquette University. I speak 5 languages and have written for such diverse reviews as The Journal of the American Revolution and Atlantic Coastal Kayaker. Nothing has possessed me like my father’s Navigation Case. Besides learning how this young college graduate helped pioneer the nascent aviation industry training in 11 different types of aircraft, I take pride in the astonishing role he played in American history. He was a combat pilot in the first-ever demonstration of air superiority over an enemy, leading to the greatest campaign victory in the history of the US Air Force.
This book gave me a basic understanding of the New Guinea war into which my father was sent. It gave me the framework with which I could piece together the timeline of my father’s service. It gave me an idea of the progress of the war and a context for all of his military orders, his stacks of correspondence, and all of his photos, long stored away in his Navigation Case.
In March 1942, General Douglas MacArthur faced an enemy who, in the space of a few months, captured Malaya, Burma, the Philippines, the Dutch East Indies, and, from their base at Raubaul in New Britain, threaten Australia. Upon his retreat to Australia, MacArthur hoped to find enough men and matérielfor a quick offensive against the Japanese. Instead, he had available to him only a small and shattered air force, inadequate naval support, and an army made up almost entirely of untried reservists.
Here is one of history’s most controversial commanders battling…
I lived and taught in Asia for over 30 years and love the place to bits. Leaving Oxford for Singapore may have seemed like a daring adventure in 1980, but it complemented my doctoral research and introduced me to a wonderful set of students who have enriched my life ever since. Asia has a fascination for me that I can’t resist. I have written and edited 15 books on naval and defence themes, much of which have been set in the Asian continent. An associate editor of the Oxford Dictionary of National Biography for the past 25 years, I am also the editor for the series Cold War in Asia.
This book doesn’t have a catchy title and sounds rather pedestrian, but we are told never to judge a book by its cover and in this case it’s true about the title as well! Mark Parillo’s magisterial thesis taught me a great deal about why the Japanese lost the Pacific War. He explains why they stubbornly refused to convoy their merchant fleet even when, by failing to do so, they were aiding the enemy’s cause. Japan needed to import most of its war material, but once the US submarine campaign began to decimate the ships that were bringing in those vital supplies in 1944-45 the game was essentially up. Therefore, a case can be made that the war was effectively lost before the atomic bombs were dropped on Hiroshima and Nagasaki.
Making extensive use of Japanese and U.S. sources, including wartime intelligence reports from the National Defense Archives in Tokyo and recently declassified U.S. documents, this book examines the reasons for Japan's failure to protect its merchant fleet.