100 books like The Villa Ariadne

This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).

Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.

You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.

Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.  

This book is a gem for lovers of Greece and of superlative English prose.

For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.

His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.   

Clift creates a sympathetic and highly informative picture of the islanders of Kalymnos in Greece’s Dodecanese.

She lived here with her family in the 1950s, when the island’s males made their dangerous living from diving for sponges. Clift brilliantly captures the suspended animation of the families left behind by the diving fleet, loved ones who could only hope that fathers and sons would return alive and intact.

I’m familiar with today’s Kalymnos, its port choc-a-bloc with tourist boats. It’s salutary to be reminded of the hardships of traditional island life and how modern tourism can be a benefit, not a blight.

This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.

I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.

The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.

I first read this book as a young teenager who was fascinated by Greek Myth. It made Theseus my favorite of all the Greek heroes. He tells his epic life story in the first person from his return to Athens.

Weaving myth and history in an exciting way, I found it absorbing how the author turned the archaic world alive with characters from myth, becoming believable people with flesh and blood. Mary Renault is recognised as one of the greatest fiction writers of the ancient world.

Palace of King Minos at Knossos on Crete seized the imaginations of scores of modernist writers, artists, psychoanalysts, and philosophers as wealthy English archaeologist Arthur Evans had its ruins disinterred and reconstructed with reinforced concrete, a novel building material in the early twentieth century. Evans' imaginative palace complex is today mobbed by tourists (I recommend going off-season in January, as I did) who revere the Aegean as the birthplace of Civilization. Gere ties it in to Modernist projects rejecting Victorian overstuffed ornamentations in favor of supposed ancient purity. Her fascinating documentation of culture leaders from Freud to Le Corbusier buying into Evans' myth of an idealized past embeds archaeology in arts and humanities fashions that still confuse speculation with history.

I love this tale narrated by a young academic who teams up with an exuberant, older working man named Zorba, “a passionate lover of wine, women and song” ...and dance. The younger man is more of a staid introvert. They are in a village in Crete to develop a mine. Their interactions are both amusing and philosophical. This contrasts with one horrific event where the appalled narrator struggles to understand the village’s moral codes which conflict with his own. In the final scene as he comes out of his shell, he asks Zorba to teach him to dance.

This is one of my favorite all-time novels. Kazantzakis words are to be savored.

I found The Moon-Spiners through a Disney movie of the same name (book was better). When I found out it was also a book, I went hunting at my local library and fell in love with the way Stewart immediately pulled me into her stories, evoking awe, fear, laughter ,and romance. She wafted me away to exotic places, and into exciting and romantic adventures with strong female characters. I went on to read all her books, even the Arthurian ones, but her romantic suspense books remain my favorites and the ones I turn to when I need a comfortable visit with old fictional friends. 

Simon Raven had a marked fascination for the supernatural that first manifested in an early novel Doctors Wear Scarlet, which was cited by Karl Edward Wagner (himself an award-winning American writer, poet, editor and publisher of horror and writer of numerous dark fantasy and horror stories), as one of the thirteen best supernatural novels. The story is set against Raven’s customary background of academia and University life and has a distinctly macabre and spine-chilling theme. It starts harmlessly enough with a young man’s infatuation for a beautiful Greek girl, but Chriseis is no ordinary holiday love affair; three friends track down their missing companion across the Aegean, where it becomes increasingly obvious that their relationship is strange to say the least. Despite dispatching Chriseis in the remote mountains of Crete and not without cost to themselves, the missing scholar is returned to his University – but the curse of… show more.

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.