I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.
A highly visual fractured-fairy-tale retelling of Little Red Riding Hood (and a cat who loves cake) from Caldecott Honor–winner Barbara Lehman. With simple picture bubbles and pictograms, this is perfect for budding graphic novel readers. This playful retelling of a beloved classic is a visual delight, with references to other fairy tales hidden throughout Lehman's inviting illustrations. Master of the wordless picture book, Lehman tells a rich story using only pictures, perfect for teaching visual literacy and for young graphic novel enthusiasts.
This is a very meta version of The Three Pigs, which goes on to additionally be a meta version of a book experience. First, we see the wolf blow a pig right out of the story panel border, and then everything really implodes conceptually from there. The pigs then regroup in a non-book void, despite still being in the book we are holding, and from there devise a plan to return to their original story with a wolf-proof reinforcement they got from a different story. Sounds wild? It is.
Satisfying both as a story and as an exploration of story, The Three Pigs takes visual narrative to a new level. When the wolf comes a-knocking and a-puffing, he blows the pigs right out of the tale and into a whole new imaginative landscape, where they begin a freewheeling adventure as they wander-and fly-through other stories, encountering a dragon and a cat with a fiddle, among others. This familiar tale will never be the same old story again.
In this graphic novel adventure (followed by the equally compelling Calamity Jack), the twist is that the story of Rapunzel is set in a magical fantasy version of the Wild West. Yes, you read that right: Fairy Tale + Wild West + High Fantasy. Oh, and humor too. With incredible and satisfyingly dense world-building, all of Hale’s work seamlessly combines to create a complex and believable landscape, unlike anything I’ve seen. The story is gripping, since Rapunzel must basically save the world from magical destruction with her wits, weaponized braids, and her new buddy Jack, the lovable rascal of beanstalk fame.
This stunning, hilarious, and action-packed graphic novel co-written by New York Times bestselling and Newbery Honor winning author Shannon Hale re-imagines Rapunzel's story . . . in the wild west!
Rapunzel escapes her tower-prison all on her own, only to discover a world beyond what she'd ever known before. Determined to rescue her real mother and to seek revenge on her kidnapper would-be mother, Rapunzel and her very long braids team up with Jack (of Giant killing fame) and together they preform daring deeds and rescues all over the western landscape, eventually winning the justice they so well deserve.
The author/illustrator of the truly hilarious Traction man is here! answers the burning question I know I have always had: what happened after the dish and spoon ran away? Spirited illustration and a rollicking storyline imagine the fate of the runaway kitchenware, leading to a final redemption after many wild adventures. A reminder that peripheral characters can have complex lives too.
Hey Diddle Diddle The Cat and the Fiddle The Cow jumped over the Moon. The Little Dog laughed To see such fun And the Dish ran away with the Spoon
That's the bit we know - but have you ever wondered what happened next? Mini Grey, the creator of such favourites as Biscuit Bear and The Pea and the Princess, has this brilliantly funny and wonderfully inventive suggestion, narrated by one of the principal players - the Spoon himself.
Part love story, part crime caper, The Adventures of the Dish and the Spoon is the rags-to-riches and back again tale…
This contemporary retelling of Little Red Riding Hood is moody and pensive, and very unique. It is not humorous, and it is definitely weird - but I find myself having a lasting affection for this strange retelling. In it, two fractious siblings travel via portal (the tunnel) from an urban setting into a forest filled with haunting suggestions of fairy tale imagery. They are forced to face internal challenges in order to escape back to their home, which then changes their relationship roles to each other.
Anthony Browne is at his most brilliant in a new edition of this profound picture book about sibling relations.
Once upon a time there lived a brother and sister who were complete opposites and constantly fought and argued. One day they discovered the tunnel. The boy goes through it at once, dismissing his sister's fears. When he doesn't return his sister has to pluck up the courage to go through the tunnel too. She finds her brother in a mysterious forest where he has been turned to stone...
In another Wild West setting twist, an advice dispensing Rabbi is the vehicle for upcycling traditional folk tales. And it is funny: whether the Rabbi is busting through saloon doors to beat someone to the punchline of an Abe Lincoln joke or using his wits to outsmart bandits or simply helping out with a frontier domestic issue, I find myself literally laughing out loud. The illustrations are charmingly folky, and there is a glossary for the story sources which often turn out to be tales that are many hundreds of years old.
Rabbi Harvey is Back with Ten Hilarious New Adventures
In this follow-up to the popular The Adventures of Rabbi Harvey: A Graphic Novel of Jewish Wisdom and Wit in the Wild West, the Rabbi returns to the streets of Elk Spring, Colorado. Part Wild West sheriff, part old world rabbi, Harvey protects his town and delivers justice, wielding only the weapons of wisdom, wit, and a bit of trickery. These adventures combine Jewish and American folklore by creatively retelling comic Jewish folktales and setting them loose on the western frontier of the 1870s.
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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