Here are 87 books that Tales of Mean Streets fans have personally recommended if you like
Tales of Mean Streets.
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I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
Published in 1903, this classic piece of investigative journalism describes novelist/journalist Jack London’s visit to London in 1902, during which he tried to understand how the poor live by living himself as a pauper. Full of vivid descriptions of the people he met as he stayed in doss-houses, walked across the city to find work, and scraped for food, this experience made a profound impression on him. He later said "No other book of mine took so much of my young heart and tears as that study of the economic degradation of the poor." The characters you meet in this book, and their stories, just burst off the page.
The People of the Abyss (1903) is a work of nonfiction by American writer Jack London. Written after the author spent three months living in London's poverty-stricken East End, The People of the Abyss bears witness to the difficulties faced by hundreds and thousands of people every day in one of the wealthiest nations on earth. Inspired by Friedrich Engels's The Condition of the Working Class in England (1845) and Jacob Riis's How the Other Half Lives, London hoped to expose the indignities faced by those left behind by industrialization. In 1902, Jack London traveled to England to live in…
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
This is a little book I bought second-hand. Published in 1896 by the Religious Tract Society, each chapter is based on the author’s visit to different Christian churches and missions in East London. It’s full of lovely illustrations as well as incredible detail about the different communities and ways of life in this part of London.
Nine Stories Told Completely in Dialogue is a unique collection of narratives, each unfolding entirely through conversations between its characters. The book opens with "God on a Budget," a tale of a man's surreal nighttime visitation that offers a blend of the mundane and the mystical. In "Doctor in the…
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
This is a novel about life in the London slums in the 1880s. You really get a sense of just how hard it was to make ends meet in these communities. I loved it for the details about what people ate, where they lived, and the language. I trawled books like this for authentic words and expressions that I could put in the mouths of my characters in my own books.
An exploration of the class struggle in nineteenth century London where a potential inheritance turns family and friends into desperate foes eager to escape their circumstance. A compelling story about greed, deception and the innate need to survive. Michael Snowdon lives like a pauper despite inheriting a massive fortune. He plans to leave his money to Jane, his neglected granddaughter, in hopes that she will spend it on charitable causes. Yet, Michael's estranged son Jonathan wants to acquire the funds for himself. He tries to create a wedge between his father and Jane, making it easier for him to make…
I have been a passionate time traveler since my school days, gobbling down as many books as I could find on castles, galleons, pyramids, and anything else besides. Writing about the past has released me from the present day, and taught me about my own origins. When a reader picks up one of my books, I hope that they’ll follow me back in time for an adventure that brings the past to life and tells us something about ourselves. These books are, in fact, much more than mere books; they are a portal to history, and I thoroughly recommend them.
I think if we went back in time to 1700s London, we would see very little of the wealthy, privileged world so often depicted on stage and screen, and find ourselves far more excited by the filth and clatter of real London–the London of street sellers, stray dogs, pillorying, bawdy houses, and taverns. I know I would.
Without a doubt, all echelons of society took an interest in bawdy houses back then, particularly those in and around Covent Garden, where sex workers milled around the hummums and various shops, pamphleteers, and stalls, selling their wares.
In Hallie Rubenhold’s brilliant book, we get a glimpse into a surprising world, where (mainly) women found misery but also–in some cases–agency and wealth by selling themselves to well-to-do ‘gents’. This book is thrilling and heartbreaking in equal measure, and it proved to be an essential companion as I wandered through the backstreets of old…
***By the No. 1 Sunday Times bestselling author of THE FIVE*** 'A fascinating expose of the seamy side of eighteenth century life' MAIL ON SUNDAY 'Rubenhold's pages practically reek with smelly, pox-ridden Georgian Soho' GUARDIAN -------------------------------------------------------
In 1757, a down-and-out Irish poet, the head waiter at the Shakespear's Head Tavern in Covent Garden, and a celebrated London courtesan became bound together by the publication of a little book: Harris's List of Covent Garden Ladies. This salacious work - detailing the names and 'specialities' of the capital's sex-workers- became one of the eighteenth century's most scandalous bestsellers.
Ever since watching the BBC adaptation ofPride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelicedrew on his illicit love affair with serving girl Sarah Walker. My début Pandorais vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.
On the other side of the coin, there is this behemoth of a book. I’d be lying if I said that its sheer size and tightly-packed text weren’t slightly off-putting, but I consider Cruickshank’s formidable work a must-have for any novelist writing in the Georgian era. Impeccably researched and showing a wide range of social history from the lives of ordinary layman to the wealthy and powerful, it's a truly fantastic resource, and if you’re looking to familiarise yourself with the 'dirty underbelly' of eighteenth-century London (a whole world away from shiny Bridgerton-esque ballrooms and stately homes) then this is absolutely the book for you.
Georgian London evokes images of elegant buildings and fine art, but it was also a city where prostitution was rife, houses of ill repute widespread, and many tens of thousands of people dependent in some way or other on the wages of sin. The sex industry was, in fact, a very powerful force indeed, and in The Secret History of Georgian London, Dan Cruickshank compellingly shows how it came to affect almost every aspect of life and culture in the capital.
Examining the nature of the sex trade, he offers a tantalising insight into the impact of prostitution to give…
Shahrazad’s Gift is a collection of linked short stories set in contemporary Cairo — magical, absurd, and humorous.
The author focuses on the off-beat, little-known stories, far from CNN news: a Swedish belly dancer who taps into the Oriental fantasies of her clientele; a Japanese woman studying Arabic, driven mad…
I'm an English writer now living in the wilds of Tasmania, Australia. My love of books began at school. I devoured the classics and couldn’t wait to audition for the lead in the next school play. Both my father and brother were in the military and I saw firsthand their love and duty for country, and family often with great cost to their mental health and wellbeing. I write stories about heroes like them and the women who win their hearts. Love takes courage.
This collection of short stories has a special place in my heart.
Stories written about people living in the early sixties in working-class London. The colloquial language rings true in my ears, and the stories belong in that special place held dear by my teenage self. Laugh or cry, I pick the book up when I am at most in need of, no place like home, comfort.
Ken Loach made a film based on the book and followed it up with another one of her books. Poor Cow. Dog-eared and well-worn, the books remain on my shelf.
'Her art is ignited by voice, as you hear it, is unquestionable' ALI SMITH, GUARDIAN
'Distinctive, pared-down style' DAVID EVANS, INDEPENDENT
'Unflinching look at the lives of working-class women' DAILY MAIL
Nell Dunn's scenes of London life, as it was lived in the early Sixties in the industrial slums of Battersea, have few parallels in contemporary writing. The exuberant, uninhibited, disparate world she found in the tired old streets and under the railway arches is recaptured in these closely linked sketches; and the result is pure alchemy.
As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below).
This book wrecked me; it’s such a deep dive into the lives of the woman brutally murdered by Jack the Ripper. Rubenhold reconstructs their lives with great empathy, bringing them to the forefront of the story. The five were real women who felt love, pain, and hope—not faceless victims of sensationalized murder.
These women are often portrayed as “five prostitutes” in pop culture, but Rubenhold shows that there is no evidence of sex work for most of the women. This book pulls back the curtain on the tension, violence, poverty, and heartbreak in Victorian London. This book brought me to absolute tears.
THE #1 SUNDAY TIMES BESTSELLER WINNER OF THE BAILLIE GIFFORD PRIZE FOR NONFICTION 2019 'An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming' GUARDIAN
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888.
Living through the Iraq War compelled me to honestly challenge who I was, what I had believed in, and reshape who I am. One aspect to emerge from that is the belief that there is no good war. War is the worst of all endeavors, born from fundamentally weak minds that are blind to imagination and vision. But while I have had a passion for writing about war and speaking out against it, I feel it’s important for people to look beyond my work as just another veteran writing just another war book. In both of my books, the war is a character more than anything else.
While admittedly not a “war” book, Jack London’s masterful novel illustrates notions associated with war and society in an artful way. And he does it within two characters… a truth seeker and a believer in the establishment. From the rich and powerful to the impoverished with no voice, he clearly understood what is behind the masks we don in society. Fantastic read.
The semiautobiographical Martin Eden is the most vital and original character Jack London ever created. Set in San Francisco, this is the story of Martin Eden, an impoverished seaman who pursues, obsessively and aggressively, dreams of education and literary fame. London, dissatisfied with the rewards of his own success, intended Martin Eden as an attack on individualism and a criticism of ambition; however, much of its status as a classic has been conferred by admirers of its ambitious protagonist. Andrew Sinclair's wide-ranging introduction discusses the conflict between London's support of socialism and his powerful self-will. Sinclair also explores the parallels…
I became fascinated with the lives of women around the period of World War Two when I discovered the female aviators of the Air Transport Auxiliary based in England. It wasn’t until I researched the history of reproductive rights after attending the Women’s March in 2017 in Toronto, Canada that I realized the period of the 1930s was a particularly progressive time for women, a time of early feminism. As a novelist I am drawn to the social history and the impact of wars. My first novel explored PTSD, and in this one I’m exploring the lives of women who fought against the gender norms at the time.
The characters in this novel-in-stories are so vivid, you almost flinch at the intimacy and truth of which they speak. There is the sense of a curtain being drawn back to reveal this poignant account of a 70-year marriage that begins during World War Two. Here we have Harry, with the heart of a poet, who is a contrast to Evelyn, tough, and at times acerbic. Though it is Harry that most readers will probably warm to, Evelyn, with her difficult background—an alcoholic father and enabling mother—has had challenges that make her hold herself to a higher standard and therefore makes for a complex character. Inevitably her headstrong nature may be judged more harshly than if these were traits assigned to a man. The writing is lyrical with a precision that marks Kathy Page’s work. Whatever you think about the characters, you will doubtless be affected by their lives as…
A portrait of a turbulent and beautiful seventy-year-long marriage forged during the onset of World War II.
Born in the 1920s on a working-class London street, Harry Miles wins a scholarship and grows into adulthood as a sensitive man, torn between his love for poetry and the immediate demands of the world around him. When he marries the magnetic and demanding Evelyn amongst the outbreak of war, his capacity to love is increasingly tested-up to and beyond when she abandons him on the cusp of death.
An unconventional love story, harrowing and deeply tender, Dear Evelyn studies two people who…
