100 books like The Persons Case

This is the most important book to read if you want to understand (a) eugenics generally and (b) how it played out in Alberta, the part of Canada where these ideas got the most traction. Dyck is a great historian, but even better, she does not forget that history is about real people. Her history is detailed and thorough, but it is not dry. She uses all kinds of interesting sources including courtroom evidence and personal records to bring the issues to life. She also moves the story forward by writing about abortion in the 1970s and 1980s and shows us in a very thought-provoking way the connections between eugenic “fitness” and our notions of “disability” today.

Nellie McClung, one of the “famous five,” is a well-known name in Canadian history for her role in fighting for the vote for women. But it turns out she was also a eugenicist. This book does a great job of knitting those two elements together and explaining not just why so many early feminists also believed in eugenic principles but how those principles were part of the same thinking. One of the challenges in understanding eugenics is answering the question of how it was that ideas, which we find repugnant today, had such power a hundred years ago. Devereux’s Introduction is one of the best things I have read to help grapple with that question.

It is important when trying to understand eugenics in Canada to compare how it played out in this country to its trajectory elsewhere. This helps us understand what the commonalities were in the ideas and also to see how and where specific environments resulted in local incarnations of these ideas. Dowbiggin does this for us with great insight by writing comparatively about psychiatry and eugenics in Canada and the U.S. I knew that psychiatrists had enthusiastically taken up the eugenic cause but this book explains really well how and why this happened on both sides of the border, showing us that the profession’s general support for eugenics was not necessarily (or only) because of the ideas themselves, but for professional and status-building reasons.

This is a book about how eugenic ideas were popularized in early movies. It focuses on one particular movie called The Black Stork which tells the true – and shocking – story of Harry Haiselden, a Chicago physician who was accused of allowing the deaths of so-called “defective” babies in the late 1910s. The book also includes fascinating background about the movie industry at the time, as well as about Pernick’s hunt for a copy of this old film. While it is not about Canada, it nevertheless really helps us understand the way eugenic ideas came before the public and their important relationship to pop culture. It is also a very engaging read which introduced me to the fun of learning about old movies.

Who would have thought that a novel about a ninety-year-old woman determined to avoid being put into a nursing home would become required reading for high school and university students? And yet this novel has been listed by several sources as one of the greatest Canadian novels ever written. Laurence’s writing style inspired me and gave me the assurance to write about Western Canadian history. It demonstrates one of the reasons why Laurence was named posthumously as “A Person of National Historic Significance” by the Canadian government in 2018.

Another book with a delicious cover. I have long since lent my copy out and it never made its way back to me, but I remember the distinctive image of a woman in a black mask. Fairy tales offer dark female characters with a complexity that lends itself to further exploration. Zenia is the Robber Bride of the title and you don’t have to know the fairy tale to guess the story. Three friends share their accounts of how Zenia betrayed them in different ways. The reader forms a vivid picture of Zenia, but also the individual narrators. And there is a thrilling contemporary element to the narrative that propels the story. 

Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.

The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.

Readers are Dianne and her husband Don have been personal friends for many years. Like many people, I was deeply saddened by her untimely death last year. Dianne had a wonderfully fluent written style, so easy to read, and could capture a moment like few others. Her book gives insights into wartime life and the role of women in the early 19th Century in Quebec, Montreal, and Toronto (the York), as well as in Washington DC and Philadelphia. While the men did the fighting, the women backed them up – on the frontier, quite literally. A fascinating book written with passion and insight.

Going to the Vancouver Art Gallery when I was a kid I saw my first Emily Carr painting and it drew me in with its dark beauty.

This book brings to life the story of Emily Carr, a talented painter and (although the word wouldn't have been used then) ecologist. She passionately pursued her art in ways proper young ladies of the time just didn't do. She revered the First Nations people and their cultures. The gift was returned when she received her own honourary name, Klee Wyck (Laughing One) from the Nuu-chah-nulth (Nootka) people.

I love this book because of its honesty, it is about a person and a place, firmly rooted in a love of nature.

This raw, experimental, poetic, and challenging graphic memoir began as an exploration of the work of artist/writer Tove Jannson (the creator of the Moomin novels and comics), but Julie Delporte goes well beyond the confines of criticism or biography to examine deep and difficult questions of gender and the challenge of creating a space to exist as a woman in a world haunted by the legacy of traumas past and present. Delporte’s colored pencil artwork is disarming in its beauty and simplicity, and her spare, intimate insights will stay with you for years to come. An essential read for our times.