Fans pick 100 books like The Villa Ariadne

This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).

Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.

You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.

Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.  

This book is a gem for lovers of Greece and of superlative English prose.

For me the book is far and away the best evocation of a wild and remote part of Greece that I got to know and treasure when tramping through its olive fields in search of ancient inscriptions. Leigh Fermor was incapable of writing a dull sentence.

His imagination allied with what he observed himself in his wanderings combine to bring out all the strangeness of Mani’s history of brigands and vendettas, of villages bristling with defensive towers and of fishermen descended—perhaps—from Byzantine emperors.   

Clift creates a sympathetic and highly informative picture of the islanders of Kalymnos in Greece’s Dodecanese.

She lived here with her family in the 1950s, when the island’s males made their dangerous living from diving for sponges. Clift brilliantly captures the suspended animation of the families left behind by the diving fleet, loved ones who could only hope that fathers and sons would return alive and intact.

I’m familiar with today’s Kalymnos, its port choc-a-bloc with tourist boats. It’s salutary to be reminded of the hardships of traditional island life and how modern tourism can be a benefit, not a blight.

This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.

I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.

The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.

I know the value of visiting the sites of battle, even decades or centuries after the event. A sense of topography and space acquired in situ can provide insights in ways that pages, maps, and screens cannot. Yannis Prekatsounakis is a native of Heraklion. His book is infused with his own intimate sense of the place where a crucial part of the Battle of Crete raged. 

Prekatsounakis, for good reason, laments that the works of many historians on the Battle of Crete lack Greek perspectives. While he delivers them in abundance here, he weaves them with narratives and accounts of German and Allied participants as well. I love the abundance of maps and photographs that complement the author’s own heightened sense of place. 

For me, the standout history of the Battle of Crete to this day remains this book, first published back in 1966. Stewart was able to bring his own experience of the war to bear–he had served as a medical officer with a British unit and witnessed with his own eyes the spectacular airborne German invasion.

This is not, however, a first-hand battle account but rather the beautifully crafted result of six years of research drawing on voluminous first-hand accounts, archival sources, and histories. I am drawn to the compelling descriptions of battle while also appreciating the skill with which the author places the Battle of Crete in its wider political and strategic context. 

I first read this book as a young teenager who was fascinated by Greek Myth. It made Theseus my favorite of all the Greek heroes. He tells his epic life story in the first person from his return to Athens.

Weaving myth and history in an exciting way, I found it absorbing how the author turned the archaic world alive with characters from myth, becoming believable people with flesh and blood. Mary Renault is recognised as one of the greatest fiction writers of the ancient world.

Palace of King Minos at Knossos on Crete seized the imaginations of scores of modernist writers, artists, psychoanalysts, and philosophers as wealthy English archaeologist Arthur Evans had its ruins disinterred and reconstructed with reinforced concrete, a novel building material in the early twentieth century. Evans' imaginative palace complex is today mobbed by tourists (I recommend going off-season in January, as I did) who revere the Aegean as the birthplace of Civilization. Gere ties it in to Modernist projects rejecting Victorian overstuffed ornamentations in favor of supposed ancient purity. Her fascinating documentation of culture leaders from Freud to Le Corbusier buying into Evans' myth of an idealized past embeds archaeology in arts and humanities fashions that still confuse speculation with history.

I love this tale narrated by a young academic who teams up with an exuberant, older working man named Zorba, “a passionate lover of wine, women and song” ...and dance. The younger man is more of a staid introvert. They are in a village in Crete to develop a mine. Their interactions are both amusing and philosophical. This contrasts with one horrific event where the appalled narrator struggles to understand the village’s moral codes which conflict with his own. In the final scene as he comes out of his shell, he asks Zorba to teach him to dance.

This is one of my favorite all-time novels. Kazantzakis words are to be savored.

I loved this book because it made me feel like I was there, living in the Cretan White Mountains in the 1960s on a very tight budget, surrounded by magnificent Greek countryside, and eating local foods. I have visited Crete several times and found the kindness, friendliness, and philoxenia- hospitality shown to strangers by the locals is still true of the Cretan people today.

This is a beautiful and truly memorable read. If you ever wondered what it would be like to go and live in the mountains of Greece, this book will make you feel like you have done just that. I want to go back just thinking about it.