93 books like The Possessed

A book from the 1920s. The Jazz Age. This book will take you back to that age and time. A book about romance, class divide, and the ‘libertine.’

All the people you cheer for will die. And all the people who you don’t want to survive thrive! And yet, when you finish the book, the story will occupy your mind and heart for a long time. That is the impact of this book! 

Hamlet is one of those literary characters, like Faust, who gains an iconic, extra-literary identity. Moody, hesitant, insolent, and wracked by guilt and doubt, Hamlet marked the eruption into Western literature of self-consciousness as a literary trope. 

Understanding that Rosencrantz and Guildenstern are agents of Claudius, not his true friends, Hamlet mockingly says, “You would pluck out the heart of my mystery.”  Whether considered in psychological, social, religious, historical, or political terms, that “mystery” has for centuries intrigued readers and audiences. I invite you to share that intrigue, or to return to it.

In Henry James’ masterpiece from 1901, Lambert Strether, aged 55, is a Boston Puritan who hasn’t lived. He travels to Paris on an ambassadorial mission.

From the moment of arrival in Paris he is beguiled and intrigued, but unclear what to do. He proceeds to meander through gilded French drawing rooms in which high aesthetic taste of both manner and décor presides. This quiet and modest outsider eventually fills out into the man who runs the show.

Strether has discovered what to know, who to choose, and when to move. Everything depends on it. The method must be learnt in the thick of lived life along the way.

Here is evidence of the existence of a god within, a wisdom of soul with a coherent vision of what matters, one that slyly directs the focus of the person walking confusedly in the world, leading them to move with discrimination.

Nietzsche was the master diagnostician of the challenge of living in a secular world, once God was dead. The Birth of Tragedy develops a powerful theory of culture, its necessity for human wellbeing, and how it works.

The basic assumption is that human life is lived on the surface, driven by a substratum of demonic instincts, nightmare fears, and a barbaric will to lust and sadism. Culture’s task is to transform these unconscious drives into harmonious and beautiful images that capture the mind and give an orderly direction to how humans conduct their lives.

But for culture to have that commanding power it needs to be founded on a fixed and primordial sacred site. Without that, the modern problems rise: nihilism, rancour, and depression.

Due to the financial success of The Exorcist film, a sequel was ordered (The Exorcist II: The Heretic) which had no involvement from the original writer and director and was universally panned. William Peter Blatty then wrote a screenplay for what would have been a sequel to the original film that ignored the second entry. William Friedkin, the director of The Exorcist, was attached but backed out. Blatty turned his inactive script into what became the novel, Legion, which he eventually re-adapted and directed in 1990. The majority of the book is dialogue, so it’s easy to see its origins as a screenplay, but that does not make it any less effective.

This story takes a minor character from the original novel, Detective Kinderman, and chronicles his confrontation with a patient in a mental institution claiming to be possessed by the spirit of a dead… show more.

You’re soon going to notice that I like clever variations on a common theme.

This book is a really fun mishmash of possible ways for possession to happen: a person can be possessed by a friendly ghost, a malevolent demon—or both at once! The heroine travels back in time (unusual for fantasy) and possesses the ghost when she was still alive. Two good guys can occupy the same body without surrendering their autonomy; but one can also take over when the other’s strength fails.

I also like the interweaving of the protagonist’s adventures in both the past and the present with chapters from a thousand-year-old journal. The temporal complexity works well with the way the characters fold into each other.

I’ve spent much of my adult life searching for media that gives me the same feeling as sitting down to my favourite Halloween movies as a kid. The gorgeous, autumnal crunch of Hocus Pocus, the spooky-but-not-scary atmosphere of Tim Burton’s 90’s offerings, the magic and adventure of Willow and The Dark Crystal. It was a big, specific ask, and yet I found it so perfectly in Frances Hardinge. 

My favourite of her books (so far) is A Skinful of Shadows. A twisting, turning, spooky adventure about a girl harboring the spirit of an abused circus bear who must save herself, her doofus brother, and said bear from being hollowed out and used as hosts by their horde of ghoulish ancestors. It’s cozy, clever, spectral perfection.

I love The Host because it has two female heroes, but one is a parasite inside the other. When a parasitic alien race, the Souls, invades earth, Wanderer is placed in the body of Melanie Stryder. When implanted, Souls are supposed to completely subsume the host, but Melanie Stryder won’t give up her mind or her body that easily. Melanie is a hero because of her strength and willingness to sacrifice anything to maintain her autonomy. Wanderer is a hero because of her empathy and willingness to defy the construct of her society and forge a new path. The book is the most interesting portrayal of the capacity for sentient beings to develop empathy against all odds that I’ve ever read. It’s also a remarkable portrayal of a most imaginative female bond.

I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.

The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.

I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.

The Bloodwrath is basically Berserkergang, not possession, right? It affects badgers almost exclusively. What a bummer to be a badger and bear a burden that no one else has!

But it’s a bit more like possession in this book. Lady Cregga has the Bloodwrath more strongly than anyone has ever observed before; her personality seems to reflect this, as she’s impatient, brusque, and aggressive (even for a badger). She’s wounded and loses her sight, and the Bloodwrath goes away.

Even though her personality appears to be tied up with her madness, the Bloodwrath must be something external, since it can leave her without destroying her. Is it an inborn quality or an effect brought about by her personal choices, an appetite that can be satiated, or something else?