Here are 100 books that The Persons Case fans have personally recommended if you like
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I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
This is the most important book to read if you want to understand (a) eugenics generally and (b) how it played out in Alberta, the part of Canada where these ideas got the most traction. Dyck is a great historian, but even better, she does not forget that history is about real people. Her history is detailed and thorough, but it is not dry. She uses all kinds of interesting sources including courtroom evidence and personal records to bring the issues to life. She also moves the story forward by writing about abortion in the 1970s and 1980s and shows us in a very thought-provoking way the connections between eugenic “fitness” and our notions of “disability” today.
Facing Eugenics is a social history of sexual sterilization operations in twentieth-century Canada. Looking at real-life experiences of men and women who, either coercively or voluntarily, participated in the largest legal eugenics program in Canada, it considers the impact of successive legal policies and medical practices on shaping our understanding of contemporary reproductive rights. The book also provides deep insights into the broader implications of medical experimentation, institutionalization, and health care in North America. Erika Dyck uses a range of historical evidence, including medical files, court testimony, and personal records to place mental health and intelligence at the centre of…
I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
Nellie McClung, one of the “famous five,” is a well-known name in Canadian history for her role in fighting for the vote for women. But it turns out she was also a eugenicist. This book does a great job of knitting those two elements together and explaining not just why so many early feminists also believed in eugenic principles but how those principles were part of the same thinking. One of the challenges in understanding eugenics is answering the question of how it was that ideas, which we find repugnant today, had such power a hundred years ago. Devereux’s Introduction is one of the best things I have read to help grapple with that question.
I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
It is important when trying to understand eugenics in Canada to compare how it played out in this country to its trajectory elsewhere. This helps us understand what the commonalities were in the ideas and also to see how and where specific environments resulted in local incarnations of these ideas. Dowbiggin does this for us with great insight by writing comparatively about psychiatry and eugenics in Canada and the U.S. I knew that psychiatrists had enthusiastically taken up the eugenic cause but this book explains really well how and why this happened on both sides of the border, showing us that the profession’s general support for eugenics was not necessarily (or only) because of the ideas themselves, but for professional and status-building reasons.
What would bring a physician to conclude that sterilization is appropriate treatment for the mentally ill and mentally handicapped? Using archival sources, Ian Robert Dowbiggin documents the involvement of both American and Canadian psychiatrists in the eugenics movement of the early twentieth century. He explains why professional men and women committed to helping those less fortunate than themselves arrived at such morally and intellectually dubious conclusions.
Psychiatrists at the end of the nineteenth century felt professionally vulnerable, Dowbiggin explains, because they were under intense pressure from state and provincial governments and from other physicians to reform their specialty. Eugenic ideas,…
I'm a lapsed lawyer who decided as an empty-nest project to take a few history of medicine courses just for fun. One thing led to another and I found myself with a PhD and a book about eugenics and law to my name. I love the history of medicine. It connects us right back to the cavemen who worried about the same things we worry about today – illness, injury, our bodies, reproduction, death, dying. The history of eugenics is really a part of that history and it is filled with laws – coerced reproductive sterilization, marriage restrictions based on so-called “fitness,” etc. So it's a perfect union of my background and my newfound love.
This is a book about how eugenic ideas were popularized in early movies. It focuses on one particular movie called The Black Stork which tells the true – and shocking – story of Harry Haiselden, a Chicago physician who was accused of allowing the deaths of so-called “defective” babies in the late 1910s. The book also includes fascinating background about the movie industry at the time, as well as about Pernick’s hunt for a copy of this old film. While it is not about Canada, it nevertheless really helps us understand the way eugenic ideas came before the public and their important relationship to pop culture. It is also a very engaging read which introduced me to the fun of learning about old movies.
In the late 1910s Dr. Harry J. Haiselden, a prominent Chicago surgeon, electrified the nation by allowing the deaths of at least six infants he diagnosed as "defectives". Seeking to publicize his efforts to eliminate the "unfit", he displayed the dying infants to journalists, wrote about them for the Hearst newspapers, and starred in a feature film about his crusade. Prominent Americans from Clarence Darrow to Helen Keller rallied to his support. The Black Stork tells this startling story, based on newly-rediscovered sources and long-lost motion pictures, in order to illuminate many broader controversies. The books shows how efforts to…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
Who would have thought that a novel about a ninety-year-old woman determined to avoid being put into a nursing home would become required reading for high school and university students? And yet this novel has been listed by several sources as one of the greatest Canadian novels ever written. Laurence’s writing style inspired me and gave me the assurance to write about Western Canadian history. It demonstrates one of the reasons why Laurence was named posthumously as “A Person of National Historic Significance” by the Canadian government in 2018.
Above the town, on the hill brow, the stone angel used to stand. I wonder if she stands there yet...
Hagar Shipley - an irascible, independent nonagenarian - has lived a quiet life full of rage. As she approaches her death, she retreats from the squabbling of her son and his wife to reflect on her past - her ill-advised marriage, her two sons, the harshness of farm life on the prairie, her own failures and the betrayals and failures of others.
I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”
Nobody for my dollar moves between front story and back story better than the Canadian author Alice Munro, whose 2013 Nobel Prize was recognition not only for the brilliance of her career but also for the possibilities of the short story as a form.
The final story in the collection Hateship, Friendship, Courtship, Loveship, Marriage, “The Bear Came Over the Mountain,” is among the most lasting fiction I’ve read, a meditation on memory and its limitations, as well as the compromises people make to help those they love and have hurt.
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves. A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance.…
I served for 40 years in the British Army, including many tours of active duty. I commanded operations in every rank, from Second Lieutenant to Lieutenant General. I had the privilege of commanding not only British troops, but also troops from the USA, Canada, Australia, and more. I was Director-General and Master of the Royal Armouries and since 2013 I have been Visiting Professor in War Studies at King’s College London. I hold three degrees including a PhD. I've published more than 20 books and numerous articles. I continue to learn new things from history every day, as well as passing on our history to others, and that’s what books are all about.
Readers are Dianne and her husband Don have been personal friends for many years. Like many people, I was deeply saddened by her untimely death last year. Dianne had a wonderfully fluent written style, so easy to read, and could capture a moment like few others. Her book gives insights into wartime life and the role of women in the early 19th Century in Quebec, Montreal, and Toronto (the York), as well as in Washington DC and Philadelphia. While the men did the fighting, the women backed them up – on the frontier, quite literally. A fascinating book written with passion and insight.
The War of 1812 between the United States and Britain has been covered in detail by many historians, but its impact on the lives of women has been largely overlooked. After years of research, Dianne Graves has produced a marvelous study of how the war affected women at all levels of society, from high society in Washington and Quebec to the women who followed their husbands to the front lines. She brings to life the untold stories of wives, daughters, heroines and harridans, as revealed in memoirs, diaries and letters of the time. The book is well illustrated with portraits,…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
I both love and hate Zenia as a heroine in this witty, page-turning literary fiction by Atwood. Zenia is one of the cleverest and the most malicious female protagonists I’ve ever known: she constantly deceives her friends with her kaleidoscopic lies; she screws money out of them, and she even steals their men.
Would I want to be friends with her in real life? Probably not. But as a literary character, she stuns and captivates me and allows me to ponder the female transgression that lurks in all of us.
Zenia is beautiful, smart and greedy, by turns manipulative and vulnerable, needy and ruthless; a man's dream and a woman"s nightmare. She is also dead. Just to make sure Tony, Roz andd Charis are there for the funeral. But five years on, as the three women share an indulgent, sisterly lunch, the unthinkable happens; 'with waves of ill will flowing out of her like cosmic radiation', Zenia is back...
I’m an American-born cartoonist who’s been living and working in Montreal since 2015. My mother is from Quebec, and when I immigrated here I was looking to reconnect with my cultural roots. Reading graphic novels from here was a huge part of how I got to know my adopted community. I might be a bit biased, but I have to say Quebec has one of the world’s most vibrant comic arts scenes; a blend of American comic books mixed with Franco-Belgian bande dessinée. With more and more graphic novels from Quebec getting translated into English you’re sure to find something you’ll dig, whether you’re looking for slice-of-life or science fiction.
This raw, experimental, poetic, and challenging graphic memoir began as an exploration of the work of artist/writer Tove Jannson (the creator of the Moomin novels and comics), but Julie Delporte goes well beyond the confines of criticism or biography to examine deep and difficult questions of gender and the challenge of creating a space to exist as a woman in a world haunted by the legacy of traumas past and present. Delporte’s colored pencil artwork is disarming in its beauty and simplicity, and her spare, intimate insights will stay with you for years to come. An essential read for our times.
This Woman s Work is a powerfully raw autobiographical work that asks vital questions about femininity and the assumptions we make about gender. Julie Delporte examines cultural artefacts and sometimes traumatic memories through the lens of the woman she is today a feminist who understands the reality of the women around her, how experiencing rape culture and sexual abuse is almost synonymous with being a woman, and the struggle of reconciling one s feminist beliefs with the desire to be loved. She sometimes resents being a woman and would rather be anything but. Told through beautifully evocative coloured pencil drawings…
I'm passionate about nature, our impact on it and the people who best know how to be its companion – Indigenous peoples. I grew up on B.C.'s west coast, swimming with seals and otters. That inspires me to protect the land and to write and draw about it.
As the author/illustrator of over 70 books I've been lucky to be able to present my thoughts on many topics. I learned early on to do my research and work with rigorous editors. With P'eska, I relied on members of the community I wrote about. I know I'm speaking to young kids so honesty is paramount.
Going to the Vancouver Art Gallery when I was a kid I saw my first Emily Carr painting and it drew me in with its dark beauty.
This book brings to life the story of Emily Carr, a talented painter and (although the word wouldn't have been used then) ecologist. She passionately pursued her art in ways proper young ladies of the time just didn't do. She revered the First Nations people and their cultures. The gift was returned when she received her own honourary name, Klee Wyck (Laughing One) from the Nuu-chah-nulth (Nootka) people.
I love this book because of its honesty, it is about a person and a place, firmly rooted in a love of nature.
Shortlisted for the 2005-2006 Red Cedar Book Award, Nonfiction
Selected as Honour Book by the Children's Literature Roundtable Information Book of the Year
The brilliant artist Emily Carr lived at the edge. When she was born, in 1871, Victoria, British Columbia was a small, insular place. She was at the edge of a society that expected well-bred young ladies to marry. For years, she was at the edge of the world of artists she longed to join.
Emily Carr’s life was not an easy one. She struggled against a family that did not approve of her art and against poor…
