100 books like The Lowlife

I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.

I’m a historian of Muslim – non-Muslim relations in medieval Islam. In all of my publications I've been concerned with the social intersections of different religious communities in the medieval Islamic world, whether through human agency or via institutional arrangements. My goal has been to de-center Islamic history by approaching it from its margins. Hence the choice to study the role of women as agents of religious change in my last monograph Female Power and Religious Change in the Medieval Near East. In this book I address two historical questions which I've always been passionate about, namely the Islamization of the Near East and the place of women in pre-modern Near Eastern societies. 

I am a rabbi, educator, scholar and author who has led congregations, organizations and taught in rabbinical seminaries. As a result, I have always straddled the world of the practitioner and the academician. These books have informed my personal religious practice and outlook, as well as my academic approach to Judaism.

I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell! 

I am a scholar of Kabbalah. My father was a rabbi and I grew up studying Torah with him. He was deeply spiritual, and that drew me to exploring the mystical Judaism. After completing my Ph.D. in Jewish studies, I traveled to India, meditated in the Himalayas, and discovered how mystical teachings East and West are remarkably similar. I taught Jewish spirituality for 20 years at a graduate school in Berkeley. Then a wealthy family approached me and commissioned me to translate the Zohar, the masterpiece of Kabbalah. This took me 18 years and the translation was published in 9 volumes by Stanford University. Now I teach Zohar online.

As both a playwright and novelist, I tend to gravitate to complex characters with an internal struggle. Graphic Nature, my second novel, touches upon a particular character, Edmond de Capitoir, who while considering himself a well-meaning member of society, has kept himself at arm’s length from life in many ways – not the least of which is due to his commitment to his profession as an executioner in 1913 France. Much of the work I've recommended touches upon these similar protagonists who are somehow emotionally closed off and perhaps have developed a certain guilt about their actions by what they experience through the course of these stories – even a need for love.

I am the author of over fifty books for young readers including the Zapato Power series, the Sofia Martinez series, Duck for Turkey Day, Unite or Die: How Thirteen States Became a Nation, Never Say a Mean Word Again, Tag Your Dreams: Poems of Play and Persistence, and The Porridge-Pot Goblin. Many of my books were inspired by my students during my days as a school librarian. Other books were inspired by my work as a Jewish educator in synagogue settings. I read voraciously and review for the Sydney Taylor Shmooze, an online blog about Jewish books.

Change is essential for growth. My degree is in economics and I started out in the corporate world until I had my second child, after which I became a painter and, eventually, a sign language interpreter. My mother was an inspiration to me, believing that learning and adapting are essential to knowing oneself. She was true to her values, proud and independent, rarely caring if others felt differently. At the age of 45, she earned her Bachelor’s degree and began a 30-year career in social work. Because of her influence on me, I tend to gravitate toward protagonists who are headstrong and evolve into self-sufficient, fulfilled individuals.

I am a rabbi, educator, scholar and author who has led congregations, organizations and taught in rabbinical seminaries. As a result, I have always straddled the world of the practitioner and the academician. These books have informed my personal religious practice and outlook, as well as my academic approach to Judaism.

I was born in a log house in Alberta, Canada. I was nineteen months old in August 1939 when my parents decided we should visit my grandmother in Germany and thirteen when we returned. I have been deeply affected by the stories of ordinary families and the trauma they experienced after WWII. To this day, like thousands of others, I feel tremendous inherited discomfort from Nazism and the Holocaust. Our parents' generation did not talk about their wartime experiences, so we must preserve this important part of history and help to relieve the guilt many innocent individuals still harbor while raising awareness of this immensely damaging aspect of war.