100 books like East London

I’m a lover of all things Victorian and an obsessive researcher. Academic libraries are my favourite places in the world and I like nothing more than uncovering some weird nugget of information that forces me to reappraise what I thought I knew. With a PhD in Victorian domestic murder and a fascination with the weirder elements of Victorian life, it was almost inevitable I’d turn my hand to writing crime fiction set in that era. The five books I’ve recommended are some of the best crime novels set in the nineteenth century, but written more recently.

I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.

I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.

I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.

I became interested in the art and written language of ancient Egypt due to its beauty and antiquity. Writing is art and art often contains text in this oldest written African language. I am fascinated with the process of religious change, intercultural interaction, and resistance to colonization. All of these themes are present in the study of the last functioning Egyptian temple, Philae, which is dedicated to the worship of Isis. What is often omitted from the history of this exceptional Egyptian temple is the fact that it was Nubians who defended and sustained the traditional religious practices long after most Egyptians had converted to Christianity. I wrote my book to research and share this neglected history.

I am fascinated by humanity’s search for meaning. That is what I am exploring as I read philosophy and as I write my biographies of extraordinary individuals. Sue Prideaux has written award-winning books on Edvard Munch and his painting The Scream, the playwright August Strindberg, and the philosopher Friedrich Nietzsche. She acted as consultant to Sotheby’s when they sold The Scream for a record-breaking $120 million.

I was infuriated to learn how my government was misrepresenting the recent war in Syria. I learned of this deceit from Syrians who had fled their war-torn country and relayed a very different narrative from the one we're all hearing. From 2016-17 Baylor University’s Institute for Oral History sponsored and archived our collection of audio-recorded interviews of Syrian Christians. This book is the end result of their entrusting us with their harrowing testimonies. I'm a Senior Lecturer in History at Baylor University. I routinely teach, among other courses, the history of the United States from a Global Perspective in which I discuss with my students the same lessons I learned while writing Syria Crucified.

I do what I do for completely self-interested reasons. I am a woman, wife, and mother; a history professor specializing in the Catholic Church and gender; and a Christian (Episcopalian). I used to compartmentalize those roles. I was a Christian at church, a secular scholar at work, etc. It was exhausting. I was frustrated by conflicting messages about gender and faith from my family, profession, and religion. I wanted to be true to all aspects of my identity in all situations, but how? History is full of people who’ve questioned and adapted at the intersections of gender and religion. I learn from their journeys and add another piece of the puzzle.

I have been a scholar of Orthodox Christianity for more than 20 years; & authored or (co-)edited several books. It took the fall of communism to overcome the relative poverty of Western literature & gain better knowledge of the Orthodox religious landscape. Personally, I am interested in the relationship between Orthodoxy and culture/politics. This relationship runs deep into the heart of several Orthodox nations – as the war in Ukraine aptly demonstrates. By the 21st century, Orthodox Christianity is no longer exclusively affiliated with its historical birthplace of Eastern and Southeastern Europe but there are millions of Orthodox Christians in North America and Western Europe.

Cory Hartman (DMin, Gordon-Conwell Theological Seminary) collaboratively crafts practical tools, interactive processes, and breakthrough content for the Future Church Company, three interconnected organizations that exist to help the church embody the movement Jesus founded. I previously served as a pastor for thirteen years and founded Fulcrum Content, a gospel communication training organization.