100 books like Helen of Troy

Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.

It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.    

Carosella offers another, refreshing take on Helen. This Helen takes control of her life and tries to defy fate (and the gods do their darndest, as usual in Greek mythology, to make her and everyone else miserable). Carosella’s engaging novel develops the characters’ jealousies, passions, and loyalties, as well as bringing the reader directly into the ancient Greek world. I enjoyed the sense of interconnectedness between different parts of this Greek and Mediterranean world, Troy, Sparta, Egypt, Mycenae, and Athens. This accurately reflects the current understanding of this exotic world. I appreciate a flexible view of all the legendary mythology surrounding this iconic war, and Carosella has flexed some impressive muscle.

If a racially diverse, gender-bending, often raunchy, always nuanced, new take on an old tale sounds like a good read to you, then pick up this “novel-in-parts.” Both the racial and sexual fullness reflect historical reality, although they’ve ordinarily been left out. Retelling the Trojan War from its early causes to its tragic but still hope-infused end, the authors gave this rendition a compelling depth that will make you savor the old tradition with some new spice on your tongue.

I found this vivid retelling of the Trojan War, based on the Iliad and the Odyssey from prominent and less-known women, interspersed with Calliope's commentary, engaging and relatable. Natalie Haynes, the author of other Homer-inspired stories, tells it skillfully and from a feminist POV. I enjoyed reading this well-crafted book elevating the voice of women based on original works that promote male heroes. Wonderful world-building!

Incidentally, the author has an interesting background, a Cambridge education in classics, a career with the BBC and another as a comedian. I also enjoyed interviews, speeches and material related to Haynes (utube) whose writing is fluid and relatable.

I’m cheating a little here by recommending a trilogy but this was one of the best historical fiction I’ve read.

The series is about Prince Aeneas and the legendary story of the war between the Trojans and the Greeks. David Gemmell sets the scene prior to war from the POV of Aeneas, who was regarded as pirate but as the story progresses you learn more about his actions and why he keeps roaming the sea.

It is full of action and stays true to the unfolding drama of the Trojan War. For me, the historical backdrop and the research the author included was one of the main reasons this series wins.

As a historian I have often felt the need to get to grips with the basis of western mythical-historical writing, meaning—Homer. After reading Mythos, I couldn’t resist reading Fry’s second book of his Greek mythology trilogy, and I was rewarded! Despite the often-confusing flood of Greek names of gods, Titans, divine mortals, etc. you can’t help enjoying this exciting read of Paris’ abduction of Helen of Sparta. As usual, Fry’s erudition is combined with side-splitting humor and wit. He has the brilliance to bring alive the ancient classical Homer’s Iliad to a modern-day audience. 

“Mythology, Shakespeare, Cthulhu, oh my!” Not as well-known as his most famous sci-fi work, Hyperion, Dan Simmon’s Ilium is just as impressive. The book bounces back and forth between characters of Greek myth reenacting the events of the Trojan War on the Martian plains, humans reawakening to their purpose on a post-apocalyptic Earth, and a pair of philosophizing robots, all in the shadow of a dark god coming to devour them all. The first in a duology, Ilium weaves its disparate storylines to a climax where readers solve the riddle of how it is that Lovecraft’s monsters are living alongside Shakespeare’s characters and Homer’s epic poem in a world that has suffered a mysterious cataclysm. Any reader of mythology and literary allusion in their speculative fiction will hungrily devour this book. 

I was so excited when this book hit the shelves because the back cover copy read like it would be an adult version of Nobody’s Princess. They are very different books, but this one had the magic of interconnecting myths I craved.

Clytemnestra is featured as a dual protagonist, which was a bonus because I have never seen books that strongly feature Helen’s sister. It delves into the sisters' childhood and follows them through their adulthood into the Trojan War.

I loved how the book morphed from an almost fairy tale feel to a tragedy that perfectly captured the sense of frustration, helplessness, and devastation of the women embroiled in the Trojan War. 

Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseus’ ten-year (a-hem) odyssey was an outlier.

You can read this as the first great traveller’s tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.

Emily Wilson’s translation really can’t be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.

This book made a deep impact on me when I first read it decades ago and it influenced me in the way I try to understand and write history to this day. I’d already read The Odyssey when I encountered Finley’s book, but Finley made me believe in a world that became real despite being imaginary. The World of Odysseus is an amalgam of the half-remembered world in which it is set – the twelfth century BC – and of the world in which Homer was composing – the eighth century BC – and of the big gap in between the two, known as the Dark Ages.

It’s a completely artificial world but it’s wholly convincing and coherent – a world, incidentally, dominated by a large cast of formidable women. Finley provides by far the best introduction to it, and he writes in an engaging, unpedantic, highly accessible, and informative… show more.