75 books like Hardland

It was during the epistemological craziness around the year 2000 that I christened myself a truth warrior. I was already a scientist. Yet I knew there were other important truths, not of the mind but of the heart, truths we discover and marvel over in the realm of art. So as a biology professor I was granted a sabbatical to write the second of three of my novels, about Pliny the Elder. It is through literature, some of my own making, that I find new ways of seeing and experiencing the world: and of discovering and validating what is true, and what is not.

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

During my twenties I served in the United States Navy, and what I experienced there—next to nothing compared to what the characters in the below-mentioned books experience—was traumatic enough to leave me wandering for a dozen years, hitchhiking, traveling around the country in search of some way to get a grasp on my experience. The vestiges of that experience still remain, and much of my writing has been an attempt to understand it.

I’ve loved to read from the moment I discovered I could, going to the library and checking out the max number I was allowed every week. When I discovered romance novels, I’d hide the covers so no one knew what I was reading but I could never stop. My favorites were the ones focusing on marriage of convenience. They have multiple layers of conflict and the happily ever after never comes easy. There is something about forcing two unwilling souls together that makes for some interesting, complicated, explosive, delightful, and heartwarming storylines. No matter the time frame, two people fighting their attraction but ultimately loving hard is worth the read.

As a published author, Debra’s passion for fast-paced, unputdownable novels is unquenchable. She can be ruthless in her criticism, applying the rule, “three strikes and you’re out!”  A firm believer that life is too short to read mediocre books, if she isn’t grabbed by chapter 3, she puts the book down and moves on. She wants a book to make her life better, she wants to feel excitement at picking it back up again, and burying herself in the characters and moods, twists and turns, of a great story. Her writing reflects this same trait, if her words won’t keep the reader totally engrossed, then she won’t write them.

What can better give expertise on the books one loves than decades of reading? I’ve always had a passion for sympathetic, strong characters, especially women. At the core of all my novels, readers will find a sympathetic and strong heroine. In Girlfriend Trouble, Lian is the catalyst that changes the lives of everyone around her for the better; or, more precisely, Lian’s compassion, wisdom, and serene nature are what change things. I’m probably too idealistic, but it’s better than being a cynic. There’s an element of this in all the books I’ve recommended, and those I’ve written. I like to think there’s more of it in the real world too.

I'm a fourth-generation “Mainer” and the mother of two boy “wolves,” and I have a deep well of respect for boys and their imaginations in the masculinized culture we swim in. I've seen how much rich thinking is going on in the inner lives of boys. The teenage boy rendered in literature can be a stock character, and I was determined to give them more respect on the page and to explore what’s not said between boy moms and their sons that deeply connects them. I teach widely and write non-fiction as well as fiction and am a founder of a creative writing center in Portland, Maine for kids called the Telling Room. 

My usual answer, when someone asks me where I live in Philadelphia, is: “Have you seen the Rocky movies, where he’s running through that open fruit/vegetable market? I’m three blocks from there.” I’ve called Philadelphia home for more than 20 years. I’m clearly a big fan, having now written four books about the city. I include a reference to the city’s most famous fictional character in my children’s alphabet book Philadelphia A to Z. In More Philadelphia Murals and the Stories They Tell, I got to tell stories about the country’s largest public art program. In This Used To Be Philadelphia, I told the then and now stories of dozens of city locations.

As a reader and a writer, I am drawn to the darker side of human nature. Dysfunctional families, toxic relationships, liars, murderers, bring on the bad. An avid reader of horror and thrillers, I love a jaw-dropping twist. I aim for that feeling in my own novels, opening up reader questions and slowly delivering satisfying answers until the final big reveal. While inside my head is very dark and murdery, outside I live a very normal, law-abiding life, in Tampa with my husband, our four kids, and two dogs.  

As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.