Here are 100 books that The Dreamers fans have personally recommended if you like
The Dreamers.
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I grew up on a diet of dystopian fiction, and when I first began taking craft more seriously and diving into short stories, that was the genre I found myself writing most. I suppose what draws me to the genre is how dystopian fiction has the ability to illuminate society’s faults and injustices and humanity as a whole, the bleak futures that it could create if certain ideologies were allowed to persist, the way individual behaviours and actions can well shape the future and dictate whether it becomes one filled with hope or one that falls into disaster.
What fascinates me most about this novella is its ability to capture such depth and fullness in such a short length.
This book explores the concept of time and language, and how the way humans perceive time vastly differs from the alien species, and the way language ultimately affects time perception and decision-making as well.
'A science fiction genius . . . Ted Chiang is a superstar.' - Guardian
With Stories of Your Life and Others, his masterful first collection, multiple-award-winning author Ted Chiang deftly blends human emotion and scientific rationalism in eight remarkably diverse stories, all told in his trademark precise and evocative prose.
From a soaring Babylonian tower that connects a flat Earth with the firmament above, to a world where angelic visitations are a wondrous and terrifying part of everyday life; from a neural modification that eliminates the appeal of physical beauty, to an alien language that challenges our very perception of…
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
This book leans a bit more toward the literary fiction category than do most books I read these days, but it’s among my top five because of two elements it develops, and poignantly so: 1) the constant threat of death for not only the narrator but also others he knows, and 2) a love story.
And the love story, much as it got to me emotionally, never once struck me as sappy. Instead, it was very realistic. Very human. Very no-b.s. As a result, altogether, this novel offers terrific storytelling.
THE ROAD - but with hope. Hig, bereaved and traumatised after global disaster, has three things to live for - his dog Jasper, his aggressive but helpful neighbour, and his Cessna aeroplane. He's just about surviving, so long as he only takes his beloved plane for short journeys, and saves his remaining fuel. But, just once, he picks up a message from another pilot, and eventually the temptation to find out who else is still alive becomes irresistible. So he takes his plane over the horizon, knowing that he won't have enough fuel to get back. What follows is scarier…
Ever since reading Heir to the Empire (Timothy Zahn), I’ve been fascinated by science fiction stories with amazing characters and intriguing concepts. I love finding a new story, especially one that isn’t being talked about, and falling into that world. I still get lost in the worlds of the Deathgate Cycle and Rose of the Prophets because they introduced me to concepts and places I’d never imagined or thought to imagine before reading them. I crafted a world and characters both familiar and alien because of these influences and I’m still drawn to them when I start a new book no one is talking about, like those on this list.
From the moment I first began listening to the audiobook, I fell in love with this story. I was all in the moment Ryland Grace stumbled through answering the question “What is 2 plus 2?” The layering of the story, the threat to Earth concept, the educational presentation of very high-level scientific concepts to an audience of all ages, and the way Andy Weir made this reader feel so many emotions over a rock just keep drawing me back to it.
I literally just finished another listen less than a month ago and already want to go back to a story. I still don’t see many people talking about it. And the ending? Every story has its own perfect dismount landing, and this one nailed it.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish.
Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it.
All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company.
His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through…
Ava Winston likes her life of routine in Lexington, Kentucky. Then a tornado blows it away. Ava is safe in the basement, but when she emerges, only one corner of her home stands. Rather than crumbling under the loss, she feels a load lifted. Maybe something beyond the familiar is…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I’ll read anything with motherhood as an overarching theme.
Set in a near-future America, this novel explores the lives of women dealing with the consequences of legislation restricting reproductive rights. Multiple narrative threads and alternating perspectives offer a complex and interconnected look at the lives of its characters.
SHORTLISTED FOR THE INAUGURAL ORWELL PRIZE FOR POLITICAL FICTION
'Intense, beautifully crafted . . . Her talent is electric. Get ready for a shock' Guardian
FIVE WOMEN. ONE QUESTION: What is a woman for?
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivor, a…
I remember being gifted a copy of a fairy tale book for children by someone my dad worked with as a kid. "Wow, these are really close to the originals," Mom murmured under her breath. "Wait, there are originals?" That set off a chain reaction of a lifelong love of fairy tales, myths, legends, and folk stories. Writing The Tooth Fairy forced me to double-check my lifetime of accumulated knowledge. Plus, being trapped indoors with audiobooks during a global pandemic left me a lot more time to learn! In short: I simply love the old legends.
This book is about a single lady, in an old house, living alone after a recent breakup. Being in a similar situation, it caught my attention and held it. All of a sudden, the strong female lead was battling the fae queen, helping nymphs through rivers, and transforming into a deer while battling addiction! Her best friends were a brownie and a djinn, she worked for a witch, her handyman was a Norse God, and her ex was a literal incubus. I learned a lot from reading this one, but it also got me to lookup more legends independently. Like the one about William Duffy and Janet Bird.
Perfect for fans of Deborah Harkness and Elizabeth Kostova, The Water Watch is a breathtakingly sexy and atmospheric new novel of ancient folklore, passionate love, and thrilling magic.
After casting out a dark spirit, Callie McFay, a professor of gothic literature, has at last restored a semblance of calm to her rambling Victorian house. But in the nearby thicket of the honeysuckle forest, and in the currents of the rushing Undine stream, more trouble is stirring. . . .
The enchanted town of Fairwick’s dazzling mix of mythical creatures has come under siege from the Grove: a sinister group of…
As a journalist and author and a young father, I’ve come to seek more vigorously things that make me smile, things I can cherish and appreciate. My most recent book is dedicated to “the troubled, in trouble, and once troubled.” In promoting the book, I’ve often said I still feel fairly troubled—which is true. Demons never die, we just live to learn with them. So while reading the below books I’ve discovered hallowed moments which fill a person to the brim. After each of these reads I felt that I could surmount most anything.
I first heard Loory’s mirthful story “The Man and The Moose” while sitting in my car in my southern college town. He read it on an episode of This American Life. It was a Wednesday ritual of mine, sitting in that car and listening to stories and giving my entire being to be within them, to be completely enraptured and emphatic for at least that one hour. After hearing the story, I told it to whoever would listen. I remember the story and his voice and the way in which the inanimate became animated, the unpersonafiable personified. That story was a treasure and lives with me. It will, as with the others in this collection, live with you, too.
Loory's collection of wry and witty, dark and perilous contemporary fables is populated by people - and monsters and trees and jocular octopi - who are united by twin motivations: fear and desire. In his singular universe, televisions talk (and sometimes sing), animals live in small apartments where their nephews visit from the sea, and men and women and boys and girls fall down wells and fly through space and find love on Ferris wheels. In a voice full of fable, myth, and dream, "Stories for Nighttime and Some for the Day" draws us into a world of delightfully wicked…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
First of all, I’m an incurable addict to dark romance novels. Why stories for teens specifically? Well, I’m a mom of two girls and I never stop thinking about their future, including their high school years that are always filled with worries, problems, and self-judging issues. Teens are always vulnerable and it’s important to teach them how to overcome their problems and show them why it’s important to rely on their families and be there for their friends when they need them. As well as to help them realize that material things are not the only values in life to hold on to.
A well-thought-out story about the importance of true values, such as friendship and family. It shows just how little youth nowadays care about non-material things and how much attention they pay to outer beauty and perfections. The story teaches you to look deeper and never judge anyone by their appearance.
A broken boy on the path to destruction.A scarred girl without direction.A love story carved in secrets, inked with pain and sealed with a lie.Grace Shaw and West St. Claire are arctic opposites.She is the strange girl from the food truck.He is the mysterious underground fighter who stormed into her sleepy Texan college town on his motorcycle one day, and has been wreaking havoc since.She is invisible to the world.He is the town’s beloved bad boy. She is a reject.He is trouble.When West thrusts himself into Grace’s quiet life, she scrambles to figure out if he is her happily-ever-after or…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
Faithful to its title, this brilliant book starts with the body — an unspeakable injury to the narrator’s body, a crime, a horror. Bernard writes with a specificity that is gut-wrenching without being sensational. And all along, running alongside the sensory language is the author’s intellectual river, constantly washing over and over a moment, a scene, a feeling, a thought. This book includes twelve interconnected essays, each building on the other despite how many years – and miles – separate them.
“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.”
In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and…
I'm a writer who’s always been obsessed with early childhood. No experience we have later in life is any more emotionally charged, resonant, intense, bewildering, or wondrous as those we have as young children. A day can feel like forever; what we imagine can be so vivid as to be indistinguishable from reality; we’re not wholly sure what’s animate and inanimate; we're still at least half-feral. My interest in childhood led me to write about children’s psychology for Psychiatric Times and for the UCLA/Duke University National Center for Child Traumatic Stress. Recently, I designed two related university courses that I teach at Antioch University Los Angeles: Representations of Childhood in Literature and the Trauma Memoir.
Robert Goolrick does not pretend in this memoir to have overcome or prevailed or found redemption from his horrendous childhood. Instead, he tells us the number of psychotropic prescriptions he must take every day just to be able to function. Something unthinkably awful happens in his seemingly genteel family at the hands of the father who is supposed to protect him, and as a result, he will never be the same. When he tries to tell what happened and seek comfort, let alone redress, his whole family turns on him. Yet Goolrick tells this story with an amazing lyricism and compassion. He unravels his tale slowly, protecting and preparing the reader in a way that no one in his family ever protected or prepared him.
It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal.
For one little boy, however, life had become anything but "normal."
To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled…
Emmitt’s plans collapse when his wife, Mirai, suddenly backs out of purchasing their dream home. Disappointed, he’s surprised to discover her subtle pursuit of a life and career in Tokyo.
In his search for a meaningful life in Japan, and after quitting his job, he finds himself helping his mother-in-law…
I’m a narrative nonfiction writer whose subjects range from politics to professional football, from racial conflict to environmental destruction, from inner-city public education to social justice to spinal cord injury. The settings for my books range from the Galapagos Islands to the swamps of rural Florida, to Arctic Alaska. I typically live with and among my subjects for months at a time, portraying their lives in an intimately personal way.
While this book mirrors the template of Darcy Frey’s book and my own, following a high school basketball team through an entire season, the setting—an upper-class, genteel community of white suburbanites in Amherst, Massachusetts—is a world away from that of those stories, and, most importantly, the athletes are female. The Pulitzer Prize-winning author, through her elegant writing, brings a piercing understanding of the obstacles these girls face in the wake of Title IX as they prove their toughness, perseverance, and abilities in a sport traditionally dominated by men.
Originally published in 1995 to huge critical acclaim and a finalist for the NBCC Award for Nonfiction, Madeleine Blais's In These Girls, Hope Is a Muscle is a modern sports writing classic. Now expanded and updated with a new epilogue, Blais's book tells the story of a season in the life of the Amherst Lady Hurricanes, a powerhouse girls' high school basketball team from a small western Massachusetts college town. The Hurricanes were a talented team with a near-perfect record, but for five straight years, when it came to the crunch of the playoffs, they somehow lacked the scrappy, hard-driving…
