100 books like Hard to Be a God

I’m a sucker for fantasy blended with industrial strife. In Michael Swanwick’s Jane, we see a character trapped in an industrialized fairy-world, forced to work in a factory building bio-mechanical dragons. The Iron Dragon’s Daughter blends biting social commentary with a thoughtful coming-of-age narrative, resulting in a powerful story that’s accumulated a stack of award wins and nominations. 

First published in 1947, this iconic book of the “Frankfurt School” could not be a study of AI and 21st-century technologies per see.

Instead it is a phantasmic explainer of how the mistakes of the past impinge on our humanity and the prospects for a better future. "What we had set out to do," Adorno and Horkheimer famously wrote in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."

With spectacular erudition, the authors clearly show how the terror regime of the Nazis was rooted in the nefarious legacies of enlightenment Europe and its obsession with racial purity. As such, Adorno and Horkheimer presaged why it is that our polluted history feeds into racist AI technologies: Bad data, Adorno and Horkheimer would agree, produces bad outcomes. 

A better world is possible — just not through the kind of progress touted by liberal politicians. In this 1982 collection, Bookchin sketches such a new world, based on his concept of social ecology — a prescient integration of the people’s desires for a better life, for personal freedom, and for coexistence, mutual aid, and respect.

This is an incredibly intricate book, braiding many strands together to tell the story of people who “might be going to have lived a long, long time from now in Northern California.” One thread tying it all together is Stone Telling, a young girl caught between her mother’s rich tribal life and the militaristic city life of the man who is her father. She tells him, “I am a woman, and make my own choices,” but learns that is not the case in the land of the Condors. Her story illuminates two of the many ways to be human. (I’m re-reading this now.)

I had never heard of Zygmunt Bauman when I picked up this book, but then I couldn’t put it down. By the time I had finished reading it, I was filled with the deepest appreciation and respect for both the man, and his biographer. Bauman’s life spanned almost a hundred years and his story is also the story of Europe, from 1925-2017.

Izabela Wagner has done monumental work to produce a biography worthy of its subject. Her loving respect for Bauman is tangible and adds greatly to the pleasure of reading the story of this extraordinary man’s life: Polish Jew, refugee, soldier, sociologist; an intellectual who spent his life reflecting on what he saw, and speaking and writing about it with pristine clarity.

Erving Goffman was a Canadian sociologist and the founder of the “dramaturgical” tradition within sociology, where metaphors of the stage and theatre are brought to the analysis of everyday life. This particular book is a collection of his early essays concerning “encounters,” or what happens when people, wittingly or unwittingly, come face-to-face and share information, handle interpersonal incidents, and manage identities. With surgeon-like precision, Goffman engages in “micro-sociology” analyses, nuanced descriptions of the ritual expression games in which interactants engage when they come into each other’s presence. The book is a delight to read partly due to Goffman’s uncanny ability to verbally capture the most subtle of expressions and to sum up relevant dynamics within interpersonal interaction; many of his sentences bear the fine-grade clarity of high-definition TV.

This is a profound and disturbing work written after reading his wife’s account of how she, her mother and sister, all of Jewish origin, survived the Nazi/war years in Warsaw (Winter in the Morning by Janina Bauman (1986)). Bauman exposes the popular fallacy that the Holocaust was a singular event, an unfortunate tear in the fabric of civilization, demonstrating with devastating clarity that it was, in fact, a (logical) product of modernism: “Without modern civilization and its most central essential achievements, there would be no Holocaust”.

Ships and boats are good settings for conflict; physical, sociological, and psychological.

No wind to drive the ship, a sick crew, and a mentally unstable first mate beleaguered by the ghost of the previous captain are trials the young captain must deal with. As in all of Conrad's fiction, there is plenty of insight into the human condition revealed through the characters and felt in the subtext. I classify it as a coming-of-age at sea story, drawn from Conrad's own experiences. "Coming-of-age" does not mean "young adult" in my life dictionary. It may continue well beyond the teen years.

Theresa Earenfight is a renowned queenship scholar whose ideas about queens and queenship inspired me when I was a graduate student and continue to excite me today. This is a book that I recommend to my own students as the perfect place to start with medieval queenship. Earenfight’s book moves chronologically across the Middle Ages, drawing together examples of queens from all across Europe to illustrate key ideas about queenship and demonstrate how different women exercised the queen’s office. An engaging read which is underpinned by years of research and deep expertise in the field.

I loved this book because it isn’t just a great story; it demonstrates that the nautical genre, which is supposedly about rugged masculinity, heroism, male bonding, and man against the sea, can be about many other things too, even women!

There is nothing like a ship at sea for creating the ideal hothouse environment for a penetrating study of human nature, especially when you throw a woman into the mix. Clarissa Oakes is a stowaway on a 19th-century sailing ship, the only woman among 200 men, and the perfect catalyst for an explosion of male desire, jealousy, and rage.

It's probably the best book I’ve read in this genre for demonstrating just how much you can stretch the canvas to cover almost every aspect of the human condition.