Here are 85 books that Saint Maybe fans have personally recommended if you like
Saint Maybe.
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I’m an omnivorous reader, a literature teacher, a novelist, and a homeschooling mother of five. I’m a firm believer that literature should be delightful and instructive, and that reading wonderful books should inspire a growth in virtue. At the same time, I loathe cloying, proselytizing presentations of goodness. This is one of the many reasons I love the Gothic; the genre permits me to play around with good and evil, virtue and vice—without preachiness. I am also absolutely terrified of the task of writing a book list and am now going to bury my face in a book before I have time to second-guess any of my own choices.
Jane Austen is unparalleled in her depiction of good and evil on a domestic level. While the situations are slightly less dramatic than in the other books I have selected, Mansfield Parkcompellingly presents the consequences of habituated action. Fanny Price is not perfect and certainly not most people’s cup of tea, but, like all Austen heroines, represents virtue and a growing self-knowledge over the course of the novel. The Crawford siblings are vivid examples of dulled moral vision. Without committing the literary sin of giving away the end, I will say that the “anti-romance” trajectory of the plot is wonderfully satisfying. Further, Sir Thomas Bertram may be my favorite male Austen character of all.
'Full of the energies of discord - sibling rivalry, greed, ambition, illicit sexual passion and vanity' Margaret Drabble
Jane Austen's profound, ambiguous third novel is the story of Fanny Price, who is accustomed to being the poor relation at Mansfield Park, the home of her wealthy plantation-owning uncle. She finds comfort in her love for her cousin Edmund, until the arrival of charismatic outsiders from London throws life at the house into disarray and brings dangerous desires to the surface. Mansfield Park is Austen's most complex work; a powerful portrayal of change and continuity, scandalous misdemeanours and true integrity.
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This is the story of a divorced mom who rents her downstairs apartment to a Catholic monk whose spiritual well has run dry twenty-three years into his vocation, leading him to walk away. I love disgruntled, disillusioned Mike, who can’t help being a stand-up guy, and whose ongoing, sometimes combative correspondence with a former colleague tracks the vagaries of his spiritual life. I love Rebecca and the way she handles insane emotional and practical responsibilities and somehow keeps on going. Most of all, I enjoy the understated, wry way these two fall in love. Farrington’s prose style is beautifully transparent, and he’s intelligent and funny about Christian belief and practice and about romance. There is also a good sequel, The Monk Upstairs.
Rebecca Martin is a single mother with an apartment to rent and a sense that she has used up her illusions. I had the romantic thing with my first husband, thank you very much, she tells a hapless suitor. I'm thirty-eight years old, and I've got a daughter learning to read and a job I don't quite like. I don't need the violin music. But when the new tenant in her in-law apartment turns out to be Michael Christopher, on the lam after twenty years in a monastery and smack dab in the middle of a dark night of the…
As someone who grew up agnostic and somehow ended up an Episcopal Church lady, I’m intrigued by writers who deal with Christian belief respectfully without leaving their sense of humor behind. I don’t believe that faith is required to be moral—my nonreligious parents are more principled than many Christians I know—but I like to see characters work out that tension between what we’re taught in Scripture, what we believe or want to believe, and how we actually live it out in daily life (sins and all). I especially enjoy watching this happen in that peculiar petri dish of personalities that is any local church.
This novel traces the coming of age of the only child, a daughter, of a very traditional Episcopal priest. He struggles with depression, a failed marriage, and his work. She struggles to keep up her father’s spirits and tend to his household, as well as with the abandonment of them by her mother and with the question of who she shall be when she isn’t just tending to her dad. Ultimately, she arrives at a calling of her own. It’s a warm-hearted, leisurely novel that also can be quite comical about church people and human interaction of all kinds, but also treats faith seriously. (There’s also a good sequel that takes us into her ministry, Evensong.)
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I love this book because it shows that being different does not exclude one from being an instrument of God. Owen Meany, with his unusual voice and diminutive stature, is an unforgettable character who, despite seeming out of place, becomes integral to a grander plan. His story resonated deeply with me, reminding me of my journey as a closeted gay man.
Like Owen, I felt different from everyone else and struggled with feelings of unworthiness—feelings that are now far behind me. This book celebrates the unusual and beautifully illustrates that every life has meaning and every person has a role to play.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
This book is about a heroin addict. However, you don’t need to be a heroin addict to sympathize with its protagonist’s existential weariness—or ennui, as the French call it. I know I do. After exiting a rehabilitation clinic, he wanders around listlessly, visiting friends and acquaintances, trying to find a reason to go on, yet finding none.
The story may be better known for the excellent film adaptation by Louis Malle—which switches heroin for alcohol—yet the terse and evocative writing of the original novel nevertheless packs a punch. The fact that the protagonist was closely inspired by the author’s friend lends an element of authenticity to it, making his suffering all the more relevant.
Adapted to film by both Louis Malle and Joachim Trier, this heart-rending and tenderly wrought novel narrates the decline of an artist and heroin addict in 1920s Paris.
Pierre Drieu la Rochelle might be said to be both the Hemingway and the Fitzgerald of twentieth-century French literature, a battle-scarred veteran of the First World War whose work chronicles the trials and tribulations of a lost generation, a man about town, a heartbreaker with a broken heart, a literary stylist whose work is as tough as it is lyrical and polished. Politically compromised as Drieu came to be by his affiliation…
I grew up in a house filled with books as a son of educated, well-read parents. My mother was an English/French/Spanish teacher, and my father was an encyclopedia editor. Among all the books in our downstairs, there was a custom-built coffin bookcase my father kept stocked with his favorite horror novels. He died when I was eleven and in an effort to get to know him better, I started reading the books in that coffin. I was very quickly turned into a horror fan, and a few years later started writing horror stories myself. Every time I start writing another horror story, I know I’m my father’s son.
Straub is a master, but this title is often overlooked. It’s compact, completely engaging, and features some of the best dread-inducing moments I’ve ever read in a horror novel. His writing is a masterclass in dread, and as a writer I return to it often. Much as Tremblay uses the gimmick of reality TV in A Head Full of Ghosts to horrifying effect, Straub employs email in a creepy and sinister fashion.
A woman commits suicide for no apparent reason. A week later, her son—beautiful, troubled fifteen-year-old Mark Underhill—vanishes from the face of the earth. To his uncle, horror novelist Timothy Underhill, Mark’s inexplicable absence feels like a second death. After his sister-in-law’s funeral, Tim searches his hometown of Millhaven for clues that might help him unravel this mystery of death and disappearance. He soon learns that a pedophilic murderer is on the loose in the vicinity, and that shortly before his mother’s suicide Mark had become obsessed with an abandoned house where he imagined the killer might have taken refuge. No…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
I love this book because it is very well written, blending prose and poetry to tell a very compelling and personal story about a young man struggling with a reason for living amid a confusing personal tragedy.
Jaime happens to be my cousin, so of course, I love it for that reason. But that aside, since Jaime is also biracial, this book is a must-read for exploring identity and its emotional implications.
Sixteen-year-old Jayson Porter wants to believe things will get better. But the harsh realities of his life never seem to change. Living in the inland-Florida projects with his abusive mother, he tries unsuccessfully to fit in at his predominately white school, while struggling to maintain even a thread of a relationship with his drug-addicted father. As the pressure mounts, there's only one thing Jayson feels he has control over--the choice of whether to live or die.
In this powerful, gripping novel, Coretta Scott King Award-winning author Jaime Adoff explores the harsh reality of a teenager's life, giving hope even in…
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
The story plopped me down into the plot within the first few pages. I love this Victorian time period. It’s dark and moody without being threatening. You can almost smell the grungy, wet streets and the smog. Lots of twists and turns and characters that are both menacing and charmingly deceptive.
I wasn’t given the answer to all the questions right away, but I liked that, even though I probably could have guessed where it was going. I like a strong plot and strong female characters with their own agenda. And men who can admire, fall in love with, and not be threatened by smart women.
From New York Times bestselling author Amanda Quick comes a delightful romp filled with breathtaking suspense, dazzling wit, and steamy Victorian passion...
The first kiss occurred in a dimly-lit hallway on the upper floor of Elwin Hastings's grand house. Louisa Bryce never saw it coming. Of course, handsome, wealthy Anthony Stalbridge couldn't possibly have had romantic intentions. The kiss was merely meant to distract the armed guard about to catch the two unlikely sleuths. After all, the only thing these two interlopers have in common is a passionate interest in uncovering the dastardly secrets of Mr. Hastings-a prominent member of…
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
Up for a small-town Southern church lady amateur sleuth that kicks ass? After reading Danielle Arceneaux’s cozy-defying debut, my answer is yes!
Story hero Glory Broussard is a small-time bookie, loyal friend, exasperating mother, and intrepid detective. I found myself shaking my head, thinking Oh, no she didn’t! And loving her for it! I admire Arceneaux for crafting Glory as a complicated, hilarious, and surprising character—in other words, a stellar protagonist who is utterly and truly unique.
And there’s more. The bayou setting, Glory’s coffee shop hangout, local criminals, and small-town gossipy intrigue all meld into a steamy, irresistible plot I couldn’t get enough of.
The first in a vivid and charming crime series set in the Louisiana bayou, introducing the hilariously uncensored amateur sleuth Glory Broussard. Perfect for fans of Richard Osman's Thursday Murder Club.
*A New York Times Book Review Best Crime Novel of the Year*
*A Washington Post Best Mystery Novel of the Year*
It's a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend-a nun beloved by the community-has…
I love a book that pulls you into the story, one where maybe you see yourself in the characters. As a boy, I loved to read and would lose myself in books. I find I am drawn to many different types and genres, but especially military or crime dramas. My favorites include historical references and in my own writing I often place characters in an actual historical event, but with a fictional outcome. The most important thing to me is creating a character who is interesting enough to make the reader want more. My personal military experiences were used to begin my first novel while the characters came to life.
Have you ever traveled somewhere, and something doesn’t feel right? There is a world of travelers, nomads, and homeless who live lives none of us can explain or understand. Their world includes strange disappearances or accidents, and authorities who ignore or hide the truth. If you start digging for answers, it might make some people uncomfortable. This is a riveting yarn of a sister who refuses to just let it go and move on with her life. Her fierce determination for answers leads her into her own fight for survival. A can’t put it down thrill ride.
From the author of the “full-throttle thriller” (A. J. Finn) No Exit—a riveting new psychological page-turner featuring a fierce and unforgettable heroine.
Three months ago, Lena Nguyen’s estranged twin sister, Cambry, drove to a remote bridge seventy miles outside of Missoula, Montana, and jumped two hundred feet to her death. At least, that is the official police version.
But Lena isn’t buying it.
Now she’s come to that very bridge, driving her dead twin’s car and armed with a cassette recorder, determined to find out what really happened by interviewing the highway patrolman who allegedly discovered her sister’s body.
