60 books like The Bull from the Sea

The book is a perfect work of art and undeniable truth.

It is the most important German novel about the First World War. It is the book for the Oscar-winning Netflix movie. With this novel, Erich Maria Remarque established his worldwide fame and created a timeless image of the horrors of modern war.

The story of nineteen-year-old Paul Bäumer, who goes from his school desk to the front lines as an unsuspecting war volunteer, is now common knowledge.

Re-reading it, however, is still shocking: how Bäumer, instead of the hoped-for excitement of war and a brief adventure, experiences the full brutality of slaughter and the senseless deaths of his comrades is both touching and outrageous.

This is a crime novel set in 1919 Calcutta. We follow Captain Sam Wyndham, who is a former Scotland Yard detective seeking a fresh start after the emotional wounds following WWI and the death of his wife.

When a senior official is murdered, he doesn't hold back during his search from British mansions to seedy opium dens with his new sidekick, Sergeant Banerjee. Rising tensions, the clash of societies, the heat, dirt, and crowding all contribute to bringing this colorful period to life.

This is the debut novel and the first in a remarkably well-told series so interesting I found it impossible to put down. 

The author does a huge amount of detailed research in his books, and I can escape into all of them because he makes the past come alive.

Marco Polo was nicknamed "Marco of the millions" on his return from the East due to his unbelievable stories. Lying on his death bed, he confessed, "I have not told the half of what I saw and did!" and I can believe that.

This superb read takes me from Venice's back streets and the dangers of the Silk Road to the Kublai Khan court. All the historical accuracy brings the past to life. It can be explicit in parts, giving it an X movie rating.  

I enjoyed this from the very first page because it brought to me the nostalgia of a past era. It is so well constructed and a refreshing subject that brings the Madrid of 1868 to life.

Jaime Astarloa is the aging, old-school fencing master and survivor of duels who prides himself on loyalty and honor with an obsession to create the perfect sword thrust but is now aware of his physical decline.

When the cunning Adela de Otero appears as a worthwhile opponent who wants to learn from Jaime, he finds himself caught up in political intrigues where his old-time values have no substance. I found it hard to put it down.    

Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.

What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.

To fathom the mystery of consciousness, one needs to be ready to violate the entrenched convictions of conventional mindscience and let your mind roam freely over more inventive and limber perspectives.

Such as the literary inventions of Jorge Borges. His short stories/essays (it’s never really clear which category is more appropriate) are all wildly creative and astute models of sentience. I learned more about consciousness from “The Library of Babel,” “Tlön," Uqbar, Orbis Tertius,” and “The Lottery of Babylon” than I did from any neuroscience text.

When you’re in the mood for pure adventure-driven fantasy with a noble, troubled hero beleaguered on all sides, this is the one to pick up. Going back to when I first read about Theseus in grammar school and all the way through my Dungeons & Dragons years, I have always thought that minotaurs were cool and full of untapped potential. Herein lies the tale that proves I was right. It will evolve your feeling about minotaurs from mindless beasts in the labyrinth to courageous knights of quality and mettle. Don’t worry about the massive scope of the Dragon Lance Chronicles, this one can be read on its own.

This book is about being brave. You know when a problem grows into a huge scary monster, right? It’s got you cornered and you don't think you'll ever get out alive, but with the right attitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s more grown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushes mortals and eats them for breakfast, we step into a monstrous virtual world created by Phoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next. Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work out his issues with his dad, because every one of us has to face the same difficult world and be courageous about it.

Okay, I’m stretching the friendship here with another series but this quartet by Sarah Douglass was different to other books I had read at the time.

Book 1 introduces you to a myriad of characters and begins with the myth of Theseus and the minotaur including Ariadne. Very important to know the background as the story unfolds. I loved this series. It was so unexpected as the characters are reborn into different eras and the traits of each character change as you follow them from one time period to another.

The amount of historical detail in each book was a winner for me, as was the mythology included throughout the series, from ancient Greece to ancient Britain.

Greek tragedy is similar to fantasy except for matters of form (e.g. the chorus). Euripides was a startlingly modern playwright, especially when it comes to psychology.

Heracles can be portrayed as a monstrous monster-slayer (I’m looking at you, Sophocles), but in Euripides he’s noble, brave, and domestic. He performs his labors because he’s the kind of guy to use his powers for good.

Hera, being a jealous jerk, drives him mad; Madness herself is unenthusiastic about the whole affair, recognizing that Heracles has made the world a better place.

But insane Heracles knows that he’s murdering innocent people. Is that who he really is? Is it all Hera’s fault?