Here are 100 books that The Boundless fans have personally recommended if you like
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I'm a gay cartoonist and editor who lives and breathes graphic novels. As an editor at Graphix, Scholastic's graphic novel imprint, I've worked with Dav Pilkey, Jamar Nicholas, Angeli Rafer, Kane Lynch, and many others. As a cartoonist, I'm the author and illustrator of Out of Left Field, which is based on my experiences as a closeted kid on the high school baseball team. So many wonderful books have influenced my journey and career, but these are some of my favorites: groundbreaking graphic novels that helped make Out of Left Field possible.
To put this on a list of gay coming-of-age graphic novels feels potentially like a spoiler, but in the hopes that I’ll convince at least one other person to read this near-perfect book, I’ll take the risk!
A decade after its publication, few, if any, graphic novelists have managed to match the quality of this brilliantly written, elegantly drawn, subtly rendered, and wonderfully atmospheric book about two girls whose sexualities start to manifest during a summer vacation with their families.
Mariko and Jillian Tamaki are always brilliant, but this book remains, in my opinion, their best work.
Every summer, Rose goes with her mum and dad to a lake house in Awago Beach. It's their getaway, their refuge. Rosie's friend Windy is always there, too, like the little sister she never had. But this summer is different. Rose's mum and dad won't stop fighting, and when Rose and Windy seek a distraction from the drama, they find themselves with a whole new set of problems. It's a summer of secrets and sorrow and growing up, and it's a good thing Rose and Windy have each other.
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
Okay, okay, I realize that using webbing isn’t an actual way to get around, but neither is my digger. And I wouldn’t be a reader, writer, or artist today if it hadn’t been for Spider-Man. Young Kevin spent every day imagining the freedom of spinning a web and flying through the air. Even though I grew up in a small town with two steeples and a three-story inn, it was a captivating idea.
And wow does this version of the story kick things up a notch. I mean, I already love the Miles Morales version of Spidey, but Reynolds kicks it all up a notch or five. He has such a deft hand as a storyteller with a message. Never preachy, but deeply felt and funny (sort of like a super-hero version of Jerry Kraft’s New Kid) this was a ride.
“Everyone gets mad at hustlers, especially if you’re on the victim side of the hustle. And Miles knew hustling was in his veins.”
Miles Morales is just your average teenager. Dinner every Sunday with his parents, chilling out playing old-school video games with his best friend, Ganke, crushing on brainy, beautiful poet Alicia. He’s even got a scholarship spot at the prestigious Brooklyn Visions Academy. Oh yeah, and he’s Spider Man.
But lately, Miles’s spidey-sense has been on the fritz. When a misunderstanding leads to his suspension from school, Miles begins to question his abilities. After all, his dad and…
Am I an expert on transportation? No. But I’m fascinated by movement. Physical movement (how do bike gears actually work?) and metaphorical (how does life actually work?) I did enjoy a brief moment as the kind of unofficial bike traffic reporter when I was on CBC Radio here in Canada. I’d report on my 4 am commute to work. But as a writer and illustrator for kids, I know the freedom transportation represents. We all want to fly. In MINRS I write about spaceships. We all want to see the world. In The Fabulous Zed Watson! I write (with my kid Basil) about epic road trips.
One of my kid-lit heroes, and clearly a writer/illustrator who grew up (like me) with a love for the vehicles we saw in science fiction. He has Eva Nine and her pals (and enemies) flying around in ships that are clearly inspired by pod-racers, x-wing fighters, the Millennium Falcon, and Flash Gordon. (Then, as the series goes on, we even get airships!)
But the thing that anchors the series is the wonderfully drawn characters. Eva Nine is all of us as kids… eager to break away but also tied to the adults around us. That tension between knowing when to hold on and knowing when it’s time to say goodbye is what really kept me with her on her journey.
Eva Nine was raised by the robot Muthr. But when a marauder destroys the underground sanctuary she called home, twelve-year-old Eva is forced to flee aboveground. Eva Nine is searching for anyone else like her. She knows that other humans exist because of a very special item she treasures ~ a scrap of cardboard on which is depicted a young girl, an adult, and a robot along with the strange word "WondLa".
Tony DiTerlizzi honours traditional children's literature in this totally original space age adventure: one that is as complex as an alien planet, but as simple as a child's…
I stumbled upon an article about Zippy Chippy and knew, right out of the starting gate, that I needed to share his fascinating tale with young readers. I’m the author of a quintet of hilarious rhyming picture books, including the classic The Butt Book and my “number two” picture book, Poopendous! But this was a horse of a different color for me. It’s my first picture-book biography in prose. When I was a lad, my father would take me, on occasion, to Aqueduct Racetrack. I watched in awe as the horses would thunder by. These boyhood experiences surely planted the seeds. I fell in love with Zippy Chippy, and I know you will, too.
I wear two hats. In addition to being a children’s book writer, I’m also the executive copy editor at Random House Books for Young Readers. I had the good fortune recently to work on a new novel from R. J. Palacio, of Wonderfame. It’s a one-of-a-kind Western that seamlessly and skillfully melds the material and the supernatural worlds. And it’s beautifully written and filled with heart-stopping suspense and iconic characters. Pony, a mysterious horse, leads a boy, Silas, on an epic quest to rescue his father from desperadoes. This haunting, deeply moving coming-of-age tale stayed with me long past its completion.
2
authors picked
Pony
as one of their favorite books, and they share
why you should read it.
This book is for kids age
10,
11,
12, and
13.
What is this book about?
The highly anticipated, unforgettable new story from the internationally bestselling, multi-award-winning author of WONDER.
'Thrillingly told . . . Palacio is a fantastic writer' The Times
'Perfection . . . A beautiful, funny, heart-twisting wonder of a book . . . A brilliant story of love and courage' Wall Street Journal
When Silas Bird wakes in the dead of night, he watches powerlessly as three strangers take his father away. Silas is left shaken, scared and alone, except for the presence of his companion, Mittenwool . . . who happens to be a ghost. But then a mysterious pony shows…
My novel Venice Beach—like the five books I recommend here—has been classified as a “coming-of-age” novel, a classification that I have no quarrels with as long as it’s understood that coming-of-age is not regarded simply as a synonym for “adolescence” or “being a teenager.” The coming-of-age years—generally defined as between ages 12 and 18—are so much more than a period of life wedged between childhood and adulthood. Coming of age is a process, not a block of time; it is a hot emotional forge in which we experience so many “firsts” and are hammered, usually painfully, into the shapes that will last a lifetime.
You’re fifteen years old, living unhappily with your feckless parents and unstable older sister in a small town in Montana. And then your family implodes: your parents are arrested for bank robbery and your sister flees to parts unknown. As troubling as the premise is, Canada becomes even darker and more ominous as young Dell Parsons travels alone to Saskatchewan to live with erstwhile family friends, but in fact enters a whole new world of intrigue and violence. Dell is a stoic character, and you desperately want to see his life take a turn for the better. What you get instead is a case study in resiliency and survival. Ford’s prose is powerful; every word counts, every sentence pulls you deeper into the story.
First, I'll tell about the robbery our parents committed. Then the murders, which happened later.
In 1956, Dell Parsons' family came to a stop in Great Falls, Montana, the way many military families did following the war. His father, Bev, was a talkative, plank-shouldered man, an airman from Alabama with an optimistic and easy-scheming nature. Dell and his twin sister, Berner, could easily see why their mother might have been attracted to him. But their mother Neeva - from an educated, immigrant, Jewish family - was shy, artistic and alienated from their father's small-town world of money scrapes and living…
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
The gold standard source for what life was like for the hardy souls arriving in Upper Canada in the early 19th century. Although writing from a position of relative privilege, Moodie writes of hardships and deprivations that make the modern reader blanch. We wonder whether we could have survived what she and her family endure. She writes with richness and great humanity so that we can vividly imagine what it must have been like for her to be taken from the relatively comfortable life she’d known and to make a life in the bush. Despite her trials and tribulations, she comes to have a great love for the beauty and wildness of her adopted home.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
Gabby Petito. Natalee Holloway. Laci Peterson. These names probably sound familiar. Lauren Cho, Stephany Flores, and Latoyia Figueroa might not. This illustrates what news anchor Gwen Ifill dubbed “missing white woman syndrome,” the disproportionate media coverage in missing persons cases that attractive, upper-middle-class white women receive.
McDiarmid’s moving book illustrates this phenomenon, following the cases of thousands of Indigenous women who have disappeared from a stretch of road in British Columbia dubbed “The Highway of Tears.” For decades, the cases garnered little media attention until a white woman named Nicole Hoar disappeared in 2002, bringing more resources and coverage.
In painstaking detail, this immersive and necessary book follows several of these previously ignored women’s lives, illustrating the systemic issues that failed the victims and their loved ones.
“These murder cases expose systemic problems... By examining each murder within the context of Indigenous identity and regional hardships, McDiarmid addresses these very issues, finding reasons to look for the deeper roots of each act of violence.” —The New York Times Book Review
In the vein of the bestsellers I’ll Be Gone in the Dark and The Line Becomes a River, a penetrating, deeply moving account of the missing and murdered indigenous women and girls of Highway 16, and a searing indictment of the society that failed them.
For decades, Indigenous women and girls have gone missing or been found…
I am an aficionado of lost objects, lost time, afterlives; of writing which never “fitted” its era. Examples would be that of John Aubrey, Herman Melville, Fernando Pessoa, Djuna Barnes, Elizabeth Hardwick, Ralph Ellison… the list goes on. I look for writing that has stood the test of time, not celebrated for the fame and bling of the moment. I look for the futile products of those who possessed genius, but who never earned enough readers until decades or centuries later, once they were released from the prison-house of genre. I look for the posthumous brilliance of language; the phosphoric glow of its offerings and of the buried treasures found therein.
I just love the way she is so contemptuous of people telling false “stories”. Her writing falls between every genre imaginable, a collage of well-researched facts and the indelible list of the horrors of war. She makes lists as monuments to dead victims; she names names; she calls out nationalism and racism. Wry and ironic, she has composed a battle-hymn against the barbarity of the Yugoslav wars between 1991 and 2001. To my lasting regret, I missed meeting her in Melbourne not long before she died.
Tea Radan, the narrator of the novel Canzone di Guerra, reflects on her own past and in doing so, composes a forgotten mosaic of historical events that she wants to first tear apart and then reassemble with all the missing fragments. In front of the readers eyes, a collage of different genres takes place - from (pseudo) autobiography to documentary material and culinary recipes. With them, the author Dasa Drndic skillfully explores different perspectives on the issue of emigration, the unresolved history of the Second World War, while emphasizing the absurdity of politics of differences between neighboring nations. The narrator…
As writers, we believe that if you have something wonderful to say it needs a beautiful book to say it in. In writing six books together, in the area of herbal medicine and foraging, we have been lucky to find publishers who share our beliefs. How it works is that Julie is our qualified herbalist and a photographer, layout, and typesetting specialist, while Matthew is a professional editor, writer, and compulsive compiler of bibliographies and indexes. Our USP is that we insist each plant deserves a recipe or two, and that we feature many forgotten wild plants from the old herbals that we love to bring back to life.
We love Euell Gibbons, the man and book that began it all a lifetime ago! Stalking the Wild Asparagus spurred the rise of foraging and ecological awareness in sixties America, and remains relevant today.
The book is folksy, personal, and inspirational but also remains scientifically accurate, and as a born teacher Euell is careful to define the limits of which foods you can gather and safely eat. It’s a miracle it was published, and we should be immensely grateful to David Mackay Co. of New York for going for it back in 1962–and giving themselves a bestseller.
Nearly sixty years ago an unknown writer named Euell Gibbons (1911-1975) presented a book on gathering wild foods to the New York publisher David McKay Co. Together they settled on the title, Stalking the Wild Asparagus. No one expected that this iconic title would become part of the American language, nor did they anticipate the revival of interest in natural food and in environmental preservation in which this book played a major role. Euell Gibbons became an unlikely celebrity and made many television appearances. Stalking the Wild Asparagus has sold the better part of half a million copies since the…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
This is an exceptionally well-written and meaningful study that has greatly helped me understand how the national subject is conceptualized in Canada. As an immigrant to this country who became a citizen through a challenging and demoralizing process, this book has enabled me to see how some of us are framed as belonging while others are excluded from the Canadian nation. I have also learned how (above and beyond the national mythology surrounding it) multiculturalism has been deployed to boost Canada’s profile as a liberalizing nation while, at the same time, operating as a tool to control ethnic and religious minorities.
Questions of national identity, indigenous rights, citizenship, and migration have acquired unprecedented relevance in this age of globalization. In Exalted Subjects, noted feminist scholar Sunera Thobani examines the meanings and complexities of these questions in a Canadian context. Based in the theoretical traditions of political economy and cultural / post-colonial studies, this book examines how the national subject has been conceptualized in Canada at particular historical junctures, and how state policies and popular practices have exalted certain subjects over others. Foregrounding the concept of 'race' as a critical relation of power, Thobani examines how processes of racialization contribute to sustaining…
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