Here are 100 books that The Ecology of Freedom fans have personally recommended if you like
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Full disclosure: I am a fantasy world nerd! I treasure my visits to these imaginary places, and I love imagining how the world goes on after the last page. I’ve spent hours pondering what would happen in Narnia after the invention of the internal combustion engine, or in Middle Earth when populations reach levels requiring building codes and infrastructure planning. (I told you I was a nerd!) Advancing fantasy technologies creates new problems, new solutions, and new parallels to our own time. The books on this list redefine our assumptions of what a fantasy world is, and what stories they have to share.
I’m a sucker for fantasy blended with industrial strife. In Michael Swanwick’s Jane, we see a character trapped in an industrialized fairy-world, forced to work in a factory building bio-mechanical dragons. The Iron Dragon’s Daughter blends biting social commentary with a thoughtful coming-of-age narrative, resulting in a powerful story that’s accumulated a stack of award wins and nominations.
Named a NEW YORK TIMES notable book of 1994, THE IRON DRAGON'S DAUGHTER tells the heartrending story of a changeling child who is kidnapped to a realm of malls and machines and enslaved in a vast, infernal factory. Ultimately she escapes and attempts to educate herself about this alien world, while being tormented by visions of the life she was denied.
In a sense, I have been working on the material for my book, Life, Death, and Other Inconvenient Truths, for my entire life. The 38 short chapters that comprise it span a range of topics: alphabetically, from ambition and anxiety, through love and mathematics, to war and youth. For whatever it is worth, I have had first-hand experience (in three languages, on three continents) learning, researching, teaching, enjoying, suffering, and fighting — in other words, living — all but one of them (the exception is one that technically cannot be lived through, but can still be pondered and written about). My five recommendations reflect this life-long interest in the human condition, which I am excited to share with you.
Can a society as mired in misery and oppression as ours be helped by a few well-intentioned “progressors” from another world? You land in secret, wielding godlike powers (remember Clarke’s Third Law: any sufficiently advanced technology is indistinguishable from magic) and possessing a perfect understanding of sociology and historical dynamics, only to find how hard it is to be a god. What would you do?
Anton is an undercover operative from future Earth, who travels to an alien world whose culture has not progressed beyond the Middle Ages. Although in possession of far more advanced knowledge than the society around him, he is forbidden to interfere with the natural progress of history. His place is to observe rather than interfere - but can he remain aloof in the face of so much cruelty and injustice ...?
Arshin Adib-Moghaddam is Professor in Global Thought and Comparative Philosophies at SOAS University of London and Fellow of Hughes Hall, University of Cambridge. Among over a dozen honorary appointments all over the world, Adib-Moghaddam is the inaugural Director of the SOAS Centre for AI Futures.
First published in 1947, this iconic book of the “Frankfurt School” could not be a study of AI and 21st-century technologies per see.
Instead it is a phantasmic explainer of how the mistakes of the past impinge on our humanity and the prospects for a better future. "What we had set out to do," Adorno and Horkheimer famously wrote in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."
With spectacular erudition, the authors clearly show how the terror regime of the Nazis was rooted in the nefarious legacies of enlightenment Europe and its obsession with racial purity. As such, Adorno and Horkheimer presaged why it is that our polluted history feeds into racist AI technologies: Bad data, Adorno and Horkheimer would agree, produces bad outcomes.
Dialectic of Enlightenment is undoubtedly the most influential publication of the Frankfurt School of Critical Theory. Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "What we had set out to do," the authors write in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."
Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle…
Like my narrator Maggie, I was a child, then a teen wandering the woods and dreaming of a life. I’ve always hated those books/TV shows/films where women, especially young women, are helpless and reliant on a man to get them out of trouble. I gravitate toward stories where females figure out their own paths, not always to a happy ending. I’m still a wanderer today, mostly solo, from New York City to the vast Highlands of Scotland, and while the world can seem scary, I’m confident and free on my own.
This is an incredibly intricate book, braiding many strands together to tell the story of people who “might be going to have lived a long, long time from now in Northern California.” One thread tying it all together is Stone Telling, a young girl caught between her mother’s rich tribal life and the militaristic city life of the man who is her father. She tells him, “I am a woman, and make my own choices,” but learns that is not the case in the land of the Condors. Her story illuminates two of the many ways to be human. (I’m re-reading this now.)
An "ethnographic" novel that portrays life in California's Napa Valley as it might be a very long time from now, imagined not as a high tech future but as a time of people once again living close to the land.
I’m fascinated by the obsession that we as a society have with making policy, but not whether policy works, and how policy is treated as a magic bullet to the social problems that we all care about. But my experience is that it’s not ideas that solve problems; it’s action that solves problems. This fascination has led me to become a professor of public policy and administration, where I have read extensively about this issue for over a decade and written two books and over four dozen articles. My work focuses on how ideas are translated into actions and how those actions impact our communities.
I really love this book because it’s a pure case study of why things often go wrong at the street level.
While it’s set in the mid-60s, a lot of the social and political themes are still relevant, so it begs the question of how much government has changed in the last half-century.
I really like that the authors explore this case without being too heavy-handed in why things went wrong; they just try to tell the story and work through it along with the reader. And you got to love that title!
Three substantial new chapters and a new preface in this third edition explore and elaborate the relationship between the evaluation of programs and the study of their implementation. The authors suggest that tendencies to assimilate the two should be resisted. Evaluation should retain its enlightenment function while the study of implementation should strengthen its focus on learning.
I’ve been reading queer fiction for, well, I guess about 50 years. First, brilliant novels by James Baldwin, Virginia Woolf’s Orlando, and cheesy lesbian pulp novels. In the eighties, feminist presses and a wealth of new queer literature sprung into existence. It’s easier now to find great queer fiction, if you dig a little. My approach is to read widely, all kinds of authors, from all kinds of backgrounds. So the whole idea of a “best 5” is hard for me to get my mind around. I could have listed 25 more. Thank you for reading!
I can’t resist a book set in Oakland, very near to where I live.
I also love a novel that tells deep truths, and Nightcrawling does that, showing the horrors of police abuse and the failures of the justice system. However, this book isn’t “trauma porn.” On every page, protagonist Kiara owns her story, drives her agency, makes the best choices she can in the moment, and loves with a huge heart.
The way she finds her way to queer love is organic and beautiful.
NEW YORK TIMES BEST SELLER • AN OPRAH BOOK CLUB PICK • BOOKER PRIZE LONGLIST • A dazzling novel about a young Black woman who walks the streets of Oakland and stumbles headlong into the failure of its justice system. This debut of a blazingly original voice “bursts at the seams of every page and swallows you whole” (Tommy Orange, author of There There).
A BEST BOOK OF THE YEAR: The New Yorker, The Washington Post, Los Angeles Times, San Francisco Chronicle, TIME, GOODREADS
Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called…
I am a lifelong fan of science fiction, and especially all things time travel. However, I do get annoyed by time travel stories where the time travel is never really explained or it’s just reduced to a magical vehicle for the story setting. I want my science fiction to ask the big questions of humanity. I have a PhD in history and theology, and in my research for my book From Star Wars to Superman, I combined a lifetime of enjoying science fiction and time travel with a career studying those big philosophical questions, and I’ve come to the conclusion that true sci-fi has to be thought-provoking.
Another time travel story that doesn’t stay within the “safe” realm.
The author dares to get into some interesting questions. If you like your sci-fi mixed with an element of mystery, this book is a great example of that. Anyone who liked The X-Files or Lost would love this book.
In the skies over Oakland, California, a DC-10 and a 747 are about to collide. But in the far distant future, a time travel team is preparing to snatch the passengers, leaving prefabricated smoking bodies behind for the rescue teams to find. And in Washington D.C., an air disaster investigator named Smith is about to get a phone call that will change his life...and end the world as we know it.
When I was young and just figuring out the whole gay thing, I had to cross state lines to see the one gay movie and smuggle out the one library book I was too afraid to check out. In the 1970s and 80s I grew up knowing I was part of a group that was rarely talked about, aside from jokes. I've enjoyed so many stories that didn't represent me. If the struggle is real, I want to see, hear, and feel the whole messy bunch of it. I like the uncomfortable process of writing, and make promises that I later break: I can always tone this part down later…and then I never do.
I loved this book because it was the ultimate slow-burn romance coupled with an older woman coming out story, which was truly original at the time. As is almost always the case, the novel is better than the movie, but this one brilliantly made the transition to the film renamed Desert Hearts, which was helped by the amazing chemistry between the actresses and a director that did not shy away from sex scenes which were both graphic, yet beautiful.
Set back in the 1950s, this sizzling & heartwarming matchup is the trifecta of opposites attract: class, age, and attitude towards coming out, this book was a romance with substance, sprinkled with a bit of comedy, my favorite recipe.
Set in the late 1950s, this is the story of Evelyn Hall, an English Professor, who goes to Reno to obtain a divorce and put an end to her disastrous 16-year marriage. While staying at a boarding house to establish her six-week residency requirement she meets Ann Childs, a casino worker and fifteen years her junior. Physically, they are remarkably alike and eventually have an affair and begin the struggle to figure out just how a relationship between two women can last.
Desert of the Heart examines the conflict between convention and freedom and the ways in which the characters…
Born in Texas, raised in Colorado, I’ve always had one foot in the working cowboy world and the other in the Rocky Mountains. I’m a member of the Western Writers of America, and I’ve summited all 54 fourteen-thousand foot peaks in Colorado. For a number of years, I worked with horses at a therapeutic riding center, as a barn manager. After that, I worked as an equine veterinary assistant, driving around with the vet in a pickup truck to doctor horses. Following that, I pursued the arts. Over the years, I’ve recorded and performed western/folk music (find me on Bandcamp), acted in western films (check my YouTube channel), and written western novels (Sunbury Press/Milford House).
I’ve been to the Tomboy Mine. All that’s left of the camp are old foundations in a rocky basin above timberline, surrounded by high peaks, 3,000 feet above Telluride. The only gold left behind is in the rich hues of a Colorado sunset. While the Tomboy may be gone, it’s the same view Harriet Fish Backus saw every day. Life at a remote mountain mine was full of “mishaps and makeshifts,” and she kept a diary of daily events. Nothing she writes is a dull description, nor is it the soaring purple prose of Victorian-era romanticism. Her account of mining life in 1906, from a woman’s perspective, detailing daily routines, friendships, and fears, is invaluable as a western author, to create believable female characters in the Old West.
A Colorado favorite, Tomboy Bride presents the first-hand account of a young pioneer woman and her life in a rough and tumble mining town of the Old West.
In 1906 at the age of twenty, Harriet Fish hopped on a train from Oakland, California, to the San Juan Mountains of Colorado in search of a new life as the bride of assayer George Backus. Together, the couple ventured forth to discover mining town life at the turn of the twentieth century, adjusting to dizzying elevation heights of 11,500 feet and all the hardships that come with it: limited water, rationed…
I’m a foodie at heart and grew up working in a family restaurant. I currently live in Los Angeles, where I’m delighted to have access to all sorts of edible goodies. As a writer, I insert food into my books, specifically in my culinary cozy mysteries, which have murder—and recipes! I also adore the idea of the fantastical; as a kid, I often created entire imaginary worlds during playtime. I’m happy to combine both loves in my newest series, the Magical Fortune Cookie books.
My friend recommended this book to me since I wanted to learn more about the Indian culture. I enjoyed discovering the different spices tied to each chapter.
In the beginning, there was a beautiful mythological backstory to becoming a Spice Mistress, which I found both inventive and fascinating. I also related to the emotional heart of Tilo, who flaunted the rules of her magic by helping those around her (including an exciting love interest).
A classic work of magical realism, this bestselling novel by Chitra Banerjee Divakaruni tells the story of Tilo, a young woman from another time who has a gift for the mystical art of spices.
Now immortal, and living in the gnarled and arthritic body of an old woman, Tilo has set up shop in Oakland, California, where she administers curatives to her customers. But when she's surprised by an unexpected romance with a handsome stranger, she must choose between everlasting life and the vicissitudes of modern society. Spellbinding and hypnotizing, The Mistress of Spices is a tale of joy, sorrow,…
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