48 books like Legion

A fellow New Englander, Tremblay took me by complete surprise with this novel. In the past, I saw horror defined by slashers, gore, and jump scares. This novel helped me understand that modern horror is a bit savvier and more nuanced, with a stronger focus on emotional suffering.

I really connected with the struggling working-class family and sympathized with their decision to let a documentary film crew create a series about their clearly struggling daughter. The film crew intended to market the girl as possessed by a demon, which the family signs off on in order to collect a desperately needed financial boost.

It expertly explores the hardships of the middle class, sibling love, and the societal hush-hush of mental illness. Plus, it’s got some twists and turns to that made my blood run absolutely cold.

I highly recommend The Taking because it continues to haunt me with existential terror—I have never been as frightened by a horror novel in my life. The struggles of a young couple in the face of an apparent alien invasion are frightening enough, but the imagery is overwhelmingly frightening and powerful. When the reveal comes at the end, the surprise was almost too scary to bear, since it concerns entities in which I truly believe. This book lingers with me… and lingers…. and lingers….

This is one of the books that made me wonder at the world. What begins as a conventional story of a boy haunted by an “imaginary friend” turns into something far more complex and frightening. For most of the novel I had no idea of a theological element in the book, so when that element hit it was a surprise, at least to me. The effect reminded me of Rudolf Otto’s description of meeting a supernatural being as “mysterious, tremendous, and fascinating”—I was pulled in even as I was drawn away.

This novel is the perfect blend of historical fiction and horror, and King perfectly captures small-town rural life among people who hold a little too strongly to both tradition and stereotypes. The novel invokes that particular dread that can only be raised by those philosophical questions that one can’t seem to answer; the horror of the unknown. Plus, given my own book, I have a soft spot for traveling preachers who aren’t what they seem. 

As I read this collection of ghost stories, a sense of awe, wonder, and even joy, came into my mind and heart. These stories are better than those of M. R. James—the twist at the end of each story made me literally chill. Kirk’s world is a Christian world, but he is never preachy, focusing on the storyline. Like Poe, the single effect in the stories is stunning, surprising the reader with marvels and an expanded view of the world. 

Blatty’s classic novel is recommendable as much for its cultural impact, which is of course inextricably bound up with its legendary film adaptation, as for its own content. With the story of young Regan, a 12-year-old girl in the modern technological world who becomes possessed by an ancient demon, Blatty, a committed Roman Catholic, deliberately set out to communicate a vivid sense of supernatural evil to a modern, skeptical, jaded audience. Many people don’t realize that The Exorcist is actually a Christian novel. As Blatty himself later put it, if he could get people to believe, even fictionally/emotionally, in demons, they would also know what it feels like to live in a universe where God and angels are real. The result, regardless of your religious beliefs, is unforgettable.

Whether you believe in Ed and Lorraine Warren’s now legendary cases of paranormal investigation or not is irrelevant to enjoying this “non-fiction” book. The Warrens investigated many of the most famous hauntings from the 1950s to the 1990s—most notably, a murder/haunting in Amityville, NY, a possessed doll named, Annabelle, and a reported poltergeist in the town of Enfield in north London, England—all of which have been dramatized in popular horror movies, further expanding their legacy. The Warrens have their supporters and detractors like anyone claiming to have evidence of the paranormal. The abundance of evidence (“haunted” artifacts, such as dolls, mannequins, stuffed animals deemed responsible for paranormal activity) in the Warren’s cases, however, was stored in their own home which also operated as an occult museum. If you are suffering from the onset of demonic possession, it could be beneficial to chuck Grandma’s hand-me-down Raggedy Ann doll out the window. 

Growing up in Rhode Island, I can't tell you how many times I told someone where I was from, and they would respond with, "Oh, Long Island, New York." Ugh.

Naturally, a haunted house story set in Long Island caught my eye. I can honestly say this book gave me nightmares. Oddly enough, I'm not easily sucked into supernatural thrillers because they often require too big of a leap of faith. The Amityville Horror was different.

My sisters and I all read the book and regularly tried to scare the crap out of each other with scenes from the story. We had a planter shaped like a pig and would carry it into a room, screaming, "Jodie is here!" The book is terrifying and well done.

I was hooked by James Patterson’s first book of the Alex Cross series by James Patterson. A predator that enjoys playing mind games with Detective Cross, and a kidnapping that sends one of those thoughts through your mind, “No, they didn’t do that, did they?” One of the things I enjoyed are the short chapters. It’s filled with psychological suspense, a real thriller that I didn’t want to put down. This is something that I crave in books. For it to grab my attention, hold it, and surprise me at the end. And Patterson delivers.

Dostoevsky’s central character is Nicholas Stavrogin, a Russian aristocrat, around Hamlet’s age. He has the aura of the mysterious stranger, arriving from beyond, haunted, solitary, fearless, and living outside all normal social bounds and conventions. He carries direct Christ allusions, stavros meaning ‘cross’ in Greek. Everybody from his own generation is in love with him, male and female. A few years earlier, adoring disciples travelled the world with him. He taught them that if it could be mathematically proved that the truth excludes Christ, he would choose Christ.

But Stavrogin lost his faith, and thereafter plunged into a life of violence and debauchery, seducing a number of women in the town, even, it is rumoured, raping a twelve-year-old girl. Without faith, he is equally without passion. Having lost the one indispensable thing, he kills himself.