Fans pick 100 books like A Contract With God

To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.

This book was the first time I read a graphic novel with Jewish themes other than the Holocaust. As a comic book artist who was exploring my Jewish roots, it was eye-opening to read a tale with Jewish characters, especially because it deals with the legend of the Golem, a mystical being made of mud and brought to life through Hebrew incantations.  Add to that great action scenes of 1920s baseball, and it makes for a great read.

In another life, I believe I was a traveling Klezmer musician. I’m not sure why I am not today, but such is how it is. In any case, this book translates the life and energy of Klezmer music into a fun and whimsical tale of a young klezmer musician. Great pacing and fun dialogue keep the story moving. And there’s something about European comics that is a bit more wild and fanciful than American comics.

I came across this book while JT was still working on it in the early 2000s. I contacted him much much excitement because I had never met any other contemporary artists who were interested in translating traditional Jewish legends and midrash into a visual form. When it was finally published, I was blown away at how visually rich it was and how it incorporated the traditional Hebrew text of the Scroll of Esther. And it’s not for kids! A true telling of the story of Esther deserves an R-rating at least. And JT does not shy away from the grittier elements of the traditional story.

In this evocative memoir, the first in a series of three and a New York Times 1982 best book of the year, Simon, a travel writer, captures the world of an immigrant child growing up in the Bronx in the 1920s. Their fathers were harsh disciplinarians; mothers knew abortion to be the most effective birth control; and daughters saw poor scores in math crush their dreams. A story of triumph over the odds, of female rebellion, and of the many ways of learning, this memoir evokes a bygone world that also feels very contemporary.

If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.

An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.

At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York. 

Focus was the sole novel written by acclaimed playwright Arthur Miller. And while Miller would go on to be known primarily as a dramatist, Focus is an exceptional novel with a timely and engaging premise. 

The protagonist is a somewhat introverted man (Lawrence Newman) who is moderately successful in his field, working in New York City, while residing in Queens. Set in 1945, Focus is set during a particular time of unrest, especially in New York City, where many are resentful of the U.S.’s involvement in WWII. This resentment comes to a head when Lawrence needs to be fitted for glasses due to his developing near-sightedness. 

Yet as a result of how he looks with his glasses, people start to assume that he is Jewish, even though he is not. This misidentification not only leads to him being the unwilling recipient of anti-semitism but also leads to his own resentment… show more.

An immersive, impressionistic snapshot of Williamsburg, Brooklyn, as it was in the 1920s and early 1930s, when it was known not for hipsters, craft beer, and creative facial hair but as a Jewish slum rife with yentas and gangsters. Fuchs published this book in 1934 and swiftly followed it up with two more novels, Homage to Blenholt and Low Company. The books didn’t sell, but Fuchs catapulted himself out of the ghetto and into a respectable West Coast life as a Hollywood screenwriter. Only after Fuchs had all but stopped writing fiction did these early books receive a warm reassessment from the likes of John Updike and Jonathan Lethem. Full disclosure: Fuchs was my great uncle! He was the older brother of my maternal grandfather.

Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America.  Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.

If you want to understand the struggle Jews like me face in modern America, read this classic novel.

Two Jewish boys—one secular and the other expected to follow in his father’s footsteps as a Chasidic rabbi—grow up in 1940s Brooklyn against the backdrop of World War II and the founding of Israel. It shows the conflict we face between family expectations and assimilating in a country where we don’t feel fully welcome.