Fans pick 96 books like The Possessed

Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.

In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.    

Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs. 

I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,… show more.

In Henry James’ masterpiece from 1901, Lambert Strether, aged 55, is a Boston Puritan who hasn’t lived. He travels to Paris on an ambassadorial mission.

From the moment of arrival in Paris he is beguiled and intrigued, but unclear what to do. He proceeds to meander through gilded French drawing rooms in which high aesthetic taste of both manner and décor presides. This quiet and modest outsider eventually fills out into the man who runs the show.

Strether has discovered what to know, who to choose, and when to move. Everything depends on it. The method must be learnt in the thick of lived life along the way.

Here is evidence of the existence of a god within, a wisdom of soul with a coherent vision of what matters, one that slyly directs the focus of the person walking confusedly in the world, leading them to move with discrimination.

Nietzsche was the master diagnostician of the challenge of living in a secular world, once God was dead. The Birth of Tragedy develops a powerful theory of culture, its necessity for human wellbeing, and how it works.

The basic assumption is that human life is lived on the surface, driven by a substratum of demonic instincts, nightmare fears, and a barbaric will to lust and sadism. Culture’s task is to transform these unconscious drives into harmonious and beautiful images that capture the mind and give an orderly direction to how humans conduct their lives.

But for culture to have that commanding power it needs to be founded on a fixed and primordial sacred site. Without that, the modern problems rise: nihilism, rancour, and depression.

This is a book that lingered in my memory long after I finished reading it. I could identify with the challenging behavior of a teenage daughter and also with the fraught preparations involved in creating the perfect Christmas dinner. From the opening page, I was totally engrossed in the interaction between Holly and her daughter, yet filled with uneasiness as the often banal exchanges between them gave way to a darker, more sinister reality involving Tatiana’s adoption.  

This book chilled me as much as the snow that fell throughout that dreadful Christmas Day but also consumed me until the very last page.

You’re soon going to notice that I like clever variations on a common theme.

This book is a really fun mishmash of possible ways for possession to happen: a person can be possessed by a friendly ghost, a malevolent demon—or both at once! The heroine travels back in time (unusual for fantasy) and possesses the ghost when she was still alive. Two good guys can occupy the same body without surrendering their autonomy; but one can also take over when the other’s strength fails.

I also like the interweaving of the protagonist’s adventures in both the past and the present with chapters from a thousand-year-old journal. The temporal complexity works well with the way the characters fold into each other.

Due to the financial success of The Exorcist film, a sequel was ordered (The Exorcist II: The Heretic) which had no involvement from the original writer and director and was universally panned. William Peter Blatty then wrote a screenplay for what would have been a sequel to the original film that ignored the second entry. William Friedkin, the director of The Exorcist, was attached but backed out. Blatty turned his inactive script into what became the novel, Legion, which he eventually re-adapted and directed in 1990. The majority of the book is dialogue, so it’s easy to see its origins as a screenplay, but that does not make it any less effective.

This story takes a minor character from the original novel, Detective Kinderman, and chronicles his confrontation with a patient in a mental institution claiming to be possessed by the spirit of a dead… show more.

I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.

The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.

I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.

I’ve spent much of my adult life searching for media that gives me the same feeling as sitting down to my favourite Halloween movies as a kid. The gorgeous, autumnal crunch of Hocus Pocus, the spooky-but-not-scary atmosphere of Tim Burton’s 90’s offerings, the magic and adventure of Willow and The Dark Crystal. It was a big, specific ask, and yet I found it so perfectly in Frances Hardinge. 

My favourite of her books (so far) is A Skinful of Shadows. A twisting, turning, spooky adventure about a girl harboring the spirit of an abused circus bear who must save herself, her doofus brother, and said bear from being hollowed out and used as hosts by their horde of ghoulish ancestors. It’s cozy, clever, spectral perfection.

I love The Host because it has two female heroes, but one is a parasite inside the other. When a parasitic alien race, the Souls, invades earth, Wanderer is placed in the body of Melanie Stryder. When implanted, Souls are supposed to completely subsume the host, but Melanie Stryder won’t give up her mind or her body that easily. Melanie is a hero because of her strength and willingness to sacrifice anything to maintain her autonomy. Wanderer is a hero because of her empathy and willingness to defy the construct of her society and forge a new path. The book is the most interesting portrayal of the capacity for sentient beings to develop empathy against all odds that I’ve ever read. It’s also a remarkable portrayal of a most imaginative female bond.