Here are 84 books that The Monk Downstairs fans have personally recommended if you like
The Monk Downstairs.
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I’m an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. I’m a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and vice—without preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.
Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Parkcompellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.
'Full of the energies of discord - sibling rivalry, greed, ambition, illicit sexual passion and vanity' Margaret Drabble
Jane Austen's profound, ambiguous third novel is the story of Fanny Price, who is accustomed to being the poor relation at Mansfield Park, the home of her wealthy plantation-owning uncle. She finds comfort in her love for her cousin Edmund, until the arrival of charismatic outsiders from London throws life at the house into disarray and brings dangerous desires to the surface. Mansfield Park is Austen's most complex work; a powerful portrayal of change and continuity, scandalous misdemeanours and true integrity.
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
Tyler is reliably warm and witty, and here we get to see her apply her trademark abilities to the story of a family of kids who are largely raised by their young Uncle Ian, who cuts short his own college education when he feels responsible for them losing their parents. Ian seeks redemption in raising them within the embrace of the entertainingly funky Church of the Second Chance. Ian is such a good member, the minister eventually tries to recruit him as his successor, which of course, would mean yet more responsibility. I couldn’t help but root for these incredibly vivid characters. And in its treatment of churches and church folks, Saint Maybe manages to be extremely funny and yet not at all disparaging.
NEW YORK TIMES BESTSELLER • The beloved Pulitzer Prize–winning author brings us the story of Ian Bedloe, the ideal teenage son, leading a cheery, apple-pie life with his family in Baltimore. That is, until a careless and vicious rumor leads to a devastating tragedy.
Imploding from guilt, Ian believes he is the one responsible for the tragedy. No longer a star athlete with a bright future, and desperately searching for salvation, he stumbles across a storefront with a neon sign that simply reads: CHURCH OF THE SECOND CHANCE.
Ian has always viewed his penance as a burden. But through the…
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)
As an author who started writing after my child was born with a brain malformation resulting in autism, young neurodivergent/disabled characters who simultaneously possess some brilliant quality became literary gold for me. Readers are oftentimes blinded by the character’s disability. How can this inherently limited person possibly cope with whatever conflict kicks their story into gear? But because these quirkier characters tackle issues in nonconforming ways, they become leaders/heroes not by overcoming disabilities but by leaning into their true brilliance. There’s a heartfelt shift for me when this happens in a story, because those characters are more than their disability, exactly how I view my son.
Owen Meany is born abnormally short-statured to parents who don’t love him, though he finds a best friend who appreciates his spunk.
Not even his best friend, though, can explain why Owen believes he is destined to become a hero, going through crazy lengths to prepare. The crazier his actions became, though, I found myself simultaneously hoping for and dreading the day he would have to use his over-practiced skills. The way this intricate story unfolds still blows my mind, following Owen and his friend John from childhood to adulthood.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
I write in the speculative fiction genre where an overwhelming event, seemingly beyond the control of the main characters, underpins what happens to those characters. Exploring scenarios about how society would change as a result of cyber controlled multiple personality overlays, for example, is a great opportunity for considered thought. I believe that a mind without a question is dead. As a writer, I imbue my characters with this philosophy and then set them free to navigate the vast plane of destiny for themselves.
In my novels, the quiet depth of character development runs parallel to the action. This is the only way to make fighting for one's life mean anything. Shootings, explosions, high body counts, or a countdown to chaos may hold momentary interest but will not create any lasting memory or take-away useful in real life. This story spends quite a lot of time on backstory and the emotional well from which the main characters spring. Some might desire a quicker path through this. Some might not. And quite a few false paths are developed as you’d expect in a who-done-it type novel. The story reaches a driving and satisfying conclusion but some might leave wondering about the author’s opinion of law enforcement as is spoken through her protagonist.
A young mother has done everything possible to put the past behind her, but it might not be enough in a gripping novel of suspense by the Amazon Charts bestselling author of the Jane Doe novels.
Abandoned by her fugitive ex-husband, Lily Brown is rebuilding her life on the edge of a Kansas town that still feels the sting of his crimes. Lily lies low, managing the isolated storage facility where she lives with her twelve-year-old son, Everett, and planning a better future for them both. That requires keeping secrets. Everett has them too.
I love drawing gorgeous, interesting settings. Ever since my parents drove my brother and me across America to visit our cousins in Michigan, I have found myself enchanted by everything from sweet small-towns to pit stops with lots of potential for drama. I have always felt that setting can be its own character. With its bright, sunny suburbs and its dark, shadowy back-alleys, the setting is the centerpiece of any great story.
You might not think about Sparks as a go-to for sweeping countryside settings… and yet his treatment of the North Carolina lends itself so sweetly to this romance, that I bet the story wouldn’t be the same without it. There is something so sexy about a handsome man in blue jeans ambling down a country lane.
A U.S. Marine's brush with death leads him to the love of his life in this New York Times bestseller of destiny, luck, and the redemptive power of romance. After U.S. Marine Logan Thibault finds a photograph of a smiling young woman buried in the dirt during his tour of duty in Iraq, he experiences a sudden streak of luck -- winning poker games and even surviving deadly combat. Only his best friend, Victor, seems to have an explanation for his good fortune: the photograph -- his lucky charm.
Back home in Colorado, Thibault can't seem to get the woman…
As a reader and a writer, I am drawn to the darker side of human nature. Dysfunctional families, toxic relationships, liars, murderers, bring on the bad. An avid reader of horror and thrillers, I love a jaw-dropping twist. I aim for that feeling in my own novels, opening up reader questions and slowly delivering satisfying answers until the final big reveal. While inside my head is very dark and murdery, outside I live a very normal, law-abiding life, in Tampa with my husband, our four kids, and two dogs.
Ruth and Gemma are two moms with opposing lifestyles. Ruth is affluent, while Gemma is struggling to make ends meet. Shunned by the other moms, Ruth clings to Gemma, showering her with gifts and trips and the two become best frienemies. Their toxic relationship is a fun ride, and two separate incidents years apart leave both moms finding themselves on the wrong side of scandal. This book got messier and messier with each page, and I was there for it. Every time I thought I had figured out what was going on, I’d read a sentence and question everything.
A suspenseful, gripping novel about families and friendships torn apart at the seams by obsession, secrets, and betrayal with relentless twists and turns that hurtle forward to a shocking confrontation.
When Ruth, a wealthy divorce e, offers to host the Hillside Academy kindergarten meet-and-greet, she hopes this will be a fresh start for her and her introverted daughter, Marley. Finally, they'll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth's ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts.
What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.
While not written for Young Adults, one of this book’s main characters is a young teen that I believe many of us can relate to; I know I certainly could, having been a total outsider and outcast when I was in school. Thank God, though, that I had both my parents and they were wonderful, and not ‘loopy’ like Marcus’s mom is made out to be. Still, I think that many of us are either going through similar experiences to what Marcus deals with throughout this story, or we went through them as teens. And I believe that, even though the character of Will starts out to be a somewhat reprehensibly selfish person, he learns, as we all need to, that the world doesn’t revolve around us as individuals. At least not all the time.
THE MILLION COPY NO. 1 BESTSELLER THAT BECAMEAN ACCLAIMED FILM STARRING HUGH GRANT AND NICOLAS HOULT
'A very entertaining and endearing read' The Times ___________________
Thirty-six-year-old Londoner Will loves his life. Living carefree off the royalties of his dad's Christmas song, he's rich, unattached and has zero responsibilities - just the way he likes it.
But when Will meets Marcus, an awkward twelve-year-old who listens to Joni Mitchell and accidentally kills ducks with loaves of bread, an unlikely friendship starts to bloom.
Can this odd duo teach each another how to finally act their age?
When I was nine, I was chased by a dog in the woods. It was barking and drooling and seemed intent on attacking me. For all I know, that dog was somebody’s pet, but I was terrified. It took me years to get over a fear of dogs, and even longer to get over a fear of the woods. I suppose that’s why I’ve always gone back to the wilderness as a setting for my novels; I love stories that tap into my strongest emotions. I’m also a physician, and I like exploring what makes us vulnerable—and resilient.
I will admit I came to this book for the author. David Koepp is a renowned screenwriter whose credits includeJurassic Parkand Mission: Impossible, among many others. Screenwriters have to work within the confines of a 120-page format, so it’s no wonder that this novel moves at a lightning pace. I love that it features a deadly fungal organism that could end humanity, but the story is really about the three people desperately trying to contain it.
'Gruesome, terrifying, pulse-pounding' Stephen King
Shortlisted for the CWA Steel Dagger Award for Best Thriller of the Year
'Frightening' Mail on Sunday
When Pentagon bioterror operative Roberto Diaz was sent to investigate a suspected biochemical attack, he found something far worse: a highly mutative organism capable of extinction-level destruction.
Now, after decades of festering in a forgotten sub-basement, the specimen has found its way out and is on a lethal feeding frenzy. And only Diaz knows how to stop it.
He races across the country to help two unwitting security guards - one an ex-con, the other a single mother.…
I'm a fourth-generation “Mainer” and the mother of two boy “wolves,” and I have a deep well of respect for boys and their imaginations in the masculinized culture we swim in. I've seen how much rich thinking is going on in the inner lives of boys. The teenage boy rendered in literature can be a stock character, and I was determined to give them more respect on the page and to explore what’s not said between boy moms and their sons that deeply connects them. I teach widely and write non-fiction as well as fiction and am a founder of a creative writing center in Portland, Maine for kids called the Telling Room.
This is the Mother of all boy mom books. It’s required reading for anyone learning to speak boy. Equal parts despair—Lamott is a single mom who sometimes wants to leave her crying boy outside on the stoop—and equal parts gut punches of hilarious wisdom and ardor about boy life and mom devotion.
This is the journal of the birth of Anne Lamott's son Sam, and their first year together. Coping with being a recovering alcoholic and a single mother, Anne had to face the fact that her best friend since childhood was dying of cancer.
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