Here are 100 books that Hades' Daughter fans have personally recommended if you like
Hades' Daughter.
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In my teens, I read a book by Charles Berlitz titled Atlantis: the lost continent. I was enthralled and fascinated about this lost race of people, who were technically and sophisticated advance society and on one fateful day, vanished. My appetite for Greek mythology and ancient history grew from there, and I wanted to learn more about various ancient cultures and their mythologies. I eventually studied ancient history and continue my education as new archaeological discoveries and advancements are made. It wasn’t until a trip to Europe and seeing the Roman Forum and Colosseum, that I was inspired to write and combine my love for mythology and ancient history into historical fiction fantasy.
I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.
The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.
It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.
Three lives will change the destiny of nations. Hellkaon, the young prince of Dardania, haunted by a scarred and traumatic childhood. The priestess Andromache, whose fiery spirit and fierce Independence threatens the might of kings. And the legendary warrior Argurios, cloaked in loneliness and driven only by thoughts of revenge. In Troy they find a city torn apart by destructive rivalries - a maelstrom of jealousy, deceit and murderous treachery. And beyond its fabled walls blood-hungry enemies eye its riches and plot its downfall. It is a time of bravery and betrayal; a time of bloodshed and fear. A time…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
In my teens, I read a book by Charles Berlitz titled Atlantis: the lost continent. I was enthralled and fascinated about this lost race of people, who were technically and sophisticated advance society and on one fateful day, vanished. My appetite for Greek mythology and ancient history grew from there, and I wanted to learn more about various ancient cultures and their mythologies. I eventually studied ancient history and continue my education as new archaeological discoveries and advancements are made. It wasn’t until a trip to Europe and seeing the Roman Forum and Colosseum, that I was inspired to write and combine my love for mythology and ancient history into historical fiction fantasy.
Fatherland was the first book I read by Robert Harris and from then on, I’ve read all his books except his latest publication.
The novel is an alternative history narrative, the plot a murder mystery set in Nazi Germany in the 1950s. Yes, you read that right. What if Hitler won World War 2? The allies have negotiated a treaty with Hitler and the world is a very different place.
The main character, Xavier March, a detective of the Kriminalpolizei, investigates the death of an old man and as he delves into the murder, he discovers a conspiracy that involves the Gestapo.
I’ve recommended this book to friends and colleagues and all have enjoyed the story. While the setting is more contemporary than the other four titles, this is definitely worth reading.
_________________________ 'The highest form of thriller . . . non-stop excitement' The Times
NOW AVAILABLE: THE SECOND SLEEP, ROBERT HARRIS'S LATEST NOVEL _________________________
What if Hitler had won the war?
It is April 1964 and one week before Hitler's 75th birthday. Xavier March, a detective of the Kriminalpolizei, is called out to investigate the discovery of a dead body in a lake near Berlin's most prestigious suburb.
As March discovers the identity of the body, he uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind,…
In my teens, I read a book by Charles Berlitz titled Atlantis: the lost continent. I was enthralled and fascinated about this lost race of people, who were technically and sophisticated advance society and on one fateful day, vanished. My appetite for Greek mythology and ancient history grew from there, and I wanted to learn more about various ancient cultures and their mythologies. I eventually studied ancient history and continue my education as new archaeological discoveries and advancements are made. It wasn’t until a trip to Europe and seeing the Roman Forum and Colosseum, that I was inspired to write and combine my love for mythology and ancient history into historical fiction fantasy.
I included this book due to the historical research that went into writing this story.
Pompeii is told from the POV of a young engineer who takes over the maintenance of the reservoir that brings water to the city and has run dry. Young Attilius needs to determine how and why. The narrative highlights the months and weeks ahead of the devastating eruption that destroyed Pompeii, Herculaneum, and Stabiae.
Attilius faces corruption as he navigates the treacherous path to discovering the truth of the city’s impending doom and those who seek to reap financially from the city’s demise.
'A stunning novel . . . the subtlety and power of its construction holds our attention to the end' The Times
During a sweltering week in late August, as Rome's richest citizens relax in their villas around Pompeii and Herculaneum, there are ominous warnings that something is going wrong. Wells and springs are failing, a man has disappeared, and now the greatest aqueduct in the world - the mighty Aqua Augusta - has suddenly ceased to flow . . .
Through the eyes of four characters - a young engineer, an adolescent girl, a corrupt…
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience.
AN EPIC BATTLE THAT LASTED TEN YEARS. A LEGENDARY STORY THAT HAS SURVIVED THOUSANDS.
'An inimitable retelling of the siege of Troy . . . Fry's narrative, artfully humorous and rich in detail, breathes life and contemporary relevance into these ancient tales' OBSERVER
'Stephen Fry has done it again. Well written and super storytelling' 5***** READER REVIEW ________
'Troy. The most marvellous kingdom in all the world. The Jewel of the Aegean. Glittering Ilion, the city that rose and fell not once but twice . . .'
When Helen, the beautiful Greek queen, is kidnapped by the Trojan prince Paris,…
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
If a racially diverse, gender-bending, often raunchy, always nuanced, new take on an old tale sounds like a good read to you, then pick up this “novel-in-parts.” Both the racial and sexual fullness reflect historical reality, although they’ve ordinarily been left out. Retelling the Trojan War from its early causes to its tragic but still hope-infused end, the authors gave this rendition a compelling depth that will make you savor the old tradition with some new spice on your tongue.
Troy: city of gold, gatekeeper of the east, haven of the god-born and the lucky, a city destined to last a thousand years. But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings . . . and these are their stories.
A young princess and an embittered prince join forces to prevent a fatal elopement.
A tormented seeress challenges the gods themselves to save her city from the impending disaster.
I write fiction set in the Bronze Age world of the Trojan War and the Hittite Empire. I love to combine history and archaeology with magic and fantasy arising from the ancient beliefs of this period. My novels bring women to the fore—whether the captive Briseis or a remarkable Hittite queen lost to human memory until recently. Armed with degrees in Classics, I have spent too much time exploring the remains of the ancient Greeks and Hittites through travel and research. From the beginning, the Trojan War tradition has left room for many variations. Here are five entirely different “takes” on this iconic war—all masterfully written.
Margaret George is a preeminent writer of historical fiction—big, authoritative novels focusing on remarkable, famous people, as her 2006Helen of Troydemonstrates. She covers Helen’s life from girlhood through the Trojan War and back to Sparta. She builds a full depiction of ancient Greek life, which always makes me happy, but George is most compelling with her characters. George’s interpretations often break with tradition, and that is true for Helen and Paris. Helen disdains her extraordinary beauty and must grow into visionary insights and outsized passions with guidance from the gods. If you want a genuinely heroic Paris (not his usual wimpiness) and a couple who cleave to each other to the end, this is the Helen book for you. George’s skill holds your attention through it all.
Acclaimed author Margaret George tells the story of the legendary Greek woman whose face "launched a thousand ships" in this New York Times bestseller.
The Trojan War, fought nearly twelve hundred years before the birth of Christ, and recounted in Homer's Iliad, continues to haunt us because of its origins: one woman's beauty, a visiting prince's passion, and a love that ended in tragedy.
Laden with doom, yet surprising in its moments of innocence and beauty, Helen of Troy is an exquisite page-turner with a cast of irresistible, legendary characters-Odysseus, Hector, Achilles, Menelaus, Priam, Clytemnestra, Agamemnon, as well as Helen…
I became enthralled by the ancient world when as a child I first saw those sand and sandals movies back in the sixties, Ben Hur and Spartacus especially. I began learning Latin aged nine and Greek aged twelve. I started a Ph.D., abandoned it, went to drama school, became a schoolteacher, worked as a professional gardener, became a schoolteacher again, eventually finished my Ph.D., and was lucky to get a job at Colgate University. Over time I realised that what really fascinated me about history was trying to insert myself imaginatively into the ancient world, so I began to ask questions about what it was like to be disabled, to be a refugee, to be a child, and so on.
This book made a deep impact on me when I first read it decades ago and it influenced me in the way I try to understand and write history to this day. I’d already read The Odyssey when I encountered Finley’s book, but Finley made me believe in a world that became real despite being imaginary. The World of Odysseus is an amalgam of the half-remembered world in which it is set – the twelfth century BC – and of the world in which Homer was composing – the eighth century BC – and of the big gap in between the two, known as the Dark Ages.
It’s a completely artificial world but it’s wholly convincing and coherent – a world, incidentally, dominated by a large cast of formidable women. Finley provides by far the best introduction to it, and he writes in an engaging, unpedantic, highly accessible, and informative…
The World of Odysseus is a concise and penetrating account of the society that gave birth to the Iliad and the Odyssey--a book that provides a vivid picture of the Greek Dark Ages, its men and women, works and days, morals and values. Long celebrated as a pathbreaking achievement in the social history of the ancient world, M.I. Finley's brilliant study remains, as classicist Bernard Knox notes in his introduction to this new edition, "as indispensable to the professional as it is accessible to the general reader"--a fundamental companion for students of Homer and Homeric Greece.
I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.
This book explores many important, controversial aspects of Heinrich Schliemann's Trojan searches in the second half of the 19th century. The reading is very interesting both to deepen the details of that archaeological discovery, considered one of the most important of the nineteenth century, and to better understand the controversial figure of Schliemann, who in addition to his great merits also presents some not small shadows.
Using correspondence and diary entries, the author recounts the personal and professional life of the archaeologist and exposes an unscrupulous individual who distorted facts and made false claims about some of his discoveries.
I’m an Egyptologist by training and a storyteller by nature. Fascinated by the origins of patriarchy since I was a small girl raised by strong women in a patriarchal context, I turned to Greek and Roman history for answers. I earned an MA and a richer understanding of the civilizations that influenced the classical period, which led to the study of Egypt and Mesopotamia and finally to a Ph.D. in Egyptology. At heart, I’m more creative than scholar. Telling stories that bring ancient Egypt to life and leave readers better informed of the challenges women have faced, and sometimes overcome, is my passion.
This one hooked me from the first words: “Sing, Muse.”
I always enjoy the wit Haynes brings to her work. And I love how this book pulls the reader into so many different points of view, creating a sweeping narrative. The craft of this one left me a bit stunned.
Plus, war is so often told as a man’s adventure. Here, Haynes shows the cost to women who are abandoned, enslaved, and widowed. As retellings go, this is a unique and clever reimagining.
In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective, for fans of Madeline Miller and Pat Barker.
This was never the story of one woman, or two. It was the story of them all . . .
In the middle of the night, a woman wakes to find her beloved city engulfed in flames. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen.
From the Trojan women whose fates now lie in the hands…
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